Chords

Intermediate

Intermedaite

  • Develop a better sense of harmony and rhythm.
  • Create more interesting comping patterns.
  • Learn how to outline harmony without using chords.
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The intersection between guitar and piano is ever present—and so is the potential for harmonic conflict, especially when improvising. However, guitar and piano can be a wonderful combination. Listen to the recordings of Pat Metheny and Lyle Mays, or Jim Hall and Bill Evans for stellar examples. But if your ears aren’t turned up it can be a recipe for disaster.

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Tired of playing the same old dominant 7 chords during a blues? Let’s fix that.

Intermediate

Intermediate

  • Learn what chord substitutions are and how they work so that you can get more color out of your rhythm guitar playing.
  • Use extensions on dominant 7 chords as a way of creating new substitutions.
  • Play practical examples of substitutions within various blues grooves while maintaining the standard blues harmony.
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Staying creative and phrasing musically while playing chords, especially over a blues progression, seems like an impossibility to many players. After all, most blues songs contain only three chords, the I, IV, and V. So how can you make those simple chords more interesting? The answer is by using chord substitution.

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It’s all about subtle but powerful choices.

Intermediate

Intermediate

  • Learn about appoggiaturas.
  • Develop ways to highlighting dissonance.
  • Transform your playing with pitch-led dynamics.
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Bach’s BWV 995 Sarabande is a special piece of music. It’s sparse, delicate, and deceptively complex even though it looks simple on the page! There are some approaches, informed by Baroque performance practices, that will open your ears to discovering your own musicality within Bach’s music. The piece doesn’t require advanced right-hand classical guitar technique. You can play with a combination of pick and fingers, or fingerstyle. This lesson is not so much about technique, but about the subtle nuances that bring the written note to life. With a little knowledge of Baroque performance practice, you can lend your own interpretation to Bach’s masterpiece.
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Photo courtesy of Whitesnake.com

Was Moody and Marsden one of the most underrated guitar duos of all time?

Intermediate

Intermediate

  • Develop a better understanding of blues-rock riffs from the ’70s.
  • Learn how to harmonize solos and riffs.
  • Create interlocking guitar parts that make sense.
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Whitesnake’s self-titled album is a pinnacle of ’80s hard rock, instantly making them one of the biggest rock bands of the era. It was a departure from their previous six albums due to significant lineup changes. Both original guitarists, Micky Moody and Bernie Marsden, had left the band and opened the doors for former Thin Lizzy guitarist John Sykes to join. Sykes’ influence, which began on the 1984 release, Slide It In, moved the band away from its British blues-rock sound towards the more popular American glam-rock vibe. Let’s take a look at the band’s style during the Moody/Marsden era which is often overshadowed by 1987’s incredible success.

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