Premier Guitar features affiliate links to help support our content. We may earn a commission on any affiliated purchases.

Mick Taylor Goes Digital?

Mick Taylor, cohost of That Pedal Show, joins Zach on this episode, where they cover a whole lot of ground talking pedals, mental health, and more. The two discuss what it's like to have Mick's level of influence on the industry and how to overcome various forms of stage fright, before dipping a rig where some "shots" are fired.


Mick Taylor Goes Digital? | Dipped in Tone Podcast

Thanks to Sweetwater for sponsoring this episode.

Head to sweetwater.com/dippedintone to enter to win one of 2 rigs hand-picked by Rhett and Zach! Giveaway ends May 21, 2023

An ’80s legend returns in a modern stompbox that lives up to the hype.

A well-designed recreation of one of the most classic tone tools of the ’80s. Sounds exactly like the tones you know from the original. Looks very cool.

If you don’t like ’80s sounds, this isn’t for you.

$229

MXR Rockman X100

jimdunlop.com

5
5
5
5

Was Tom Scholz’s Rockman the high-water mark of guitar-tone convenience? The very fact that this headphone amp, intended primarily as a consumer-grade practice tool, ended up on some of the biggest rock records of the ’80s definitely makes a case. And much like Sony’s Walkman revolutionized the personal listening experience, it’s easy to argue the Rockman line of headphone amps did the same for guitarists.

Read MoreShow less

Warm Audio introduces the Fen-tone, a modern ribbon microphone inspired by a classic 50s Danish design.

Read MoreShow less

AI, which generated this image in seconds, can obviously do amazing things. But can it actually replace human creativity?

Technology has always disrupted the music biz, but we’ve never seen anything like this.

Read MoreShow less

Our columnist’s bass, built by Anders Mattisson.

Would your instrumental preconceptions hold up if you don a blindfold and take them for a test drive?

I used to think that stereotypes and preconceived notions about what is right and wrong when it comes to bass were things that other people dealt with—not me. I was past all that. Unfazed by opinion, immune to classification. Or so I thought, tucked away in my jazz-hermit-like existence.

Read MoreShow less