We crawled under the hood, got dirty, and dissected dozens of pieces of gear in 2021. Here are the 10 pieces of kit that resonated with you the most.
10. Epiphone Prophecy SG Review
Dave HunterThe guitars in Epiphone's new Prophecy Collection, which includes the Prophecy SG reviewed here, perform an impressive balancing act. They streamline the classic Gibson four-knob control array, trade PAF-derived pickups for Fishman Fluence units, and style the guitars in a manner that screams "rock" with an exclamation point. But for all the streamlining, these instruments are enormously flexible, and they retain important cosmetic touchstones that emphasize the family connection to parent company Gibson's most iconic designs. Epiphone also maintained balance when it comes to price. The Prophecy SG is a reasonable $899.
9. Dunlop Volume (X)8 Review
Charles SaufleyWhy review something so stupidly simple as a volume pedal, you ask? Well, as a player who has spent many years relying on one—both as creative tool and crutch (a little volume swell always sounds great when you've run out of ideas)—I can attest they are not all created equal. Not all of them can double as an expression pedal like the super-smooth Dunlop (X)8, either.
8. Harmony Comet Review
Charles SaufleyFollowers of current events might be astonished to learn that the internet isn't quite as effective at separating myth from fiction as its early advocates and creators promised. I was reminded of this state of affairs whilst sniffing out sentiments about vintage Harmony guitars and the complex, convoluted world of gold-foil pickups. Needless to say, there are a lot of strong opinions out there—from advocates that defend old Harmonys as underrated, to snobs who still consider them universally substandard, to the growing cult of gold-foil fanatics who sing their praises to the sky without even agreeing about what a gold-foil pickup is.
7. Mesa/Boogie Rectifier Badlander 50 Review
Dave HunterMesa/Boogie is both fond of reinvention and adept at it. Late last year, the Mesa/Boogie folks reimagined the Rectifier series amps, which became near-ubiquitous in metal and grunge circles in the wake of their 1992 release. The beastly Badlander 100 was the first of these new Rectifiers to hit the streets. It's now joined by the more modestly powered Rectifier Badlander 50—which is available as a head (reviewed here), 1x12 combo, or rackmount head—and can be powered by a pair of Brit-flavored EL34s or more-American-voiced 6L6s.
6. PRS Studio Review
Dave HunterEven among a stable of instruments known for their versatility, PRS's Studio model is arguably one of the company's most sonically and stylistically malleable instruments. Reintroduced to the U.S.-made Core lineup for 2021 after first appearing in 2011, this new Studio is hyper-flexible, configured with a distinctive humbucker set and modified switching that takes that versatility up a notch.
5. Squier Contemporary Jaguar HH-ST Review
Charles SaufleyIt's funny to think the Jaguar was once derided by alleged guitar experts and collectors. For all its quirks, a good Jag' is a beautiful playing guitar in just about any incarnation—thanks largely to its short scale and curvaceous shape. In a way, the Squier Contemporary Jaguar HH-ST distills that recipe to its essence.
4. Fender ’68 Custom Pro Reverb Review
Dave HunterFender's '68 Custom series won plenty of fans by resurrecting the stylish silver-panel amps of the late '60s and '70s and making some of those models into more modern gigging machines. One of the newest additions to the lineup is the '68 Custom Pro Reverb—an evolution of an amp that debuted as a black-panel model in 1965.
3. PRS HX 50 Review
Shawn HammondJust as PRS's 2012 HXDA was inspired by firsthand looks at one of slide legend Duane Allman's amps from his seminal AtFillmore East performance, the brand-new HX 50 is the result of Paul Reed Smith and PRS amp guru Doug Sewell getting extensive access to a Marshall head reportedly used by Jimi Hendrix during his iconic performance at the 1969 Woodstock festival.
2. Supro Delta King 8 Review
Nick MillevoiSince its 2014 revival, Supro has given fans of small, low-wattage combos plenty to talk about. This should come as no surprise. Tiny but ferocious amplifiers with the Supro logo have been on the scene since the early days of the electric guitar and landed on some of the most classic guitar records of all time. And the company's recent offerings have captured the sonic essence of those vintage models with a line of well-built, modern amps that look just as cool as they sound.
Reverend Six Gun HPP Review
Dave HunterThe silhouette of the new Six Gun HPP is, at this point, a familiar shape—and arguably a classic. It's the foundation for many different Reverend models and clearly a versatile platform for evolution and experimentation. The updated pickup configuration and other new features of Reverend's offset workhorse make the $1,099 Korea-built Six Gun an impressive performer for the price.
An articulate, immaculately constructed Annapolis native that speaks in many voices.
An extremely well-made guitar boasting easy playability, stand-out looks, and super-impressive sonic versatility.
It's pricey. You'll want to ensure you're onboard with the Narrowfield voice before you invest.
$4,660 with 10 Top, as reviewed ($4,000 with standard top)
PRS Studio
prsguitars.com
Even among a stable of instruments known for their versatility, PRS's Studio model is arguably one of the company's most sonically and stylistically malleable instruments. Reintroduced to the U.S.-made Core lineup for 2021 after first appearing in 2011, this new Studio is hyper-flexible, configured with a distinctive humbucker set and modified switching that takes that versatility up a notch.
Salsa Verde
Whether or not you're a habitual PRS player, it's almost impossible to cradle a guitar like the Studio and not find yourself in free flow—playing away without pausing to think "is this neck right for me?" or "maybe I'll tweak the action." The Studio feels good right off the bat.
It looks right, too. PRS is fond of fancy dress in general, and our review sample is gorgeous in person, without being over the top (a perspective dependent on your own tastes, of course). The "Eriza verde" finish lends a lively, three-dimensional sense of motion to the flame in this maple 10 Top, and beautifully contrasts the dark-brown rosewood fingerboard and stripy rosewood headstock overlay. The natural mahogany of the back and neck display a premium grain, while the abalone bird inlays and mixed gold-nickel hardware add further visual excitement.
The set neck is carved in what PRS calls their "pattern" shape, which many players consider ideal. It's a full-feeling '59 Les Paul-inspired profile with a very slight V, soft shoulders, and an easy playing feel. The nut width is 1 11/16" and the scale length is PRS's traditional 25". Put it all together, and the playing weight is around 8.2 pounds, which is quite reasonable for a chunk of solid mahogany and maple.
So, with many of these features being familiar components of other PRS Core models, what makes a Studio a Studio? It's the pickup selection, by and large. In addition to the 58/15 LT humbucker in the bridge position, the guitar comes with a pair of PRS Narrowfield pickups in the middle and neck positions. Narrowfields have returned to the lineup for 2021 in the Studio and just one other model. These narrow humbuckers possess a more single-coil-like magnetic field, delivering a tone that's somewhere between a full-sized humbucker, a P-90, and a narrower single coil—all with the benefit of hum cancelling performance. Add a push-pull coil split for the 58/15 LT on the tone control and a 5-way blade switch, and you've got seven distinct pickup settings.
These narrow humbuckers possess a more single-coil-like magnetic field, delivering a tone that's somewhere between a full-sized humbucker, a P-90, and a narrower single coil.
Hardware includes PRS's well regarded Gen III tremolo, and Phase III locking tuners. They pair with a lubricated nut to keep the guitar in tune, regardless of heavy vibrato use. Playability is faultless all across the board.
Bucking the Trend
Played through a 50-watt Friedman Small Box head and 2x12 cab, a custom tweed Deluxe-style 1x12 combo, and a Neural DSP Quad Cortex into studio monitors, the Studio delivered the versatility that the design promises, hopping confidently between varied sounds and styles. It pivots from grinding heavy rock to mellow balladry at the flick of a switch. The sounds are meaty, original twists on the HSS range of tones you once encountered on the average superstrat. The middle, neck, and in-between voicings are thicker, fatter, and gutsier than genuine single-coil pickups would be. That, of course, is entirely the idea.
By sacrificing some of the single-coil glassiness and the trebly spikiness of a traditional Strat single-coil, the Narrowfields add extra grunt to near-clean tones, edge-of-breakup settings, and overdrive sounds from a Tsakalis Six, JHS Angry Charlie, my amps, and the Neural. These pickups shine when you ask them to crunch and wail.
The 5-way switch, varied voice of the Narrowfields, and coil-split humbucker mean you can ably deliver convincing Strat-like sounds in the in-between positions, though they are generally darker than a true Stratocaster—a tone signature that's further colored and re-enforced by the mahogany/maple construction and glued-in neck. The format is a great alternative for HSS superstrat players of old who came to regard the high-output pickups typical in such guitars a touch too spiky and yearn for more grit and gristle to go with the snap and chime. And when you want to skip approximation of single-coil sounds entirely, you can revel in Les Paul-like girth and grind when the bridge humbucker is unleashed with all coils blazing.
The Verdict
The PRS Studio provides a super-solid foundation that's defined by great woods, great components, and high attention to detail that closely allies it with other PRS cornerstone models like the Custom and McCarty. What really differentiates the Studio, though, is the pickup set, and while this configuration might not be for everyone, it's a fatter, thick-sounding twist on the do-it-all HSS template that offers maximum flexibility to so many players. It's not cheap. But it isn't meant to be, and both longtime PRS fans and newcomers to the brand will likely appreciate the substance and versatility that investment delivers here.
PRS Studio Demo - First Look
Tone combinations abound in a striking, smooth, and abundantly practical axe from Annapolis.
Be sure to check out PG's other PRS demos: