Jason Isbell and The 400 Unit's Live From The Ryman Vol. 2, featuring live versions of songs from their award-winning albums, will be released on October 4.
On October 4th, Southeastern Records will release Live From The Ryman Vol. 2, the new live album from six-time GRAMMY Award winner Jason Isbell and The 400 Unit. Live From The Ryman Vol. 2 draws from multi-track recordings by the band’s longtime front-of-house engineer, Cain Hogsed, from four of the last six years of sold-out shows at Nashville’s legendary Ryman Auditorium. Hogsed co-produced the album alongside Isbell, and mixed the tracks with Nashville, TN’s Todd Tidwell.
Live From The Ryman Vol. 2 features 15 live versions of songs from the band’s last two critically acclaimed, award-winning studio albums - Reunions (2020) and Weathervanes, (2023), as well as stunning rendition of “The Last Song I Will Write,” from Isbell’s 2009 self-titled release, and a poignant cover of Tom Petty’s “Room at the Top.”
Jason Isbell and The 400 Unit, Live From The Ryman Vol. 2
Jason Isbell and the 400 Unit’s Weathervanes won two 2023 GRAMMY Awards for Best Americana Album and Best American Roots Song (“Cast Iron Skillet”). Weathervanes was produced by Isbell and released in June of 2023. The record is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Weathervanes was called one of the albums of the year in 2023, and received critical acclaim from the likes of NPR, Rolling Stone, Uproxx, Paste, Relix, and many, many more.
Since his first show there in 2014, Jason Isbell and the 400 Unit has sold out over 50 nights at the Ryman Auditorium. Isbell and his band are likely to add to that number this October, when he’ll perform another eight nights at the Ryman. Tickets are still available for his annual residency there. Support includes Alice Randall (10/10), Garrison Starr (10/11), Mary Gauthier (10/12), Caitlin & Liz Rose (10/13), Matraca Berg (10/17), Iris DeMent (10/18), Gretchen Peters (10/19), and Kim Richey (10/20).
Isbell and his band the 400 Unit released their next album Weathervanes during the summer of 2023. Weathervanes was produced by Isbell. The record is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption.
Isbell also appears as Bill Smith in the Oscar-nominated Martin Scorsese film, Killers of the Flower Moon, which received a 2024 SAG Award nomination for Outstanding Cast in a Motion Picture. Isbell’s time on set with Scorsese informed Weathervanes. He watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.
“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise -- and still listen to the other people in the room.”
For more information, please visit jasonisbell.com.
Which guitarists are worthy of an artist-signature model? Rhett and Zach are on the case.
First off, let’s be thankful for this episode of Dipped In Tone. Rhett survived a close brush with a tornado while on the road in Arkansas, and returns to the pod to analyze all things signature guitars with Zach, who continues his dogged campaign to own a ridiculous number of Tube Screamers. (They didn’t plan their near-matching shirts.)
The conversation-starter is the new Jason Isbell “Red Eye,” a $21,999 collector’s version of the 1959 Gibson Les Paul that famously belonged to Ed King of Lynyrd Skynyrd. When King passed away in 2018, the story goes that Isbell wanted the guitar, but couldn’t afford it. Zach and Rhett explain how he accrued the capital to snag the axe, and the details behind the new artist edition.
But who gets signature guitars, anyway? Some iconic players, like John Frusciante—so easily identified with his Strats—still don’t have their own model. Is he being snubbed, or choosing to keep his name off a mass-produced guitar? Maybe some guitarists feel signatures are too corporate—which could also explain why Jack White has, so far, not lent his name to a model. (Though pedals are a different story.) And what about massively popular YouTube guitar stars and influencers—have they earned the right to be in the running for a signature 6-string?
Later, Zach and Rhett dig into the economics of siggys—how much do their namesakes actually earn from the sale of their personal brand?—and debate Slash’s bombshell move from Marshall to Magnatone.
PG's video team recollects recent Rig Rundowns with Jedd Hughes, Donny Benét , Knocked Loose, Loathe, Adrian Vandenberg, and Tyler Childers. Then Bohlinger and Kies report back after building the dream pedalboard for downtown Nashville gigs. After that the trio talk about fresh gear drops including Blackstar HT MKIII series amps, PRS DGT 15 David Grissom amp, and the Gibson Custom Jason Isbell “Red Eye” 1959 Les Paul Standard Collector's Edition. Then they share their thoughts on the careers and impact of Duane Eddy and Steve Albini. Finally they cover some new music releases from David Gilmour, Sturgill Simpson, and Slash. Lastly, they end with Bohlinger remembering the time he recorded a song with Joe Bonamassa.