While the DV40 pumps out tones that run a wide gamut, it regularly—and impressively—evoked at least four of my favorite tones: a 1980s Jim Kelley combo, Ty Tabor’s Gretchen Goes to Nebraska tones, Sheer Heart Attack-era Brian May saturation and sustain, and the sounds of a cranked ’70s Orange OR120.
Rather than relying on custom computer hardware the iPB-10 instead uses the same iPad architecture used by thousands of app developers to create a processing machine that you can plug right into a multi-fx pedalboard shell.
The latest addition to the Kendrick amp line is the V-Front series, and it bristles with Tweed-style tones, Kendrick’s renowned 3-knob reverb, and a speaker array designed to disperse signal more effectively.
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