Billed as a practice amp, this 40-watt, solid-state combo with reverb and tremolo is clean, pedal- and stage-friendly, and affordable.
Orange O 40
I enjoy that back-of-the-throat, big cat growl that starts happening when you turn up the preamp of an Orange amplifier. But the company’s new O Tone 40 is a different breed of feline. With no gain control and a 1x12 made-in-Poland Voice of the World speaker that doesn’t break up until you start cranking it past noon, the O Tone 40 is designed to purr rather than snarl—unless lashed to an overdrive or fuzz pedal. It adds a different, more American-vintage flavor to the company’s lineup of versatile, low-priced new-generation amps and a voice shaped, in many respects,by the number and character of the stomps on your pedalboard.
Practice Schmactis
The solid-state O Tone 40 is billed as a practice amp, but I’d feel comfortable taking it onstage anywhere I’d use, say, a Deluxe Reverb or Blues Junior. It’s a 40-watt, class-AB build with 3-band EQ, digital reverb, and footswitchable JFET-driven tremolo. There’s an effects loop, too, and the combo clocks in at a light 26 pounds. In the modern practice-amp spirit, the O Tone has a 1/4'' headphone out and an unbalanced line-out to run into a DAW. There’s also an auxiliary input for, say, pumping in rhythm tracks or plugging in a metronome. The cabinet is medium-density fiberboard, versus the birch plywood of the 35-watt, 1x10 Orange Crush, which has no reverb or tremolo. And it’s tagged at a very reasonable $399, given its overall functionality.
With its classic control set—reverb, depth, speed, bass, midrange, treble, and volume, from left to right—the O Tone 40 is easy to use, and dialing up a host of good sounds with single-coil and humbucking pickups was a snap. The closed-back design and overall sonic profile tends to make the amp a bit bass heavy, especially with humbuckers, so it’s important to watch the EQ settings. I found a set-it-and-forget-it location with the bass at 9 o’clock, the mids floored, and the treble at 11 o’clock. This is a matter of taste, of course, and mine runs toward the mid-heavy with tempered treble. After all, Orange amps’ strength has always been the harmonic richness of their mids, and the O Tone 40 hits that mark. Plus, adding a little more treble pulled things toward Marshall territory, too.
Another aspect I loved was the breakup I started to hear working the volume up past noon. It’s more subtle than snarling, and reminded me of the organic dirty sounds that can be achieved by cranking up old Valco and Gibson amps from the ’50s and ’60s. So vintage tone hunters may find the O Tone 40 a great lower-priced alternative to an actual period piece. But the quiet effects loop also makes the amp ready for sonic futurism, if that’s one’s goal.
Finally, the reverb is deliciously spring-like, and the dial will travel from dry to surf to the supernatural. The tremolo has plenty of vintage character, too, although I would like to see a little more response in the lower range of the depth control, like that I’ve experienced with old Supros and Gibsons, which can get pretty radical right out of the box.
The Verdict
The super-affordable Orange O Tone 40 is versatile and pedal-friendly, with vibe-y reverb and tremolo as well as an effects loop, so stomp OD fans likely won’t miss the amp-maker’s usual appealing gain profile. There’s enough headroom for clean stage and rehearsal sounds at substantial volume, and pushing the volume past noon yields a very vintage-amp-like breakup profile, which make the O Tone a dependable work-pony with much more than a single trick.
The Icelandic rockers roll with semi-hollows for their hard-hitting blues.
Iceland-born, Nashville-based blues rockers Kaleo released their fourth full-length LP, Mixed Emotions, on May 9 via Elektra. To celebrate the album in their adopted hometown, they threw a party at American Legion Post 82 in East Nashville.
Some of the band’s gear had already been shipped to Red Rocks Amphitheatre, where the official release show took place on May 10, but “Kentucky Fried Scandinavian” lead guitarist Rubin Pollock gave PG’s Chris Kies a look at the must-haves loaded in for the legion gig.
Pollock bought this 1967 Gibson ES-345 at Carter Vintage Guitars in Nashville, and since then, it has been his closest friend, used on all tours and recordings. He favors its out-of-phase sounds brought on by using both pickups, and though it's equipped with a Varitone knob system, Pollock almost never uses it. He hasn’t changed the strings in years.
The Kustomer is Always Right
It was almost closing time when Pollock saw this Kustom K-200 hanging on a wall in a New York City guitar shop. The shop clerk said there was no time to try it, so Pollock bought it on the spot. It has a darker tone than his 345, which he brightens with a wah pedal. Its strings haven’t been changed since he bought it.
A Fender Mustang, bought in 2016, was treated to new strings recently by Pollock’s tech. He didn’t seem stoked.
Projector Project
With his black-panel Fender Deluxe already making its way to Red Rocks, Pollock opted for this Austen Hooks-built projector amp. Hooks built him one after Pollock fell in love with another of his builds at a Los Angeles studio.
Rubin Pollock’s Pedalboard
Pollock packs light, configuring his board to fit in a shoulder bag that he can carry himself wherever he needs to go. His pedals include a Strymon El Capistan and Flint, JHS Colour Box, DigiTech Whammy Ricochet, Boss TU-3, Fulltone Octafuzz, Chase Bliss Preamp Mark II, and an Isle of Tone “Cookie Monster” fuzz.
Jökull Júlíusson’s Guitars
Jökull “J.J.” Júlíusson couldn’t make it for the Rundown, but Pollock gave us a look at his Gibson ES-330 and his signature resonator, built by English luthier Pete Turner. Behind them sits J.J.’s long-time go-to amp, his Orange AD30, which ran through an Orange 1x12 cab.
Jökull Júlíusson’s Board
Júlíusson’s board includes a Strymon Flint and El Capistan, Boss TU-3, a custom Sounds of Shelby drive pedal, Vemuram Shanks ODS-1, MXR Ten Band EQ, and Radial StageBug DI box, plus a channel switcher for the AD30.
Punch Brother and friend of the podcast Chris “Critter” Eldridge drops by to talk about the great Tony Rice. Not only is Rice one of the most reputable legends of bluegrass guitar, he also served as Eldridge’s mentor.
Eldridge, who paid tribute to Rice in 2022 with the Punch Brothers’ Hell on Church Street, shares his firsthand stories of listening to music with Rice on his home stereo and taking his legendary guitar to a jam session. Plus, he shares his Tony Rice listening list.
Line 6, Inc. has introduced the Helix® Stadium Family of products. Leveraging powerful DSP and the entirely new Agoura™ modeling methodology, they deliver extraordinary sound and responsiveness, a sophisticated yet intuitive user interface, and unparalleled control capabilities. The Helix Stadium Family includes the Helix Stadium XL Floor and Helix Stadium Floor processors, the Expand D10 digital I/O expansion unit (VDI, L6 LINK™, and other connectivity), the EX2™ expression pedal/toe switch, and the Helix Stadium Backpack.
"Helix Stadium XL Floor and Helix Stadium Floor are in many ways a new type of product,” said Eric Klein, Chief Product Design Architect. “In addition to featuring the best-sounding, most powerful, and most flexible processing Line 6 has ever offered, they can serve as performance workstations that aim to upend the way you approach playing—whether that’s writing and learning songs, jamming with friends, or controlling your band’s entire stage rig. And most of all, they’re fun to use.”
The flagship Helix Stadium XL Floor and the streamlined Helix Stadium Floor feature high-resolution 8" touch screens, high-contrast OLED scribble strips (XL only), the ability to morph between ultra-authentic and idealized amp sounds with a single control, 8-channel audio interfaces, Matrix cue mixers, and Showcase™ automation and playback engines that enable them to serve as the centerpiece of entire stage setups.
Whether you are a current Helix owner seeking to further your sonic adventure (your Helix/HX® presets can be loaded into Helix Stadium), or you are considering upgrading from another modeler, or even if you are a traditional amp and effects player intrigued by the convenience and nearly unlimited tone-crafting possibilities offered by multi-effects—Helix Stadium can help you realize your musical vision.
Pricing
U.S. customers can expect to see advertised prices starting at $1799.99 USD for Helix Stadium Floor, $2199.99 USD for Helix Stadium XL Floor, $219.99 USD for Expand D10, $149.99 USD for EX2, and $249.99 USD for the Helix Stadium Backpack. For customers outside the U.S., please contact your local Line 6 retailer for pricing information.
Availability
Starting on June 25th, you can reserve your Helix Stadium online and in stores. Helix Stadium XL Floor will be available Fall 2025, and Helix Stadium Floor in Winter 2025.
We continuously work with our retailers in the U.S. and in international markets to ensure our customers have experiences that reflect the quality of the Yamaha Guitar Group, Inc. brands. To protect our retailers’ ability to offer top-of-the-line customer service and education, Yamaha Guitar Group, Inc. unilaterally established a minimum advertised pricing (MAP) policy for the advertisement of certain Yamaha Guitar Group, Inc. products by its retailers in the U.S.
Spector Bass unveils the Doug Wimbish Euro 4 Signature Model, meticulously designed in partnership with the legendary bassist himself. Featuring custom-voiced EMG pickups and a slim neck profile for unmatched speed and comfort, this bass is a player's tool and a piece of history. Available worldwide from Spector Dealers.
Spector Bass unveils theDoug Wimbish Euro 4 Signature Model,an inspired evolution of Doug’s iconic 1987 NS-2 bass. Building on the momentum of the 2024 USA Signature Series, this new Euro model brings Wimbish’s unmistakable tone, style, and legacy to an even wider audience. As bassist for the legendary rap label Sugarhill Records backing Grandmaster Flash & The Furious Five to the pioneering Living Colour, Wimbish has lent his innovative and creative bass grooves and sounds to a roster of world-renowned musicians.
Meticulously designed in close partnership with Doug Wimbish, the Euro4 DW features a signature slim neck profile and narrow nut width to offer unmatched speed and comfort. As well as custom-voiced EMG pickups, developed alongside Doug himself, delivering that unmistakable tone that’s powered countless records, tours, and sessions. Considered a pioneer in Hip-Hop bass playing and in the use of bass effects, alternate tunings and extended hand techniques, Wimbish’s mastery of the bass is unparalleled.
“My Spector Euro4Signature Model is absolutely stunning - visually, sonically and with the feel of my original '87 NS-2 Spector 4-String,” shared Wimbish. “The stars aligned on this new model - everything came together. I knew instantly when I played the first note on this model that we had a winner! I couldn't be happier - what a wonderful instrument.”
Finished in Amber Stain, Black Stain (gloss), and a Limited Aged Nitro finish that authentically replicates the wear and feel of Doug’s original bass, the Euro 4 Signature is both a player’s tool and a piece of history. A figured maple top, classic maple body wings, and a rosewood fingerboard with mother-of-pearl crown inlays complete the look. Gold Spector hardware adds a touch of elegance, while the Spector Legacy Preamp delivers a powerful, 1980s-inspired 2-band EQ—the heartbeat of Doug’s signature sound.
Now available worldwide from Spector Dealers, the Amber Gloss and Black Gloss is $3,499.99, and the Amber aged $3,699.99.
