Showcasing hundreds of drool-worthy, handcrafted instruments, a new U.S. guitar show makes its successful debut.
Alquier Guitares
French luthier Jean-Yves Alquier displayed several guitars from his Ethiq line made entirely of sustainable bamboo. “Bamboo is one of the fastest-growing renewable resources,” states Alquier. “It absorbs CO2 in large quantities and is the ideal alternative to increasingly scare tropical hardwoods.” To craft guitar parts that would traditionally be made of plastic, Alquier uses a milk protein.
alquierguitar.com
The inaugural Santa Barbara Acoustic Instrument Celebration was held September 29 to October 2 in sunny coastal California. The event brought hundreds of top luthiers and players who displayed their craftsmanship, gave seminars, and held intimate concerts. The Earl Warren Showgrounds served as a fitting venue, as in decades past it hosted concerts from such acts as Led Zeppelin, Jimi Hendrix, the Beach Boys, the Doors, Cream, the Grateful Dead, and Janis Joplin.
The show pulled widely from Canada and Europe, with heavy representation from the U.S. West Coast. Also on sale were top-grade woods, inlay materials, and custom bindings. Luthiers were open with their time, and many fans enjoyed hearing builders talk shop. Among the visitors was Santa Barbara resident and guitar pickup guru, Seymour Duncan, who could be seen checking out all the beautiful instruments on display.
This French luthier's breathtaking designs embrace old-world construction techniques while flouting tradition with classic automobile aesthetics and surprising tonal versatility.
Cajun Country
Definitely not your grandpa’s resonator, the electric Cajun Country model brings modern elegance to an old-timey instrument. The version shown here features a swamp-ash body and a maple neck topped with a stainless steel fretboard. It’s outfitted with dual inputs and features both a Highlander under-saddle piezo pickup and a custom Benedetti single-coil paired with an OxyDrive internal overdrive circuit made by Gamin'3.
Luthier Jean-Yves Alquier’s interest in building guitars was sparked the moment he first held an instrument more than 20 years ago. He didn’t just want to play it—he had to know how it worked. Today, that same curiosity—and a passion for woodworking, drawing, and sculpture—continue to drive Alquier to create a variety of stunning instruments from his workshop in Le Soler, France.
Although Alquier’s background in guitar playing and listening to all types of music—from Bach to Zappa, B.B. King, and John Scofield—is hugely influential on his work, he’s equally inspired by automobile design. In fact, he says cars were the most creative design medium of the 20th century. And he aims to emulate that vibe with his guitars.
Alquier’s artistic skills were mostly self-taught for a number of years, but then in 1995 he set out to travel the world for a year, meeting instrument makers and soaking up live music in Australia, North Africa, Eastern Europe, Vietnam, Malaysia, Thailand, Laos, Cambodia, and Sumatra. With a guitar on his shoulder, he visited numerous Canadian and American luthiers, too, but he says the most valuable meetings were in Asia, where he witnessed traditional instruments being built without complicated tools—including craftspeople using their feet instead of vises! These builders both fascinated him and, in his words, helped “open his mind.” In 1998, Alquier built a classical concert guitar under the supervision of master builder Thierry Jacquet in Montpelier, France, to make sure he was ready and able to be a luthier.
But the cutting-edge designs Alquier is known for today yield little evidence of his initial training in the strict, traditional classical community. And though Alquier continues to build classical instruments (as with his Juliette model named after his daughter), he says he doesn’t want to be “imprisoned in any style.” Even so, he contends that the conservative aspects of classical-guitar luthierie teach technique and rigor. “I think luthiers must know how to build a classical concert guitar in order to really understand guitars.”
Despite his organic introduction to instrument building and the fact that all his instruments are currently handmade, Alquier has no qualms about computer-aided guitar construction, either. In fact, he says that acquiring a CNC (computer numerical control) machine is one of his next steps. “Not having a CNC is a handicap,” he states. “A luthier must not waste time on simple, necessary operations—but he still must not fall 100 percent into the machine-made category and lose the magic of handworking.”
Asked about the “magic” of his own designs and what he thinks sets them apart, Alquier says his main goal is “to simply do the best I can do and in the most sincere way.” He then quotes French composer Erik Satie, who said, “I’ve never written a note that was not sincere,” adding, “I feel the same way about guitar building.”
Pricing and Availability
Alquier builds approximately 20 guitars a year, but he is integrating his friend and fellow builder Marc Senn into the operation to specialize in basses. Alquier’s guitars are currently only available direct. Most orders are custom, and the wait time is approximately six months. Standard models are typically finished in about three months. His instruments range from $3,800 to $12,000.