December 7, 2018
A wide-ranging wobble box—and compelling analog/digital hybrid.
December 6, 2018
Two fuzzes, one box—and zillions of tones.
December 4, 2018
A shape-shifting evolution of Mark Bartel’s original design dishes scads of tone and performance possibilities.
November 30, 2018
Vintage thinline sounds abound in an impressively relic’d and smooth-playing hollowbody.
November 29, 2018
A feature-packed delay workstation that aims to cop classic analog tones.
November 27, 2018
A thrilling Fender/Vox hybrid.
November 26, 2018
Eddie’s chorus pedal is full of idiosyncrasies and interesting tonal surprises.
November 22, 2018
A sleek clip-on tuner that will tune up more than just your instrument.
November 20, 2018
Step inside Premier Guitar’s magical, miraculous time machine and revisit the gear that stood head and shoulders above the rest as Premier Gear Award winners in 2018.
November 20, 2018
Vast libraries of IRs and amp and effect models, as well as improvements in interface, memory, and connectivity, make the III tough to beat.
November 19, 2018
An affordable fuzz that offers silicon-powered growl.
November 16, 2018
Best known in the ’70s for their big bass stacks on big stages, Acoustic shows they can play small ball, too.
November 14, 2018
Raw and super rich—the KE/64 packs a punch that never overpowers.
November 12, 2018
Though it’s been kissed by a Thunderbird, this surprisingly versatile handbuilt 4-string has a vibe all its own.
November 11, 2018
Room-filling sound from a PA that doesn’t quite fill a backpack.
November 9, 2018
A dual-source setup is extra terrific on one of Fishman’s finest amplification pickup/preamp systems yet.
November 6, 2018
Smart switching options and soaring sounds make this veteran pedal outfit's latest reverb stand apart.
November 5, 2018
Cute, compact, and dressed to kill, with a wealth of old-school Vox tones.
November 2, 2018
Five EQ bands and footswitchable mid-scoop boost converge in a stomp inspired by high-gain Mesas.
October 31, 2018
It’s pricey and slightly daunting, but Joel Korte’s brilliant bastardization boldly goes where no analog delay has gone before.