guitar competition

The world of guitar competitions, explained by competition vets

There are a lot of ways to jumpstart your career as a guitarist. You can spend hours noodling away in front of a video camera balanced on a stack of books on your bedside table, then check YouTube every hour to see if you''re famous yet. You can wade through call after call from 15-year-old drummers responding to your Craigslist ad for bandmates. If you''re really brave you can go head to head with other players in a guitar competition.

 Competitions are inherently scary. It isn''t a stretch to say some people enter them only to find themselves standing in front of stone-faced judges who aren''t impressed with that face-melting solo. It gets worse, too -- there''s always the chance that the next guy (or gal!) will take the stage and execute the same lick, only cleaner and faster. But if your playing, performing and songwriting chops are up to snuff, a competition win can put you in the national spotlight – not to mention stroke your ego and land you some cash or cool gear.

Where to Start


There are guitar competitions of all sizes and genres with a variety of prizes. They range from small gatherings of local pickers at the County Fair to a National stage judged by guys like Joe Satriani. These aren''t just shredfests, either.

Classical guitarists have a number of prestigious competitions to choose from, including the Guitar Foundation of America’s International Solo Competition, which awards a tour, CD recording session and photo shoot among the prizes. There''s also the Parkening International Guitar Competition, which awards $25 grand and a professionally managed performance tour of recitals and concerts with orchestras.

The National Fingerstyle Championship in Winfield, Kansas is a highly-respected feather for any picker''s hat. The big winner also gets $3000 cash and a custom guitar. For the blues-minded there''s Guitar Center’s King of the Blues (formerly Guitarmageddon), which awards the winner a new Ford Mustang and a Gibson sponsorship, among other swag.

Of course, if you’re a shredder, there''s no shortage of competitions. Probably the best-known is Guitar Player’s Guitar Hero competition. It isn''t just for shredders, though -- this year''s winner is Ladd Smith, a fast-pickin'' country guy. Rockers can also put their skills to the test at the North American Rock Guitar Competition.


How to Win


There is no simple formula for winning a guitar competition, however there are certainly things you can do or keep in mind to increase your chances. We picked the brains of six competition veterans to learn what we could.

The first big question... what the heck do you play? While some competitions tell you what to play, most leave it up to you. Whether coming from blues, classical, or a rock background, each of the players we talked to told us the same thing: stay true to yourself.
 
“Don’t worry about trying to compete with the other guys. Do what you do best,” said Jamie Robinson, winner of the 2007 North American Rock Guitar Competition.
 
Amy K, a finalist in multiple competitions, echoed the sentiment, warning against emulating anybody. “It''s great to learn from the best," Amy told us, "...but make sure you find your own voice and style on the instrument, and on stage.”

Don’t change yourself for the judges. That''s the word from Rodney VerBrugge. He warns not to “...get bogged down by trying to decide what song(s) will please the judges.” At the same time, be mindful of the fact that the judges are listening to a lot of guitar playing.
 
“Give the judges something different to chew on,” said Jon Kabbash, who has won two competitions and placed highly in others.

For most of the competitors, “something different” is as simple as great songwriting. Ladd Smith, 2007 Guitar Hero winner, says it really is that simple: “Focus on writing, in the end, it''s all about the song.” VerBrugge agrees. “If you don''t have the songs then you are really limited,” he explained.

Making a good impression goes beyond playing, however. Your actions offstage can make or break the experience. One of the biggest offstage issues our competitors mentioned was keeping the ego in check.
 
 “It''s okay to be confident in what you do," explained Smith, "...but don''t compare yourself to others, only worry about doing your best and to know in your heart that you gave it your best shot." Robinson agreed. “All the competitors are there at the same level and doing the same thing," he warned.

Another oft-repeated tip is to enjoy the experience and not stress out. Trey Alexander, 2006 Guitar Hero winner, describes his experience with joy. “Enjoy every minute that you are involved in something so special,” he told us.

Robinson extends this mentality to interacting with the competition. “The nicer you are to the other competitors and the more you get to know them, the better experience you will have,” he said.

Finally, be prepared mentally. Alexander stressed getting some sleep and curbing the partying to be at your best onstage. Putting it bluntly, Alexander said, “There is no way you can perform at your peak level if your brain is running a couple of cylinders short.”

For more advice, check out our complete interviews with Trey Alexander, Ladd Smith, Rodney VerBrugge, Amy K, Jon Kabbash, and Jamie Robinson.

Competition advice from a veteran player

What competitions have you been involved in?
I was first runner up in Guitar Player''s Guitar Hero 2005 and took fourth place at the North American Rock Guitar Competition.

How long have you been playing?

25 years.

Who are some of your biggest influences?
Eddie Van Halen, Randy Rhoads, Yngwie Malmsteen, Steve Vai, and Joe Satriani.

Describe your favorite rig.

1983 Kramer Pacer Imperial (modified), Gibson Les Paul Chambered Custom Quilt Top. I love plugging the Kramer in for leads and the Les Paul in for rhythms to my Behringer V-amp 2 and my Johnson J-Station. From there I go straight in to my computer and the tones are amazing.

What sets you apart from other players?  

I would like to think that it''s my songwriting skills. There are a million guitarists out there who are technically accomplished, but what really turns people''s heads and keeps them coming around are the songs. If you don''t have the songs then you are really limited.

Any interesting stories from guitar competitions?

From 1990 to 2005, I concentrated on my full time job and my family. I kept up on my "chops," but not more than 10-15 minutes per day during that time. Prior to that, I had grown accustomed to being rejected every time I sent in a demo or submitted material for review. Then in the summer of 2005, I was selected for Guitar Player ''s First Annual Guitar Hero competition, which was to take place at the Rock n'' Roll Hall of Fame in Cleveland, Ohio.
 
What led to my decision to enter the contest and being selected is another story altogether. Needless to say, I went into the event with zero expectations. After all, I hadn''t kept up on all the current "tricks of the trade," equipment or anything guitar related for the 15 years leading up to it. And here I was, up against nine other amazing players who all had current instruments, effects, recording equipment, tricked out websites and everything else you could possibly imagine. I had no website, an old beat up Kramer Pacer, a tiny Fender Squire practice amp and a 1980s Tascam analog four-track cassette recorder. So, the only recordings I had were from 1987-1990 on old analog demo tapes. To add insult to injury, I hadn''t even played any of my songs in 15 years.
 
I selected a song to play that I had written in 1990 and I had three weeks to learn it and prepare for the competition. I practiced my ass of for those three weeks and I really was just happy to be there, it didn''t matter if I even placed in the top three. Sure, it would be nice, but all I really cared about was finally being able to share my music with a broader audience. By the time I got up there, I was nervous as hell, but I just told myself to slow down, get into the groove and just let it rip! In the end, I was satisfied and relieved to say the least, but I was happy to know that I impressed the judges enough that I was the first runner up.
 
And after hearing his comments about my performance, impressing one of my all-time heroes, Joe Satriani, was one of the most satisfying and exciting things I have ever experienced.

Give PG readers 3 tips for playing in guitar competitions.
1) Pick the song or songs that exemplify what you do best.

2) View it as an opportunity to be heard and to celebrate your music and playing, not as a competition.

3) Most important: HAVE FUN!

What’s a big no-no at a guitar competition that you would advise against?
Never go into a competition expecting to win or place in the top three. Also, don''t get bogged down by trying to decide what song(s) will please the judges. In other words, don''t over think it and just think about what you do best and stick to that.

What’s next on your horizon?
 I would like to get cover art and liner notes done for my first CD and find a way to distribute it. Of course, I''d love help from a label (indie or otherwise). If anyone has any interest or suggestions please feel free to contact me. Eventually I would like to set up some kind of tour with some of the Guitar Hero and NARGC alumni.

Where/how can PG readers find out more about you?
www.myspace.com/rodneyverbrugge

One of few females on the competition circuit shows us the ropes

What competitions have you been involved in?
The 1993 Maricpopa Community College District Outstanding Performers Competition - First Place in the Solo Instrumental Category (classical guitar) and Third Place in the Ensemble Category; 1996 Portland State University International Classical Guitar Competition – one of 16 semi-finalists; and 2003 Guitar Center''s Guitarmageddon Competition – First Place in Arizona.

How long have you been playing?

15 years

Who are some of your biggest influences?
John Petrucci, Andrew York, Bill Kanengiser, and Moments in Grace.

Describe your favorite rig.
A Fender Cyber Twin with my Ibanez RG and my Crate Limo with my Fender Grand Nylon!

What sets you apart from other players?

My playing has a unique balance of classical mastery and heavy shreddin'' - plus, I''m a girl! When I perform I am “in the zone” and listeners can immediately feel what I feel. I also have a BM in Classical Guitar Performance. In 2000 I was featured in a special edition Fender catalog modeling the New Amercian Strat, and again in Fender Frontline 2004 endorsing the Grand Nylon.

Any interesting stories from guitar competitions?
Two major moments come to mind... First, being on stage at the House of Blues in New Orleans for the regionals of the 2003 Guitar Center Guitarmageddon Competition (Fender provided me with a rockin'' red Charvel for the performance) was an amazing moment I will never forget! I was fully present, and enjoyed every moment of the performance. It also felt great to beat out all the boys in Arizona for this top spot! Being backed by Fender gave me an incredible feeling of support as well.

The second moment was in 1996 when I was chosen as one of 16 semi-finalists in the Portland International Classical Guitar Competition and one of my competitors was my ASU classical guitar teacher at the time! How cool to be competing against your instructor?

Give PG readers three tips for playing in guitar competitions.
1) Be in the moment. Focus on enjoying the performance itself and don''t let yourself get distracted by other competitors or what the results of the competition will be. Just be with the music and the rest will fall into place.  

2) Prepare in advance by performing the competition piece for any captive person you can find - as often as possible. This will help you to know what it will feel like the day of the big performance.  

3) Wear a great outfit – you''ll feel more confident!

What’s a big no-no at a guitar competition that you would advise against?
Don''t copy your favorite artist. It''s great to learn from the best but make sure you find your own voice and style on the instrument, and on stage. There is a big difference between influence and imitation.

What’s next on your horizon?
Starting February 2008, I will be releasing one new song per month (some rock, some classical) on my website. I will also be launching a brand new website with videos, lessons and other fun stuff in January. I also do private lessons through the Amy K Music Company in Phoenix, AZ and will be holding weekly clinics at the Phoenix Guitar Center starting in February.

How can PG readers find out more about you?
You can purchase current songs now at https://www.myspace.com/amykmusic, or my full length CD Reflections at www.amyk.net. For lessons in Pheonix, you can call Amy K Music Company at (602) 703-3002.