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Rhythm

Nothing is more visceral than standing in front of a cranked amp and ripping out power chords. Famed string masher Ben Eller shows you the trade secrets behind getting your power chords in shape.
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Rig Rundown: Ariel Posen [2023]

The silky smooth slide man may raise a few eyebrows with his gear—a hollow, steel-bodied baritone and .017s on a Jazzmaster—but every note and tone he plays sounds just right.

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Tired of playing the same old dominant 7 chords during a blues? Let’s fix that.

Intermediate

Intermediate

  • Learn what chord substitutions are and how they work so that you can get more color out of your rhythm guitar playing.
  • Use extensions on dominant 7 chords as a way of creating new substitutions.
  • Play practical examples of substitutions within various blues grooves while maintaining the standard blues harmony.
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Staying creative and phrasing musically while playing chords, especially over a blues progression, seems like an impossibility to many players. After all, most blues songs contain only three chords, the I, IV, and V. So how can you make those simple chords more interesting? The answer is by using chord substitution.

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Photo courtesy of Whitesnake.com

Was Moody and Marsden one of the most underrated guitar duos of all time?

Intermediate

Intermediate

  • Develop a better understanding of blues-rock riffs from the ’70s.
  • Learn how to harmonize solos and riffs.
  • Create interlocking guitar parts that make sense.
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Whitesnake’s self-titled album is a pinnacle of ’80s hard rock, instantly making them one of the biggest rock bands of the era. It was a departure from their previous six albums due to significant lineup changes. Both original guitarists, Micky Moody and Bernie Marsden, had left the band and opened the doors for former Thin Lizzy guitarist John Sykes to join. Sykes’ influence, which began on the 1984 release, Slide It In, moved the band away from its British blues-rock sound towards the more popular American glam-rock vibe. Let’s take a look at the band’s style during the Moody/Marsden era which is often overshadowed by 1987’s incredible success.

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A few simple chords is all it takes.

Beginner

Beginner

  • Learn to play a 12-bar blues, in three different keys, using one shape.
  • Study an assortment of strumming and picking patterns.
  • Gain a basic understanding of the 12-bar blues form.
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As usual, there is more to this lesson than the title implies. We will be working with one chord shape at a time, but over the course of the lesson we’ll study three different shapes. The final example in this lesson incorporates all three shapes to demonstrate how a few basic ideas can provide us with infinite possibilities.

It is important to know that for every chord name in this lesson there are countless shapes—also known as fingerings or voicings—available. For this lesson, I chose what I consider to be the most practical and flexible shapes.

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