The latest inception of veteran metal guitarist Jeff Loomis and Jackson Guitars features a basswood body and heavy low-end sound.
Jackson and Loomis first collaborated in 2020 to create Loomis’s Pro Series Signature Kelly, an aggressive signature axe featuring a basswood body with a sandblasted ash top, finished in black with white binding giving a distressed and menacing look. This time around, the pair created a seven-string Soloist built to handle the prog metal giant’s furious, intricate playing that afforded him fame with Nevermore and Arch Enemy. The Soloist SL7 will captivate players who strive to emulate the heavy low-end sound and complex arrangements Loomis built his career on.
The Signature model is built to reflect Loomis’s deep knowledge of what makes a guitar perfect for playing metal. His decades of experience taught him that the 26.5” scale length he chose is ideal for perfect intonation across the fretboard of a seven-string. The through-body, graphite-reinforced neck with 12”-16” compound radius bound ebony fingerboard makes for light and dextrous playing. The Seymour Duncan Jeff Loomis Signature Blackouts pickups are designed to cut right through any mix and the Floyd Rose 1500 Series double-locking bridge system was developed to handle the most aggressive bar techniques. Luminlay side dots on the neck allow for playing in the darkest venues and the satin-black, sandblasted top of Loomis Signature Soloist gives it a look that leaps off the stage.
Jeff Loomis Introduces His New Signature Jackson Pro Series Soloist SL7 Model
Features
- Basswood body with sandblasted ash top
- Through-body maple neck with graphite reinforcement and satin color matched back finish
- 12”-16” compound radius bound ebony fingerboard with 24 jumbo frets, pearloid sharkfin inlays and Luminlay side dots
- Heel-mount truss rod adjustment wheel
- Seymour Duncan Jeff Loomis Signature Blackouts bridge and neck humbucking pickups
- Floyd Rose 1500 Series double-locking tremolo bridge system
- Jackson sealed die-cast tuners and Dunlop dual-locking strap buttons
Available in Satin Black with white binding, matching Jackson pointed 7-in-line headstock and black hardware. For more information, visit www.jacksonguitars.com. $1,699.99 USD.
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Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
