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The retro-pop-meets-shredder sum of the Kingbolt's parts—the like of which we don’t see often—is quirky and eccentric without looking goofy.

Since taking flight in 1997, Reverend Guitars has garnered a reputation as a player’s company. With a lineup of instruments that include signature models of artists like country picker Pete Anderson, jazz/blues virtuoso Gil Parris, and avant rocker Reeves Gabrels, Reverend has always focused more on functionality than flash. At NAMM 2013, the Kingbolt was introduced as part of the company’s Bolt-On series, and it targets a heavy-metal/hard-rock market that the company has never really explored. Like most Reverends, though, it’s a solid performer that inhabits a unique place within its target market rather than aping established standard bearers.

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You could WIN a Greenhouse Effects Deity in This week's All-new giveaway! Ends December 15, 2021.

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Sam Fender shares a moment with his saxophonist and childhood friend, Johnny "Blue Hat" Davis, at London's O2 Brixton Academy in September 2021.

Photo by Linda Brindley

The British songwriter traversed the bleak thoroughfares of his past while writing his autobiographical sophomore album, Seventeen Going Under—a tale of growing up down-and-out, set to an epic chorus of Jazzmasters and soaring sax.

British songwriter Sam Fender hails from North Shields, England, an industrial coastal port town near the North Sea, about eight miles northeast of Newcastle upon Tyne. Fender grew up in this small village, which he calls "a drinking town with a fishing problem." He lived there with his mother on a council estate, a type of British public housing. This is the mise-en-scène for Sam Fender's coming-of-age autobiographical new album, Seventeen Going Under. On the album's cover, a photograph shows Sam sitting on a brick stoop.

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