mike dugan

Few might invest in an old Kay as deeply as our columnist, but, in his case, it paid off.

When I was in my early days of researching guitar history, I embraced all sorts of guitars from all over the place, from kitchen countertop guitars to cheap rusty resonator jobs. I really had no focus whatsoever. Every topic, as it related to guitars, was rather fascinating. Eventually, though, I moved towards crazy electrics and away from folksy acoustics. I wanted loud, interesting, and rare, and in my eyes acoustic guitars were all sort of the same. I know, I know … they aren’t the same at all. But in the 1960s, acoustic guitars were copies of copies, and they just never really held my interest. For this month, when I was tasked to write about an acoustic guitar, the choice was easy since I only own one.

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