How guitarist Garba Touré and his band of refugees fled for their lives and found salvation in rocking, psychedelic desert blues—and made their new album, Optimisme, with producer Matt Sweeney.
Guitarists Lee Kiernan and Mark Bowen shove the envelope on the band’s new album, stomping in sonic mud puddles and mashing electronic music and hip-hop as they abandon their comfort zone.
The outrageous guitar assault of Reba Meyers and Dominic Landolina on the band’s new Underneath explosively combines the analog and the digital—yet honors the heavy throb of hardcore’s beating heart.
British powerhouse Anna Calvi—known for visceral guitar playing and operatic vocals—invites Courtney Barnett, Charlotte Gainsbourg, and others to help rework her 2018 battle-cry, Hunter, into the aptly titled new Hunted.
The Alabama Shakes siren breaks out on her own with Jaime—a visceral solo album on which she uses a broken Japanese guitar and a laptop to explore the deep dance between heartbreak and happiness.
Australia’s Jack McEwan and Luke Parish intuitively combine opposite guitar approaches—DI guitar with traditional vintage tones—while experimenting with harmonies, effects, and even droning sitar on their third LP, And Now for the Whatchamacallit.
The Rush frontman talks about his bass-collecting odyssey—the perils of instrument hunting, the book it inspired, his favorite axes and their sounds, and the people who made and played them.
The renowned gear collector and Wilco frontman discusses making his new solo album, Warm, with a minimal setup: a ’30s Martin, a ’58 Esquire, and a Fender Princeton.
Kevin Starrs reveals how his love for Neil Young sonically inspires his music and why he built his latest concept metal album on a bedrock of pop sensibilities.
The Stooges’ “forgotten boy” is now a patriarch of punk guitar whose passion for playing Les Pauls through dimed Vox AC30s remains undiminished after nearly a half-century.
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