Look beyond playing the “right” notes.

Chops: Advanced
Theory: Intermediate
Lesson Overview:
• Understand how to phrase “outside” notes.
• Learn how to add tension to speedy passages.
• Strengthen your alternate-picking technique. Click here to download a printable PDF of this lesson's notation.

In my earlier years as a guitarist, I was intimidated by the idea of expanding musical lines with notes that weren’t in the scale that was diatonic to the progression or chord I was playing over. What helped me get pass this fear? Studying how some of my favorite players incorporate non-diatonic notes in a systematic way. In this lesson, I’ll share some of the ideas I discovered. We’ll explore the concept of chromatic playing and see how you can include non-diatonic notes in your phrases. I’ll examine how a couple of my favorite players have used the chromatic concept—Steve Morse (Dixie Dregs and Deep Purple) and Ian Thornley (Big Wreck). I’ll also show you an example of how I incorporated chromatic playing into a solo from one of the songs on my latest album. Okay, let’s get started.

First off, let’s define the term chromatic. A quick internet search gives us this definition: Music relating to or using notes not belonging to the diatonic scale of the key in which a passage is written.

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