PG Staff and Unknown Hinson recount their favorite albums of 2011
The year’s end is always a good time to take a musical inventory of the albums you couldn’t stop spinning
over the past 12 months. Joining the PG editors this month to discuss their favorite tunes of 2011 is the
chart-topper himself, Unknown Hinson. Feel free to send your “best-of ” lists to info@premierguitar.com.
Angela Cox — Senior Art Editor
What am I listening to?
Fleet Foxes, Helplessness Blues. The compelling acoustic performances drive the perfectly blended vocal harmonies and soul-searching lyrics of this album.
What was my favorite album of 2011?
Atmosphere’s The Family Sign opens with strong guitar riffs introducing a new tone for the hip-hop group by shedding a heavily-sampled past in favor of an almost mournful guitar and piano sound. It surprised me in all the best ways, especially when paired with their signature sharp and insightful storytelling.
Andy Ellis — Senior Editor
What am I listening to?
Chrysta Bell and David Lynch, This Train. Not a guitar-heavy record, but the mystery and ache in Bell’s voice and the brooding, surreal, and sometimes sinister sounds that frame it are addictive. Imagine Portishead wrapped in Lynch’s Blue Velvet.
What was my favorite album of 2011?
Harvey Reid’s Capo Voodoo: Solo Guitar, Kenny Vaughan’s V, and Duane Eddy’s Road Trip.
Tessa Jeffers — Managing Editor
What am I listening to?
An online stream of Florence + the Machine’s Ceremonials while awaiting its release when I can finally physically buy it. And James Brown always—for the rough days.
What was my favorite album of 2011?
It wasn’t the album I gave the most rotation this year, but the Beastie Boys’ Hot Sauce Committee Part 2 was the one I most deeply anticipated and was stupid giddy to experience. AWOLNATION’s debut, Megalithic Symphony, is my favorite find of 2011.
Chris Kies — Associate Editor
What am I listening to?
I’ve been reintroducing myself to the classics via my new record player. The two getting the most spins are the Stones’ Let it Bleed and Zep’s Houses of the Holy.
What was my favorite album of 2011?
I loved William Elliott Whitmore’s Field Songs—an acoustic, folky-blues ode to the farm; the Foo Fighters’ Wasting Light—a rockin’ masterpiece built on walls of superb riffage; and Raphael Saadiq’s Stone Rollin’—a Big Bopper-approved, twist-and-shout, R&B throwback.
Rich Osweiler — Associate Editor
What am I listening to?
Though R.E.M.’s Monster essentially ended a multi-year run in which I thought this band from Athens was by far the best in the world, I’ve been spinning their farewell compilation, Collapse into Now, almost non-stop. With a nicely representative selection of songs from the beginning to end of R.E.M., it’s been a cool trip down memory lane.
What was my favorite album of 2011?
The new supergroup Wild Flag’s self-titled debut still has me in awe.
Charles Saufley — Gear Editor
What am I listening to?
Gene Clark, Roadmaster. Sundazed just reissued this lost gem from the Byrds tunesmith on vinyl. The songs are joyful-to-melancholy stunners and feature contributions from Clarence White, Sneaky Pete Kleinow, and the original Byrds lineup.
What was my favorite album of 2011?
Sic Alps’ Napa Asylum; Meg Baird’s Seasons on Earth; White Denim’s D; and Kurt Vile’s Smoke Ring For My Halo.
Unknown Hinson — Guest Picker
What am I listening to?
Faron Young, Best of Faron Young. He was a for-real country western troubadour who was hell-raisin’ handsome and his voice drove the womerns wild. I don’t think he got anywhere near the credit he deserved.
What was my favorite album of 2011?
I don’t have no favorite record, but I do listen to books on tape in my recreational vehicle and in the studio. This Wheel’s on Fire by Levon Helm is my favorite 2011 read.
Jason Shadrick — Associate Editor
What am I listening to?
Anthony Wilson, Seasons. Commissioned by archtop guru John Monteleone, this album features the Four Seasons quartet of guitars in an amazing song cycle written by Wilson. No amps, no effects, just pure acoustic music written specifically for one-of-a-kind instruments.
What was my favorite album of 2011?
It was a tie between Death by Stereo by Umphrey’s McGee, and Levon Helm’s Ramble at the Ryman.
Rebecca Dirks — Web Content Editor
What am I listening to?
Remy Zero, “Smile.” From an often-overlooked band that wrote some very cool songs, this one makes good use of a Whammy pedal and jangly guitar sounds.
What was my favorite album of 2011?
I listened to Bon Iver’s Bon Iver constantly this year. After that, I’d pick a compilation of my favorite tunes from Lupe Fiasco’s Lasers, Adele’s 21, and Foo Fighters’ Wasting Light.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
An Inspired by Gibson Custom recreation of the guitar that Jimi customized and played extensively from 1967-1969.
As part of the Epiphone Inspired by Gibson Custom Collection, the Epiphone Jimi Hendrix “Love Drops” Flying V is now available at Authorized Epiphone dealers and worldwide on www.epiphone.com.
“Jimi’s artistic expression was all-encompassing. It went far beyond creating magical music and expanded into another dimension of art that allowed us to see the beauty of his music,” says Janie Hendrix, Sister of Jimi and President and CEO of Experience Hendrix LLC & Authentic Hendrix LLC. “When he hand-painted his Flying V, which was an expression of his love for his instrument and his music. With the Epiphone series, Gibson has recreated Jimi’s artwork beautifully! We are excited to partner with them! Seeing Jimi’s handiwork come alive in this spectacular collection is extremely gratifying.”
The Epiphone Jimi Hendrix “Love Drops” Flying V with custom hardshell guitar case.
Originally a Sunburst, Jimi Hendrix customized his Ebony-refinished Gibson Flying V with striking psychedelic graphics that he hand-painted on the original guitar, which are carefully recreated here on the Flying V. As a fitting tribute to one of the world’s most legendary and famous lefty guitar players, the Epiphone Jimi Hendrix “Love Drops” Flying V is available in right and left-handed versions. The Jimi Hendrix “Love Drops” Flying V also features a mahogany body, a one-piece mahogany neck with a Rounded C profile, a laurel fretboard, and 22 medium jumbo frets.
An Inspired by Gibson Custom logo and reproduction of Jimi’s signature adorn the back of the 1967-style Flying V headstock. Epiphone Deluxe tuners anchor the strings at the headstock, while a short Maestro Vibrola anchors them at the other end. The electronics are first-rate, with a pair of Gibson Custombucker humbucker pickups wired to CTS potentiometers, a Mallory tone capacitor, and a Switchcraft 3-way pickup select switch and 1/4” output jack. An Epiphone hardshell guitar case with Inspired by Gibson Custom and Authentic Hendrix™ logos is also included.
Learn more: www.epiphone.com.
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.