guitarist

Photo by Michael Mesker

Steve Vai and Favored Nations / Mascot Label Group have announced his new studio album titled Inviolate will be released digitally and on CD January 28, 2022.

The LP will follow on March 18. Today, they present the song “Little Pretty” which can be previewed below. The recording is a dark-toned fusion-funk workout played almost exclusively on a Gretsch hollow body guitar. As for what led Vai to the unusual (at least for him) model, he says, “It’s on the wall with all the other guitars, and I’d always just look at it and go, ‘One day I’m going to play you…’” He continues, “In writing the chord changes for the solo section, and the solo itself, I dug deep into my academic music theory mind to create a set of chord changes where the harmonic atmosphere shifted on every change. The dense chord structures required a series of synthetic modes to navigate. This approach is along the lines of jazz and fusion players, but I knew I did not want it to sound anything like that and the solo had to be totally melodic. The results were pretty powerful in that the entire solo section evokes melodic atmospheric changes that shift dramatically but work together well.”

Read More Show less

For at least a decade, the classic Ampeg SVT was the dominant bass amp for power and tone.

Photo courtesy of ampeg.com

From the giant, hefty beasts of yore to their modern, ultra-portable equivalents, bass amps have come a long way. So, what's next?

Bassists are often quite well-informed about the details of their instruments, down to the finest technical specs. Many of us have had our share of intense discussions about the most minute differences between one instrument and another. (And sometimes those are interrupted by someone saying, "It's all in the fingers.") But right behind our backs, at the end of our output cables, there is a world of tone-shaping that we either simply ignore or just don't want to dive into too deeply. Turning a gear discussion from bass to amp is a perfect way to bring it to an abrupt end.

Read More Show less

Flexible filtering options and a vicious fuzz distinguish the Tool bass master’s signature fuzz-wah.

Great quality filters that sound good independently or combined. Retains low end through the filter spectrum. Ability to control wah and switch on fuzz simultaneously. Very solid construction.

Fairly heavy. A bit expensive.

$299

Dunlop JCT95 Justin Chancellor Cry Baby Wah
jimdunlop.com

4.5
4
4
4

Options for self-expression through pedals are almost endless these days. It’s almost hard to imagine a sonic void that can’t be filled by a single pedal or some combination of them. But when I told bass-playing colleagues about the new Dunlop Justin Chancellor Cry Baby—which combines wah and fuzz tuned specifically for bass—the reaction was universal curiosity and marvel. It seems Dunlop is scratching an itch bass players have been feeling for quite some time.

Read More Show less
x