Ambitious, hot-wired, and frying the fretboard, the breakout artist discusses songwriting, tone, honesty, and ambition. His collaborator and mentor Vernon Reid joins in.
Robin Pecknold wrote and produced the band’s fourth studio album, Shore, on his own, using the guitar like a composer to make textured, orchestral songs that uplift.
A surprising alternative Indonesian tonewood gives this fingerstyle-friendly baby jumbo a clear, powerful low-mid voice. The PG Faith Blue Moon Neptune review.
The acoustic fingerstylist builds his creative legacy with alternate tunings, drones, and Eastern melodies, and spotlights a community of like-minded players with Ten Years Gone: A Tribute to Jack Rose.
The Austin-based classical piano student turned guitarslinger uses gritty old-school tone and new tech to create the hip-hop and modern R&B infused sound of her latest album, Joy.
The Australian folk-rock fingerstylist leads his acoustic muse into electronic music and hip-hop for his trio’s new album but won’t give up his custom 11-string guitar or his organic approach to songwriting.
Earth’s cult-hero guitarist spins stories in sound on his solo debut Conquistador—painting big-brushstroke riffs with a palette of supercharged Fenders, solid-state amps, and a few select stompboxes.
A heavy metal virtuoso steps away from the genre for a solo debut packed with beats, samples, quick-cut style shifts, and—of course—plenty of scalding guitar.
At it for a decade, this young blues-slinger’s self-titled new album marks a musical coming-of-age for the bandleader. Listen to the exclusive premiere of her new single, “Ghost.”
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