The Twang Bar King summons a court of world-class players for this fallās BEAT Tour, including Steve Vai and fellow King Crimson alumnus Tony Levin, plus Tool drummer Danny Carey. Their mission: Playing the music of Crimsonās classic troika of ā80s albums: Discipline, Beat, and Three of a Perfect Pair. And, of course, Adrian brings his period-correct rig back out on the road, with some improvements and additions.
Adrian Belew is one of the most inventive guitarists of the past half-centuryāan incandescent player and songwriter who has a vast menagerie of tones and sounds at his command. Youāve heard him with King Crimson, Talking Heads, David Bowie, and Frank Zappa, among others, and with his pop band the Bears and on his solo recordings and tours.
This fall, Adrian is following dates with the Talking Heads-fueled Remain in Light tour, which he co-led with Heads keyboardist and guitarist Jerry Harrison, with the BEAT Tourāa run drawing on his recordings with King Crimson in the ā80s: the albums Discipline, Beat, and Three of a Perfect Pair. Of course, this is just a smallābut extremely potent and influentialāportion of his 30-year collaboration with Crimson founder Robert Fripp, who has given BEAT his blessing. But putting this repertoire in the hands of Belew, fellow Crimson alum and super-bassist Tony Levin, the incendiary Steve Vai (playing the guitar role of Fripp), and the Earth-shaking drummer Danny Carey from Tool promises magical performances. Itās also one of the yearās most-anticipated tours.
As I write this, Belew, Levin, Vai, and Carey are rehearsing on the West Coast, and by the time this video posts, they will have played their first BEAT dates. So, word is likely to have spread that Belew has brought some crucial pieces of gear he played with ā80s Crimson back into play. But here, youāll get a close up look and listen as Premier Guitar joins Adrianāwith tech Blair White of Nashvilleās Eastside Music Supplyāat his mid-Tennessee home for a pre-tour Rig Rundown. Dig in!Brought to you by DāAddario.
Fly Guy
The guitaristās own Adrian Belew Signature Parker Fly is back on the music highway. The hard-to-find model sports exceptionalāand some unconventionalāappointments, like a 13-pin out for MIDI/synth capability. It has a DiMarzio humbucker, a Sustainiac humbucker, some Line 6 Variax components, Parkerās flat-spring vibrato system, Sperzel tuners, and a solid poplar body and basswood neck under its carbon/glass/epoxy exoskeleton.
Harmony, Man!
Adrianās DigiTech Harmony Man is set at a fifth up during the opening of this Rig Rundownāone of his favorite settings with the pitch-shifting device.
Mind the Mastermind
Belew uses an RJM Mastermind MIDI controller as part of his rigās cerebellum.
The Board, Part 1
A Boss GKC-AD converter lets Adrian use his Parker Fly with conventional stompboxes. Its neighbors include an Empress Compressor MkII, a Fractal Axe-Fx Ultra (Adrian has several hundred programs that he wrote into this Fractal that are not transferable to newer models), a Big Joe lithium battery power box, and volume and expression pedals. Thatās all part of his self-proclaimed āmodern rig.ā
Sir Roland of Synth
Yes, Adrian has taken the Roland GR-300 Polyphonic Guitar Synthesizer that he acquired for King Crimson in 1981 out of mothballs, so he can recreate every sound fans for this much-anticipated tour want to hear. It was used for āIndustry,ā āThe Sheltering Sky,ā āThree of a Perfect Pair,ā and other classics. āI could not do it right without this,ā he says. The GRās companions are a volume pedal, TC Electronic PolyTune, another Big Joe power box, and a custom glitching device.
Twang Me Back Home
Also on tour is Adrianās famed Twang Bar King guitar (which debuted on the heels of his 1983 Twang Bar King album), which requires a 21-pin plug to make its sonic sorcery. In the video, Adrian shows how it functions as both a conventional guitar and the GR-300ās controller. This guitar had to be refreshed, since it was semi-retired, and is now back in full service. It started life as a Mustang, and now itās a one-of-a-kind show pony, with a Kahler and Lace Sensor pickups. In this video, Adrian uses the Twang Bar King guitar to demonstrate some tunings for specific Crimson songs.
Racked Up
The signal to the rack gear flows from Adrianās guitar to an always-on JAM Pedals Dinosaur Compressor, to a late-1970s V4 op-amp Big Muff, an MXR Ten Band EQ, a Strymon Deco V2, an Eventide H9, a Source Audio Artifakt lo-fi pedal (fuzz, reverb, modulation, rig mod, etc.), a Source Audio Nemesis Delay, and a Lichtlaerm Audio The Key and Gate noise gate. Adrian and Blair spent days running through various Big Muff pedals from different eras, and the ā70s V-4 is the only model that allowed Adrian to recreate his feedback acrobatics!
Echo, Echo, Echo ...
Itās not on the floor, because Adrian manipulates it with his hands, but also on this journey is his original Electro-Harmonix Echoflanger! He likes to use it set to between-setting spots, for maximum weirdness.
The Original JC-120
Yes, thatās right: Adrian is using the early-ā70s Roland JC-120 amp he played with Bowie, King Crimson, and Talking Heads for the BEAT Tour. Despite its many road miles, the amp looks pristine.
Shop Adrian Belew's Rig
DiMarzio Humbucker
Sperzel Tuners
Boss GKC-AD Converter
Empress Compressor MkII
Big Muff
MXR Ten Band EQ
Strymon Deco V2
Eventide H9
Source Audio Artifakt lo-fi pedal
Source Audio Nemesis Delay
Roland JC-120
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vaiāplus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Toolās Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimsonās highly influential ā80s albums Discipline, Beat, and Three of a Perfect Pear. PGās editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrianās decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
David Byrneās 6-string counterpart discusses the tonal, aesthetic, and production particulars influencing her gear for Byrne's HBO and American Utopia Broadway shows.
Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 25th video in that format.
In 15 years since graduating from Berklee, Angie Swan has proven no stage is too big, and no star too bright, to play guitar alongside. She has worked onstage and in the studio with Cirque du Soleil (the Amaluna production), Fifth Harmony, CeeLo Green, will.i.am (Black Eyed Peas), Macy Gray, Adam Lambert (Queen), Nicole Scherzinger (the Pussycat Dolls), and Boney James, and even backed up Oscar-nominated actor Jeremy Renner in a series of ads for Jeep. Swan also just performed with En Vogue at the 2020 Billboard Music Awards.
In 2018, she landed her current high-profile gig playing for former Talking Heads ringmaster David Byrne, and hit the road to support his album, American Utopia. The whirlwind tour hit 26 countries in less than a year. And while 2019 saw fewer passport pages being filled, the challenges didnāt stop. For the fall of last year, Byrne and his band of 11 musicians adapted the show for a Broadway run at the Hudson Theatre. That production is comprised of songs from American Utopia, Byrneās other solo releases, and heavy hitters from the Talking Heads catalog.
Just before the release of HBOās Spike Lee-directed American Utopia concert film, which is now viewable, Swan virtually welcomed PGās Chris Kies into her NYC apartment. In this Rig Rundown, the Milwaukee native and upbeat musician opens up about choosing gear based on eye-appeal for Broadway audiences, becoming a humbucker devotee, and how forming friendships led to great gear and cool gigs. She even gives us a peek at what her next pedalboard might have on it.