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We’re starting with our favorite amp as the basis for our tone, then we’re using a second amp to blend in with the first, creating our composite signal.
The transition to a digital world comes closer to being completed each day, and in the meantime a new paradox has arisen. While we have the ability to record
Stevie Ray Vaughan, Eric Johnson, Eddie Van Halen, Zakk Wylde, Steve Morse … how do they get that sound? Chances are the subjects of that question are using a composite signal.
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