twang

Photo by Joseph A. Rosen

The guitar legend passed away after a battle with cancer Tuesday at the Williamson Health hospital in Franklin, Tennessee, according to his wife, Deed Abbate.

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Photo by Anna Shvets

Add color and ear-twisting twang to your playing by using “wrong” notes.

Intermediate

Intermediate

  • Gain a better understanding of intervals.
  • Learn how to connect chord tones with “outside” notes.
  • Develop a deeper sense of tension and resolution.
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I find myself adding “outside” notes to spice up typical progressions or chords I encounter all the time. Just like a chef, you need to know when to use this technique, as too much spice isn’t always nice. I’m not trying to take you on a jazz odyssey or have you overthink your lines. We will simply use the entire musical alphabet to help us get from point A to point B in a different way.

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Intermediate

Intermediate

  • Develop an understanding of how to approach chord tones with bends.
  • Learn to think and phrase like a pedal-steel player.
  • Create old-school, honky-tonk lines with a twist.
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Let’s face it folks, pedal-steel is a pillar of the country music sound. It’s one of my favorite instruments—not just in country, but all music genres. The ability to play complex chords, the range of the instrument, the way you can manipulate bends (with knee levers and pedals), and the lyrical quality and tone add so much to the country sound. The textures and chord voicings can really beef up a rhythmic part, but also can make you cry in your beer with a single-note line that includes so much articulation and manipulation it can make your head spin. We are going to mainly focus on a one element that really makes the pedal-steel guitar special and very difficult to emulate on guitar: bending notes.

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