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Pro-Advice

Guest picker and blues bassist Danielle Nicole.

Photo by Missy Faulkner

Blues bassist Danielle Nicole chimes in with PG staff and reader John Seabolt on what amazes them about their favorite guitarists.

Question: What about your favorite guitarists make them great?

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Calling all pedal lovers! You could win one of SIXTEEN pedals in this year's I Love Pedals giveaway. Come back daily for more entries, giving you dozens of chances to win! Giveaway ends March 1, 2024.

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Unlike the interior of your first car, the vinyl on this 172 still looks sharp.

Photo courtesy of L’instrumenterie, Baptiste Zermati, Villeurbanne, France (https://linstrumenterie.com)

Dig into the weird wiring of the Hofner Beatle Bass and 172 guitar.

Hello and welcome back to Mod Garage! In this column, we will have a look at the famous HA2B control-panel wiring from the German Höfner company (often written as “Hofner” without the German umlaut). The control plate became famous on the Höfner violin bass—the model 500/1 that was released in 1956 and is often referred to as the “Beatle Bass” because of Paul McCartney.

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Our columnist considers why we love to accumulate so much gear.

I’ve got stuff. Lots of stuff. It fills up my home and my shop. One of the many things that I’ve collected over the years are backstage passes. My occupation has taken me to a lot of shows—sometimes two or three a night. I’d come home and throw the evening’s pass into a box on a shelf in my coat closet. When the box got full, instead of tossing it, I’d put it away and start another one. This went on for decades. I probably just saved those passes for the same reason I’ve wound up with a lot of things—I like stuff. But not just any stuff. I like good stuff, quality stuff, interesting stuff. As a consequence, I have a lot of it. I’m betting a lot of you do too. Maybe you started young, by collecting trading cards. Maybe you came to it later in life. Maybe you’re thinking of tossing off the anchor and sailing away free.

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The Akai MPC2000.

The use of samples by hip-hop producers is part of a much longer tradition that goes back to the roots of jazz.

A lot has been made of the fact that a large portion of early hip-hop was based on “taking” pre-existing songs and recordings, created decades before, and presenting them in a new, different light. This process was known as sampling, named for the sampler, which could literally record chunks of time as digital audio and allow users to manipulate it at will via keyboards or drum pads.

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