Baroni Recording Amps: Faithful tone to iconic amps in rock history. High-Voltage Class A tube preamp and analog simulation for direct FOH or DAW use. VARICAB circuit for realistic cab simulations. Perfect for pedal demos and connecting pedalboard to DAW.
Baroni (A Foxgear Brand) Is proud to introduce its first range of Recording Amps with a range of five products designed to replicate five of the most iconic amps in rock history, including Fender, Marshall, Hiwatt, Orange and Vox. Each Baroni Recording amp is made of a High-Voltage Class A tube preamp and a renewed analog simulation that mimics all the chain after the preamp such as the power section, the speaker, the microphone, and preparing the signal in a 100% analog way to go direct to FOH console, or into the Audio Interface of your DAW. Thanks to the VARICAB circuit, introduced last year into Foxgear’s Miniamp series, and recently updated, and thanks to two separate control of Gain (Body) and Volume on the preamp section, you can truly mimic the behavior of the real amplifier, including the grit or bottom-end/punch usually added by the power tubes before to go to the XLR balanced out with a faithful recreation of your favorite sound with a big advantage: Eating Pedals perfectly.
Each Recording Amp also boasts a series fx loop, and a traditional TS Jack out to use as a standard preamp going into the return section of an amp, or into a power amplifier.No dozens of options, just pure tone straight to the point to not compromise the easy to use with pedals. Some YouTubers have already ordered their one to be used as their main interface to do pedal demos.
Baroni Preamps/D.I. Recording Amps Highlights include:
- Faithful tone to the original Amplifier
- 100% Analog signal path and Cab Simulation- Infinite and real-time changing cab simulations with VARICAB
- The definitive device to connect your pedalboard to your DAW without compromises.
For more information, please visit foxgeardistribution.com.
With remarkably tube-like responsiveness and nice extras, this class-D amplifier-and-distortion-box combo packs impressive punch.
For a long time, your average guitarist would only discuss a little solid-state or digital amp like the Mini Amp 50 stompbox from Baroni Lab in Genoa, Italy, in the context of using it as a backup should their badass tube amp bite the dust mid-gig. But quality designs like Baroni’s latest class-D offering now make the prospect much more intriguing for both practicality’s sake and tone’s.
With an output of 40 watts at 8 ohms, a speaker-simulated out, an effects loop, a 3-band EQ, and a pre-loop footswitchable distortion circuit, the Mini boasts full-range fidelity—with healthy bass and sparkling trebles and upper mids—and a tube-like responsiveness that’s somewhere between a brawny “American” design and a lower-powered “British” flavor. That said, with master cranked, the Mini breaks up and gets about as loud as a similarly set tube amp of half its wattage.
My only complaints with the Baroni concern the distortion circuit: While there’s plenty of crunch, saturation, and singing sustain on tap, engaging it—even with drive at minimum and drive volume at unity gain—reduces the Mini’s clarity, note articulation, and bass oomph. A separate EQ for the preamp (like Baroni’s 100- and 200-watt models have) would likely help alleviate this.
Test gear: Gretsch G6609TFM Players Edition Broadkaster, Goodsell open-back 1x12 with ceramic Weber Blue Dog, Goodsell closed-back 1x12 with ceramic Weber Silver Bell, various pedals.
Recorded through a Royer R-121 into an Apogee Duet then into GarageBand.
Clip 1: Gretsch Players Edition Broadkaster (neck pickup) into MXR Reverb then into Mini Amp—with drive circuit disengaged, master at 4 o’clock, bass and mids at noon, and treble at 3 o’clock—into Goodsell open-back 1x12 with ceramic Weber Blue Dog.
Clip 2: Clip 1 rhythm track plus lead track on Gretsch Players Edition Broadkaster (neck pickup) into MXR Reverb then into Mini Amp—with drive at minimum, drive vol. at 10 o’clock, master at 4 o’clock, bass and mids at noon, and treble at 3 o’clock—into Goodsell open-back 1x12 with ceramic Weber Blue Dog.
Ratings
Pros:Nice, tube-like tones. Handy effects loop and speaker-simulator output. Potential gig saver.
Cons:
Drive circuit decreases clarity and lacks its own EQ. Class-D output not as loud as similarly rated tube amp.
Street:
$249
Company
baroni-lab.eu
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