This New Practice Amp is so Stunning, You'll Want to Display it in Your Living Room
Positive Grid's new Spark Pearl – a limited version of their best-selling smart amplifier – delivers both brilliant looks and tones
Picture this. You've just come home from a long day at work. It's time to kick back, plug in, and let off some steam while playing your guitar.
How do you typically play for fun while at home? Lug out your half stack? Grab that tin-y sounding practice amp from the closet that you purchased 20 years ago?
With Spark Pearl, there's a way to practice, jam and record in style – right there in your living room – and sound great while doing it with access to an endless well of inspiring tones. Positive Grid's brilliantly limited version of one of the industry's most popular desktop amplifiers, Spark Pearl offers all of the same crowd-pleasing smart features of the original amp, like Smart Jam, Auto Chords, and access to over 10,000 tones.
Plus, with its snowy white tolex, gold piping and contrast-stitched custom strap, you'll proudly display it in your living room or home studio. (I mean, just look at that thing!) Spark Pearl is a Bluetooth speaker too, perfect for streaming your favorite tunes to liven up any social gathering.
On its own, Spark Pearl offers seven high-quality amp settings to choose from, including hi-gain, clean and crunch. These sounds can be customized further with bass, mid and treble tone stack controls, plus mod, delay and reverb effects. Users can also save up to four tones directly to the amp for later use.
However, Spark Pearl's inspiring tone creation capabilities go way beyond the amp itself. With the companion Spark app, players can access the same tone engine that put the original Spark on the map. Here, guitarists can craft tones virtually using 30 tube amps and 40 effects powered by Positive Grid's BIAS technology, for perfecting that signature tone of their favorite player or discovering a unique sound of their own. They can also share their sounds using Positive Grid's online ToneCloud, which is home to over 10,000 tones created by famous guitarists, session players, engineers and producers from around the world.
Most pieces of guitar gear are designed with one person in mind -- the guitarist. As a result, thousands of amps and pedals have suffered the fate of being banished to basements, home offices and other designated practice areas. With a compact design highlighted by custom white tolex and gold piping, Spark Pearl looks like it could be a piece of modern home décor just as much as a guitar amp. So whether you want to jam in your living room, bedroom, kitchen, or anywhere else in your house, take comfort knowing that you'll look good in the process - so much so that you'll finally not get yelled at for leaving your gear sitting out in the living room!
Watch Spark Pearl’s premiere here.
An extremely limited quantity will be available in late April, and customers can take advantage of special pricing for early orders. Learn more about Spark Pearl at www.positivegrid.com/spark-pearl/ and sign up to be notified when it's available for purchase.
- Positive Grid Unveils the Spark Pearl - Premier Guitar | The best ... ›
- Positive Grid Unveils Spark | Premier Guitar ›
- 10 Best Portable Amps - Premier Guitar ›
A flea-market find gave our Wizard of Odd years of squealing, garage-rock bliss in his university days.
Recently, I was touring college campuses with my daughter because she’s about to take the next step in her journey. Looking back, I’ve been writing this column for close to 10 years! When I started, my kids were both small, and now they’re all in high school, with my oldest about to move out. I’m pretty sure she’s going to choose the same university that I attended, which is really funny because she’s so much like me that the decision would be totally on point.
The campus looks way nicer than it did back in the ’90s, but there are similarities, like bars, shops, and record stores. Man, our visit took me back to when I was there, which was the last time I was active in bands. Many crash-and-burn groups came and went, and it was then that I started to collect cheap guitars, mainly because it was all I could afford at the time, and there were a lot of guitars to find.
In that era, I was using an old Harmony H420 amp (made by Valco), a Univox Super Fuzz, and whatever guitar I was digging at the time. I was so proud to pull out oddball guitars during shows and just have this totally trashy sound. Squealing and squeaking and noisy as heck, my style was reminiscent of Davie Allan, Ron Asheton, and Chuck Berry. Of course, I was way worse than all of them, but I did have a frenetic energy and I covered up my lack of skill with feedback. During the ’90s, there was a great punk revival, and I loved bands like the Mummies, Teengenerate, the Makers, the New Bomb Turks, and a bunch of others. Bands were embracing lo-fi, and I was planted firmly in that vein. Plus, the guitars I liked to use already sounded lo-fi.
“This was about the trashiest-sounding guitar, but in a good way!”
For a short spell I was using this Greco guitar and, man, this was about the trashiest-sounding guitar, but in a good way! See, Fujigen pickups (like the ones here) have this echoey voice that I describe as an “empty beer can” sound. My Super Fuzz would just destroy these pickups, and I wish I had some recordings from that era, because it was a real scene! I believe this Greco was a flea-market find but it was much later that I found out it was called a Greco Model 912. This was actually a copy of a German-made Framus guitar, but with a lot more glitz and a crazier headstock. Four pickup selector switches, volume/tone knobs, and a rhythm/lead switch rounded out the electronics. Again, these pickups are instant spaghetti-Western movie tone. Airy and bright, the bridge area is like instant, gnarly surf music. Tom Morello of Rage Against the Machine has a similar guitar and John Barrett of Bass Drum of Death was also fond of these pickups. Interestingly enough, these particular Grecos were made in small numbers, ranging between 500 to 600 in total (including all pickup combinations).
The Greco brand was initially owned by the U.S.-based Goya Corporation, but in the late 1960s, Fujigen bought the brand name (for $1,000) and produced a few truly gonzo guitars, including this Model 912. Originally called the GE-4, the four-pickup version sold for $99.50 in 1967. My particular 912 was sold at Sid Kleiner Guitar Studios in Califon, New Jersey (which I learned thanks to the attached store sticker on the headstock).
Aside from the chrome coolness and the four pickups, this model featured a cute little flip-up bridge mute that was all the rage at the time. The body also had some tasteful German carvings around the edges, and as I write this, I am missing this guitar tremendously! But not even close to the way I’m going to miss my girl in a few months. At least I know that she can shop at the same record stores!
The Gristle King himself, Greg Koch, joins reader Bret Boyer to discuss the one album that should be in everyone’s ears.
Question: What albums should every guitarist listen to and why?
Greg Koch - Guest Picker
Recorded in 1964, this album has been essential listening for generations of guitarists.
A: Going from the gut, I would say B.B. King’s Live at the Regal would be something every guitar player should listen to as it is the well from where every other electric blues guitar player drank from—whether they know it or not. Blues Is King is another one, but Live at the Regal is really the essence of what electric blues is all about.
Another worthy choice is this live album from 1966 which features an incredible take on Willie Nelson’s “Night Life.”
Obsession: I would say playing slide in open tunings. I have been playing mostly standard tuning for the simple convenience of it, but nothing is quite as filthy as playing slide in open G or open E. I’ve been bringing out two guitars specifically for those two tunings and it’s been a lot of fun.
Bret Boyer - Reader of the Month
Photo by Jamie Hicks
Recorded in a single take in 1971, Spence’s vocal style complemented his folky, angular guitar approach.
A: If you’ve never listened to the Bahamian guitarist Joseph Spence, you are in for a treat. Joseph is such a unique guitar player and singer, and his music is the purest expression of joy I’ve heard on an album. Start with Good Morning Mr. Walker; it’s a great reminder to have fun and be yourself.
Obsession: Hub Hildenbrand’s music is very personal and unlike anything I’ve heard on guitar. Check out the album When the Night Lost Its Stars. He even bows his 1953 Gibson archtop on two tracks. Hub draws deeply from non-Western music, with a strong influence from the oud tradition in his playing. His music is quiet, deeply reflective, and searching.
Nick Millevoi - Senior Editor
A: Steve Reich’s “Electric Counterpoint,” the original version performed by Pat Metheny. It shows that since the guitar is capable of anything, you might as well use it to do exactly what you want to do and have some fun. And for experimentalists, it’s a great reminder that there’s so much you can do using nice, tonal chords.
Obsession: The EHX Attack Decay has been delivering loads of inspiration lately. After buying one earlier this year, it hasn’t left my board. The premise is simple—create swells with controls for attack and decay speeds—which leaves so much to be discovered.
Ted Drozdowski - Editorial Director
A: Son House’s Father of the Delta Blues, because it’s a reminder that music is something elemental. It comes from the soil and is more deeply embedded in us than our own DNA. House’s performances are Heaven and Hell, doubt and surety, love and death. It’s that raw, true, and beautifully imperfect—poetry that breathes.
Obsession: Prog rock, thanks to recently experiencing the BEAT Tour and David Gilmour live in the same week. That reminded me of how sublime prog can be when it functions on an empathetic level first. My bedrock for prog remains In the Court of the Crimson King.
Don't miss your chance to win a Yamaha Pacifica Standard Plus – the perfect blend of versatility and style. Enter now and make this go-to guitar yours. Giveaway ends January 7!
Yamaha PACS+12 Pacifica Standard Plus Electric Guitar - Sparkle Blue, Rosewood Fingerboard
Pacifica Standard Plus guitars were designed for players seeking to discover their own unique sound. They deliver exceptional sound and playability, and feature a newly designed alder body, slim, C-shape maple neck with a rosewood or maple fingerboard, Reflectone pickups co-developed with Rupert Neve Designs and a choice of four vibrant finishes.