Made in close collaboration with Slash and the expert luthiers of the Gibson Custom Shop in Nashville, Tennessee and artfully aged by the Murphy Lab to match the original guitar, only 50 of these Collector’s Edition hand-signed guitars will be available exclusively via the Gibson Garage Nashville, alongside an exclusive VIP live performance at the Gibson Garage with the artist this summer. For more details, call the Gibson Garage Nashville (615) 933-6000.
“I used a beautiful and killer sounding 1963 ES-335 Gibson for more than a few songs on Orgy of the Damned,” says SLASH. “Gibson has now built a fantastic replica of this extraordinary guitar. Same dot neck, Bigsby tremolo, and finish. You have to check it out.”
Slash’s original ES-335 is a super clean example from 1963 which proved inspirational when recording his latest solo record, the star-studded blues album Orgy of the Damned, out May 17 on Gibson Records. In celebration of the release of Orgy of the Damned, buyers of the Collector’s Edition SLASH 1963 ES-335 will receive a rare assembly of case candy that includes a hand-signed copy of SLASH’s new album, Orgy of the Damned, a signed copy of the The Collection: Slash coffee table book, and a Certificate of Authenticity. In addition, buyers will be invited to attend a once-in-a-lifetime exclusive VIP experience at the Gibson Garage Nashville, where SLASH and his blues band will treat fans to an intimate live performance and signing event.
Photo by Gibson
For each Slash ES-335 purchase, buyers will receive two (2) tickets to attend an “Evening with Slash & Friends in Nashville, Tennessee” on June 30, 2024. This special evening at the Gibson Garage Nashville includes a live performance with SLASH and his blues band, as well as an intimate, moderated interview with SLASH and Mark Agnesi, Gibson’s Director of Brand Experience, a photo opportunity, receipt of the Slash 1963 ES-335 Collector’s Edition guitar from Gibson Custom, a copy of the new Orgy of the Damned album, and a The Collection: Slash coffee table book, all signed by SLASH. Food and Beverage for the event will be provided onsite.
*Travel expenses for the event are not included, and no cash value has been assigned to the Experience and no exchanges or refunds will be offered or given for those unable to attend the Experience.
Photo by Gibson
Slash announced he will officially release his sixth solo album, a star-studded blues record titled Orgy of the Damned, on May 17, 2024, via Gibson Records (Firebird Music distribution). A collection of 12 dynamic songs that revitalize blues classics, on Orgy of the Damned SLASH reteamed with storied producer Mike Clink and enlisted the album’s diverse guest vocalists, which include Gary Clark Jr., Billy F. Gibbons, Chris Stapleton, Dorothy, Iggy Pop, Paul Rodgers, Demi Lovato, Brian Johnson, Tash Neal, Chris Robinson, and Beth Hart. Rounding out his blues band in the studio and on the road, SLASH reunited with two of his bandmates from his Blues Ball outfit in the 90s, bassist Johnny Griparic and keyboardist Teddy ‘ZigZag’ Andreadis, and brought on drummer Michael Jerome and singer/guitarist Tash Neal.
For more information, please visit gibson.com.
With its distinctive silhouette, Jimmy Page’s Gibson EDS-1275 Doubleneck has become one of the most iconic guitars in history. Jimmy defined the model from the moment his EDS-1275 was delivered to him, which allowed him to play the acoustic and electric 6-string and 12-string parts of the song “Stairway to Heaven” at live performances, and later using it for “The Song Remains the Same,” “The Rain Song,” “Celebration Day,” “Tangerine,” and most recently at the Rock & Roll Hall of Fame last November as a tribute to Link Wray. The EDS-1275 has become synonymous with Page’s legendary stage presence and the electrifying moments that defined a genre.
Every detail has been thoughtfully recreated, from the playing wear to the sonic character of this guitar. Only 50 Collector’s Edition guitars, all hand-signed and played by Jimmy Page, have been created by the expert luthiers of the Gibson Custom Shop in Nashville, Tennessee, and aged to match the original finish by the Murphy Lab as part of this extraordinary Collector’s Edition run.
The Jimmy Page 1969 EDS-1275 Doubleneck Collector’s Edition features a lavish collection of case candy curated by Jimmy Page that features a Certificate of Authenticity Book with a photo taken by Barrie Wentzell, a wooden Pick Display with Herco Flex pick played by Jimmy Page on the specific serialized guitar, a Premium Cherry/Black Leather Strap and Vintage Replica Strap, Schaller Strap Locks, an Embroidered Dragon Guitar Shroud, and a Gibson Doubleneck Stand.
Jimmy Page Gibson 1969 EDS-1275 Doubleneck Collector’s Edition
“One of the most influential musicians in history, Jimmy Page is an icon across all genres of music, art, and culture and co-founder of one of the biggest bands of all time, Led Zeppelin,” says Cesar Gueikian, Gibson CEO. “Being the main music writer in Led Zeppelin, Jimmy leveraged his blues and folk inspirations to orchestrate the pioneering rock sound that became the signature of the band and revolutionized rock across all of its future variations. We are grateful for Jimmy’s trust and partnership, and we look forward to paying tribute to him.”
For more information, please visit gibson.com.
Price: $49,999 USD.
Rhett and Zach kick off the new year with renewed commitment to an old habit: making a daily to-do list, or as Rhett calls it, “the shit list.” The guys debate the finer points of which stationary makes the best to-do list backdrop before they’re joined by Tom Murphy, the preeminent craftsman of guitar-aging and namesake of Gibson’s high-end Murphy Lab.
Murphy, who has been with Gibson for 25 years, takes Rhett and Zach back to the starting line, when he and his friends would buy, trade, mod, poke, and prod any guitars they could get their hands on—Murphy quips that his entire career is in part penance for an early botched attempt at refinishing a ’68 Les Paul. Murphy eventually found his niche in aging: “Who else is gonna take a razor blade and make a bunch of lines on a guitar they just refinished?”
Along the way, Murphy digs into the labor and pricing considerations with heavily aged instruments, including when a third-party guitar sale made him realize he had to raise his rates. His aging and restoration work involves balancing considerations of aesthetic, tone, and playability all at once, which he likens to “the spinning plates guy at the circus.” “Which one can you afford to let fall?” Murphy says. The magic of his work, he explains, is in accentuating the natural properties of the guitars: “Our finish doesn’t make them sound better, it lets them sound better.”
Murphy’s story involves soaring highs, like catching ZZ Top in a tiny club in Houston in the early ’70s, watching Billy Gibbons thrash the very guitar model he would later spend his days working on. But stick around to hear about the dramatic lows, too, like when he witnessed a guitar’s finish shatter before his eyes after a freezing, snowed-in night in Boulder, Colorado.
Murphy doesn’t have plans to retire at the moment, but he has one caveat: “I just don’t wanna be found slumped over a guitar,” he chuckles.
