It’s built to better fit pedalboards—but three switchable voices make it more versatile, too.
RatingsPros:Wide range of wah voices. Smooth sweep. Torque-adjustable treadle stays parked when you want it to. Top-mounted jacks. Bypass LED. Cons: Voice switch could be bigger and easier to see. Street: $129 Dunlop Cry Baby Junior jimdunlop.com
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Wah pedals lagged so far behind in the scramble to become “pedalboard friendly" that I came to relish the stubborn resistance to shrinkage. Dunlop went a long way to undoing big-wah design entrenchment with their Mini Wah. But they've really refined the wah's relationship to the pedalboard with the Cry Baby Junior.
The 8"-long Junior shares a few features with the Mini—most notably the 3-position voice switch. But where the Mini's switch was stashed inside the enclosure, Junior's is on the enclosure's right side. The easier access is welcome because switching between the three distinct voices—the high-focused GCB95, the midrange-y vintage setting, and the low-frequency voice—opens up many tone options. The low-frequency and vintage voices, in particular, reveal many cool parked-wah tones through the pedal's sweep, especially in the toe-down position. And speaking of sweep, Junior's is as conducive to slow, controlled filter sweeps as quick-flickin'quack-funk moves.
While clearly more compact than a full-sized wah, its footprint—which was developed with help from Pedaltrain—isn't the only board-optimizing feature. Top-mounted jacks, a flat, rubber bottom panel, and a bright bypass LED on the heel of the enclosure also help make the Junior a wah that space-conscious players can love.
Test Gear: Fender Telecaster, Fender Vibro Champ
Watch our First Look demo of the Dunlop Cry Baby Junior
Weird is wonderful in this ferociously fuzzy amalgam of filter, phase, and envelope tones.
Les Pauls, high-headroom British brawlers, and pulverizing pedals push Marcos Garcia into the Masters of Reality Iommi-sphere.
Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 34th video in that format.
Founding Here Lies Man guitarist/frontman Marcos Garcia set aside some gear time and virtually welcomed PG’s Chris Kies into his California tone zone. In this Rig Rundown, he goes over all the surgeries and upgrades his Les Pauls have undergone, details why he broke up with the Ampeg V4 in lieu of other foundation-cracking amps, and explains that his discerning ear is always chasing the sounds (and frequencies) in his head, and because of this, nothing in his setup is sacred or safe.
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