Shure KSM137
A matched pair of these ubiquitous condenser mics works wonders on piano, acoustic guitars, and even drum sets. The KSM137s sport a gold-layered Mylar diaphragm, subsonic filter, and a 3-position pad.
$699/pair
shure.com
Sennheiser MD 441-U
This dynamic mic is perfect for when you need pinpoint precision. It includes a treble boost, 5-position low-frequency contour switch, and a hum-compensating coil.
$1,099 street
sennheiser.com
AKG C414 XLII
This multi-pattern condenser mic is a bona fide classic. It can handle nine different polar patterns, features three different bass-cut filters, and gives you an LED light to keep an eye on clipping.
$1,319 street
akg.com
Neumann U 87 Ai
As one of the most legendary mics ever made, this new iteration has been updated with modern circuitry, switchable 10 dB pre-attenuation, and three directional characteristics.
$3,295 street
neumann.com
AEA N22
This active ribbon mic houses a custom-made German transformer, and a maximum SPL of 141 dB, so let those amps cook! It combines both vintage and modern elements in the RCA tradition.
$1,099 street
aearibbonmics.com
Royer R-121
The company’s flagship microphone might be the only mic to win a Grammy. The figure-8 pattern offers increased sensitivity, can handle very high SPLs, and gives equal response from either the front or back of the element.
$1,499 street
royerlabs.comom
Earthworks QTC50
This omni-directional condenser mic has plenty of headroom to capture even the loudest of audio sources. QTC (Quiet Time Coherent) allows the mic to excel even at lower volumes with strings, vocals, and distant sound sources.
$1,399 streetearthworksaudio.com
Telefunken ELA M 260
Originally released in the ’60s, this modern version features a new-old-stock EF732 vacuum tube along with a thread-on TK6x Series capsule that provides cardioid, hypercardioid, and omni polar patterns.
$1,295 street
telefunken-elektroakustik.com
You may already know there are three main types of microphones: dynamic, condenser, and ribbon. Dynamic, or moving coil, mics are the least expensive, but also the most rugged. They handle loud sound sources like drums and guitar amps with ease. You’ve seen these mics many times, because most mics used in live performance are dynamic, but they also get heavy use in the studio.
Shure SM57
Shure SM57 and SM58 dynamic mics set the industry standard. The SM58 ($99 street) is widely used for vocals onstage but also works well on guitar cabinets, snare drums, and toms. The SM57 ($99 street) is a similar dynamic mic aimed at recording instruments more than vocals, since it lacks the 58’s ball grille, which is designed to reduce vocal plosives. I’ve heard very good recordings of acoustic guitar made with an SM57. In fact, you can track any instrument with one of these workhorse microphones and come up with a good sounding final product. Buy each of these very versatile recording tools.
Shure Beta 52A
Another Shure product, the Beta 52A ($199 street), is a specialty mic made to capture kick drums, emphasizing low frequencies. You need one of these, too. The Beta 52A is supercardioid, which means it has a tighter pickup angle and offers good side rejection. This mic is also useful on bass cabinets, tuba, or trombone, and sounds good on floor toms, too.
Condenser microphones are often the most expensive, although they range from $89 to $8,499. Condensers are the most sensitive to dynamics and can also handle loud sound sources. They are used on many instruments—especially for vocals and acoustic instruments, and as drum overheads. Most vocalists prefer a condenser mic in the studio because these mics capture nuanced performances. They often have multiple pickup patterns (omnidirectional, unidirectional, and bidirectional or figure eight), which can be helpful. Condenser microphones need a low-voltage power source, called phantom power, to operate. But the good news is phantom power is found on almost every mixing console and on every interface. Just remember to turn it on when using a condenser.
You don’t need to spend thousands on mics to begin recording demos and even albums.
Audio-Technica AT2021
A great starter condenser is the Audio-Technica AT2021 ($89 street). This small diaphragm mic is excellent for acoustic instruments, including guitar. They also work well as drum overheads. Audio-Technica makes some other high-quality, affordable condenser mics, too. I recommend buying two AT2021s. Then, you’ll have two drum overhead mics that will also sound great recording various acoustic instruments.
AKG P420
A large-diaphragm condenser mic is what most singers prefer in the studio, for its sensitivity to the nuances of vocal performances. They are also used on acoustic instruments, including horns, upright bass, and piano. The AKG P420 ($229 street) is an excellent vocal microphone that can be set for all three pickup patterns. And the omnidirectional pickup pattern can be useful when recording an entire ensemble or vocal group.
Radial ProDI
If you’ve played a gig on acoustic guitar, you already know what a direct box, or DI, does. In the studio, DIs are used to record high-output instruments such as keyboards or bass without distorting. It’s always good to have one on hand. Radial makes high-quality DIs, and I recommend the Radial ProDI 1 ($129 street) for its simplicity and efficiency.
Our total cost for these six mics and direct box is $933. Not bad for a basic, easy-to-find home studio mic selection that’ll get you started. And remember, when you’re ready, there’s a myriad of other manufacturers and mics out there to explore. To say nothing of plugins and hardware.
PS: Ribbon mics are the most fragile. They are often used for specific voices or instruments like brass and woodwinds, or a string section, and they are not as versatile as the other mic types. But ribbon mics do have a nice low frequency bump, and the word “warm” is often used to describe their sound. Because they are not as versatile as dynamic and condenser microphones, ribbon mics can always be added to your collection after you get the basics covered.