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Silver & Black

Our columnist is back to balance the force with a look at the top qualities of old-school Fullerton noise-makers.

Last year, I wrote a column listing the top 10 annoying things about vintage Fender amps. Now, I seek to rebalance the equation, and will share my list of reasons to love them.

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A close-up look at the author’s Fender Vibrolux, with a 12" Celestion Alnico Gold on the preamp side of the amp and a lighter, 10" neodymium Jensen Jet Series on the other.

How to expand classic Fender amp sounds with different speaker configurations.

As you know, replacing or augmenting the speakers of your Fender amps is the easiest way to organically change your guitar tone. So, let’s discuss some alternative speaker configurations for classic Fenders. We’ll also explore some basic knowledge about resistance, current, and power distribution along the way, which will enable you to safely experiment.

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The author’s Collings D2H rests on his favorite Fender amp combination for acoustic guitar: a Bandmaster Reverb atop a 1x12 extension cab with an Eminence Maverick inside. The amp has a custom-made baffle board with two 8" speakers, so can go it alone for smaller gigs.

Interested in plugging a flattop into your favorite silver- or black-panel beauty? Here’s what you need to know.

Have you ever tried to plug your acoustic guitar into a classic-style Fender amp? There are some hurdles to overcome, and this month I’ll provide some advice on how to get past them. But first, some background.

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The Victorilux comes in the 3x10 configuration discussed by our columnist, plus 2x12 and 1x15 combos.

Our columnist is a Fender die-hard but finds thrills in an inspired modern alternative: the Victoria Victorilux.

I am extremely loyal to vintage Fender amps. I love their clean and transparent tones, and how their simplicity makes for amplifiers that are not only collectable but serviceable. I do play other guitars and amps besides Fenders, although I have to admit that I always measure them against the brand and often try dialing them to a sound as close as possible to Fender tone. But this month I want to share a story about a Fender-inspired amp that I love: the Victoria Victorilux.

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This 1964 Vibrolux Reverb arrived in all-original condition, right down to a two-prong power cord and a death cap wired to the ground switch. The author’s well-worn Strat is the perfect companion.

How our columnist’s risky purchase turned out to be a dusty pre-CBS jewel.

This month, I’d like to share the story of my 1964 Fender Vibrolux Reverb. It was a really risky purchase that had some big surprises.

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