In my younger days, before the unforeseen plague of responsibilities crept up on me, I was miraculously able to invest in several hobbies outside of the world of music.
In my younger days, before the unforeseen plague of responsibilities crept up on me, I was miraculously able to invest in several hobbies outside of the world of music. For several years I was an avid cyclist with a taste for finely-tuned, superlight two wheelers. As I cut across the local university campus, I would scoff at those poor souls forced to ride $100 pieces of scrap metal to class. Then, one day I was forced to park my expensive bike outside one of the university buildings and began the terribly long process of locking up my bike with several expensive locks to ensure that I had secured everything that could even remotely be removed by an allen wrench (stay with me here, there is a point to this). As I spent no less than ten minutes wrapping all manners of chains and locks around the bike rack, another student rode up on a steel frame with half-inflated tires, flicked down the kick stand and walked right into class. At that moment it occurred to me that not everyone needed ā or wanted ā an expensive, finely tuned racing machine, and that every level of ride had its place.
I am reminded of this experience after reviewing five new Micro Series pedals from Guyatone. Thatās certainly not to say that these pedals are the equivalent of $100 hand-me-down bicycles, but rather that these pint-sized effects represent a great bargain for guitarists residing at the lower-maintenance end of the tonal spectrum, simply looking for a nice palette of sounds to change things up.
These pedals feature stamped steel chassis, LED indicators, AC adapter inputs and true bypass switching on several models (OD-2+, CB-3 and HD-3), all in a small package, making them easier to fit onto an already overcrowded pedalboard. The battery compartment can be entered through the bottom of the pedal by removing a rubber gasket that holds the bottom metal plate to the body. The gasket has a groove on the inside that you must position over the lip created by the union of the main body and the bottom plate ā itās no easy feat, but the gasket does double as an appropriate friction device to keep the pedals from slipping around.
Donāt be deceived by the compactness of these pedals, which roughly resemble the size of a deck of Uno cards, as they pack quite the punch. Letās take a closer look to see if any of these effects have a place on your rig.
OD-2+ Overdrive
This pedal produces some classic tube-like sounds, reminiscent of the pre-hair band days when you could add a bit of distortion to your sound without completely killing the tone of that lovely Les Paul you spent a fortune on. This pedal also proves to be more versatile than its predecessor, the OD-2, with an upgraded Hi Cut/Hi Boost Tone control and 3-way Overdrive Mode switch, which essentially packs three pedals into one already compact unit.
The first setting, Shallow, serves up a versatile range of sounds, moving from a somewhat clean boost to a rough crunch. This setting will not overpower any of your gearās tonal qualities, but rather add a bit of grit and sustain. Moving the switch to the second position, Middle, will drive the OD-2+ a little harder, resulting in a throatier bite. If thatās still not enough for you, the last setting, Deep, produces the most saturated sounds, although the distortion levels here are still a little tamer than others in its class, such as the ubiquitous Tube Screamer.
Thereās no doubt that there are deeper overdrives available, but the sounds generated by the OD-2+ are respectable and definitely worth checking out.
Buy if...
you are looking for a reasonably smooth, rich overdrive in a compact box
Skip if...
youāre jonesing for a Tube Screamer
Rating...
Ā
MSRP $120 -Ā Guyatone - guyatone.com |
CB-3 Cool Booster
The Cool Booster does exactly what youād expect it to do, providing up to 18 dB of boost without much coloration of the original signal. It can also be used to distort an input signal by applying gain with the Boost knob. If you turn the Level knob to its maximum while keeping the Boost knob at zero, youāll get a clean boost with a fair amount of headroom. Setting the Boost knob at lower settings will give you even more clean volume without altering your signal; move the knob into the higher ranges and youāll start to hear distortion creeping in at the edges. A careful coordination of the two knobs will enable you to push enough transparent gain through your amp to generate subtle, yet pleasant distortion on the clean channel or jettison you into soloing range on an already-smoking amp.
If youāre looking for a milder overdrive, something to give you a little bump in volume without changing the tone youāve got, this is a simple solution that wonāt put you in the poor house.
Buy if...
you need a simple boost that wonāt discolor your sound
Skip if...
you need inordinate amounts of clean headroom
Rating...
Ā
MSRP $130 -Ā Guyatone - guyatone.com |
HD-3 Hot Drive
The HD-3 provides an edgy, hot distortion with the potential for mimicking a nice Marshall stack, albeit with no ability to adjust the amount of dirt present. The Tone control and 3-way Mode switch (representing three different peak frequency settings for its High Cut Filter) are all that are available for sonic shaping. The first setting, M1, is what I consider to be the core sound of the pedal ā a silky yet bright overdriven sound. The second setting, M2, adds some higher frequencies for a brighter sound with more bite, while the third setting, M3, cuts some of those highs for a deeper and darker tone.
This pedal has the marbles to take a small combo and turn it into a virtual stack, but I did have a few minor bones to pick with it. Rather than cutting some of the higher frequencies to accentuate the lower tones, it would have been nice to actually boost the lower frequencies to avoid some of the fogginess in the M3 setting. Also, the inability to control the pedalās gain may be a deal-breaker for some, but overall, the Hot Drive has the potential to fall into that rare āfell in love from the moment we metā category for some players. If you plug into this box and get that feeling, rest assured that it was meant to be.
Buy if...
you love the sound of an edgy Marshall stack
Skip if...
you need the ability to adjust the amount of distortion
Rating...
Ā
MSRP $120 -Ā Guyatone - guyatone.com |
SS-3 Sonic Shaper
Years ago, I remember purchasing a chorus pedal with no other reason than people insisting that I needed one. At the time, I felt that I had to get my moneyās worth out of each pedal, so I made sure to apply as much effect as possible. As you can imagine, the unmistakable sound of too much chorus left me unimpressed. Eventually, someone hipped me to the seemingly common knowledge that a small amount of chorus can really fatten up an acoustic guitar sound, and my first lesson in understanding that not all pedals are meant, or should be used, to completely change your sound was complete. With a lot of pedals, the keyword is āenhancement,ā and the Sonic Shaper best fits into this category.
The SS-3 has the subtle ability to emphasize different harmonics generated by the input signal ā the spec sheet indicated that the pedal can be used as an acoustic simulator or to merely boost your overall output volume, without the ability to add gain like the Cool Booster. Of course, trying to make an acoustic guitar sound like an acoustic guitar after amplifying it is fraught with enough technical issues, so itās unrealistic to expect one pedal to appropriately simulate an acoustic while using an electric. That said, the Sonic Shaper can gently fatten up certain frequencies of your sound and seems to compliment acoustics nicely ā the instructions even recommend coupling the pedal with a chorus for more dreadnought impersonations.
Sure, you could simulate this pedalās effects if you have a 31-band EQ sitting around by adjusting the higher frequencies and adding or removing presence in the sound, but the SS-3 makes doing so a significantly more compact proposition.
Buy if...
you need to add a little presence to fatten up your guitar
Skip if...
you already have a good EQ and a chorus pedal
Rating...
3.0
MSRP $120 -Ā Guyatone - guyatone.com |
MO-3 Micro Octaver
The Micro Octaver is definitely meant for the more adventurous among us; even the spec sheet states, āIf you are looking for pristine octave tracking with super clean tone, we suggest you look elsewhere.ā Thanks for the honesty.
The MO-3 hosts a mess of controls onboard to create its sonic chaos ā a Dry knob adjusts the output level of the unaffected signal, the Oct.1 knob adjusts the output level of the one octave down effect and the Oct.2 knob adjusts the output level of the two octave down effect. A Filter Shift switch allows you to slightly roll off the distortion effect (F1), reduce the distortion further (F2) or turn off the filter completely, so you get the sound of fully distorted octaves ā it should be noted that each of these settings affects the octave tracking differently. The Pre-Gain control, which is actually a screw located on the front panel, controls the output level of the preamp feeding into the octave circuit and can be used to make adjustments for high-output and passive pickups.
This pedal has a crazy range of sounds, from deep, crackly, distorted sounds at the lower end of the fretboard to slightly smoother lower octaves when played with higher notes, almost resembling a synth bass at times. The spec sheet recommends picking cleanly and evenly and I found that if notes were struck erratically or with varying force (in particular when struck lightly or played at low volumes), the notes tended to break up, almost like the sound of a bad cable. The MO-3 generated smoother, deeper fuzz-like sounds when playing above the 12th fret, but even then it was nothing even resembling a harmonized guitar. Certainly not for the faint of heart, this pedal could be the magic ingredient in the studio, creating that experimental sound you didnāt even know you were looking for.
Buy if...
you are looking for some fun, experimental sounds
Skip if...
you are not independently wealthy and still need to take care of basics
Rating...
Ā
MSRP $140 -Ā Guyatone - guyatone.com |
The Final Mojo
Overall, these tiny offerings from Guyatone serve up some good tones for those looking to avoid breaking the bank. Pedals like the OD-2+ Overdrive and the CB-3 Cool Booster could definitely operate as pedalboard workhorses and the other models will appeal to guitarists looking for a specific sound in their rig. The rubber gasket may be a pain for those planning on using battery power, but if you have a pedalboard and a power supply, youāll sidestep any issues. And while there may be lots of other pedals out there with more versatility, if youāre looking to try something new without making a giant commitment, this isnāt a bad place to start.
Guyatone
guyatone.com
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Explore two standouts to take your Fingerstyle guitar playing to the next level! PG contributor Tom Butwin demos the Walden G270RCE and the Riversong Stylist DLX, showcasing their unique features and sound.
An all-analog ā60s-inspired tremolo marries harmonic and optical circuits that can be used independently or blended to generate phasey, throbbing magic.
Spans practical, convincing vintage trem tones and the utterly weird. Hefty build quality.
Big footprint. Canāt switch order of effects.
$299
Jackson Audio Silvertone Twin Trem
jackson.audio
Almost any effect can be used subliminally or to extremes. But tremolo is a little extra special when employed at its weirder limits. Unlike reverb or delay, for instance, which approximate phenomena heard in the natural world, tremolo from anything other than an amp or pedal tends to occur in the realm of altered statesāsuggesting the sexy, subterranean, and dreamy. Such moods can be conjured with any single tremolo. Put two together, though, and the simply sensual can be surreal. Modify this equation by mating two distinctly different tremolo types, and the possible sound pictures increase manifold.
The all-analog, U.S.-built Jackson Audio Silvertone Twin Trem accomplishes this by combining a syrupy harmonic tremoloāthe likes of which youād hear from an early-1960s brown-panel Fender ampāand an optical tremolo like that in a Silvertone 1484 Twin Twelve amp or black-panel Fender. Both effects can be used independently, but itās when the two are blended that the Twin Trem shines.
Doppelganger Effect
The Twin Tremās optical and harmonic circuits are obviously not identical twins, but each is operated via its own 3-knob array consisting of speed, depth, and a smaller volume knob that will boost or cut the output of the individual circuit. Both tremolo types modulate at speeds slower than what you hear in amplifier equivalents. I donāt have a Silvertone Twin Twelve tremolo on hand for comparison. But the slowest speed from a mid-1960s Fender optical tremolo matched the rate of the Twin Tremās optical circuit at about the midpoint of its range. At its slowest, the optical side will cycle through minimum and maximum volume in just a little under a full second, which feels molasses-slow, stretching and enhancing the ramping effect. Maximum speeds on the Twin Trem are closer to the maximum on the old Fender. But thatās still a pretty rapid modulation rate and the Twin Tremās range-y depth controls make fast modulations sound extra alien.
If youāre sensitive to such things, the dedicated volume controls are great for overcoming the perceived volume drop that goes with any tremolo. Thereās much more gain available than what you need for that purpose, and slathering on the volume gives the pulses a burly quality thatās tough but can obscure some nuance. The ability to create disparate volumes for each circuit means you can slightly foreground one tremolo type or the other, opening up an even wider tone palette and highlighting unique interrelationships between modulations.
Double Shots Make Dizzy Daze
The Twin Tremās optical tremolo side (if you open up the back you can watch the pulsing diode that activates the opto-resistor) exhibits the throbbing tendencies one associates with black-panel Fender amplifiers. In fact, the Twin Trem sounds uncannily like the old Vibrolux I used for this test, but with more speed, range, and intensity. On its own, itās a convincing stand-in for a 1960s Fender, Gibson, or Silvertone circuit.
One of the coolest things about the harmonic tremolo is how it often doesnāt sound like tremolo at all. In a harmonic tremolo circuit, high and low-frequency bands are split and volume-attenuated out of phase from each other, creating a bubblegum elasticity in the modulations. At slow speeds the harmonic tremoloās phasey attributes take center stage (clip 1). And though the modulation texture is less swirling than what a simple phaser produces, the more vowel-like pulses lend a sleepy, mysterious aura to the modulation.
Though I did not use the pedal in stereo, I did utilize the effects loop, inserting a delay between the harmonic and optical tremolo, creating a little extra wash in the harmonic tremolo sweeps (clip 2). You can go crazy with possibilities here: How about inserting a multiple-tape-head-style delay for maximum syncopated mayhem? But the most traditional application for the effects loop is to simulate the reverb-into-tremolo order found in many mid-1960s amps. Again, itās a great option when you need ā60s reverb/tremolo combo amp vibes and thereās no such animal around.Audio clip 2, which showcases the Twin Tremās effects loop, also captures the two tremolos working together. And even at this fast-twitching speed you can hear the phaser-like wash softening the front end of the harder optical pulses that are situated downstream. Some dual-trem settings can produce chaos. But the best ones are thick, eerie, and propulsive in ways that can completely transform a songās ambience.
The Verdict
The Twin Trem is just short of 300 bucks, and itās easy to rationalize such a significant expense when you consider that you get two distinct tremolo sounds that you can mix, match, and switch between very readily. Maximizing the investment probably requires a little extra thirst for the unusual. Not all combined settings are money. Some rhythmic syncopations will drive you batty, and without the benefit of digital control you can disappear down little rabbit holes trying to find an elusive, perfect subdivision between modulation tempos or replicating a texture you found the previous week. Itās also too bad that you can't switch the order of the circuits. These are very minor traps, however. In general, the Twin Trem is forgiving and easy to use. And if you get in a meditative place with the pedal, and let it do the driving from time to time, the riffs will practically write themselves.
Bonnaroo announces its 2025 lineup featuring Luke Combs, Hozier, Queens of the Stone Age, Avril Lavigne, and more.
This year features headline performances from Luke Combs on Thursday, Tyler, The Creator on Friday, Olivia Rodrigo on Saturday, and Hozier on Sunday. Further highlights include John Summit, Dom Dolla, Avril Lavigne, Glass Animals, Vampire Weekend, Justice, Queens of the Stone Age, and the first-ever Roo Residency with King Gizzard & the Lizard Wizard performing three sets over three days. In addition, Remi Wolf will lead the āInsanely Fire 1970ās Pool Partyā 2025 SuperJam, Bonnarooās legendary tradition. The complete Bonnaroo 2025 lineup is below.
Bonnaroo tickets go on sale tomorrow, Thursday, January 9 beginning at 10 am (CT) exclusively via bonnaroo.com. Guaranteed lowest-priced tickets are available during the first hour of sales, from 10 am - 11 am (CT). 2025 ticket options include 4-Day General Admission, 4-Day GA+, 4-Day VIP, and 4-Day Platinum, along with a variety of camping and parking options starting at just $25 down with a payment plan.
The 2025 festival will offer some exciting new features for Bonnaroovians, including the āCloserā RV and Primitive Camping accommodations that guarantee closer proximity to Centeroo, regardless of which day fans choose to enter The Farm. Among this yearās most exciting additions will be The Infinity Stage, a brand-new, one-of-a-kind venue ā presented in partnership with Polygon Live ā boasting spatial sound, synchronized lights, and an unprecedented three-dome, open-air design to create the worldās largest, most immersive, 360Ā° live music experience.
Bonnaroo also offers upgraded ticket types for those who prefer an elevated experience. GA+ tickets include unlimited access to the Centeroo GA+ Lounge, with relaxed seating, dedicated food for purchase, air-conditioned restrooms, and hospitality staff to assist with all festival needs; a private bar with drinks for purchase plus complimentary soft drinks; complimentary water refill station; a dedicated premium entrance lane at both gates into Centeroo, and more. VIP and Platinum guests will enjoy the same perks plus additional exclusive upgrades, including dedicated close-in and on-field viewing areas; unlimited access to VIP and Platinum Lounges; express lanes at the Festival Store, commemorative festival gifts, and so much more. To learn more about VIP and Platinum, please seehttp://www.bonnaroo.com/tickets.
A wide range of Camping & Parking options will be available in Outeroo including Primitive Car Camping, Glamping, RVs, Backstage Camping, Accessible Camping, Groop Camping, Community Camping, and more. Premium Outeroo Camping Accommodations include pre-pitched Souvenir Tents, cool and comfortable Darkroom Tents, weatherproof Luxury Bell Tents, and spacious 2-person Wood Frame Safari Tents for the ultimate Bonnaroo camping experience. Cosmic Nomads On-Site Daily Parking passes will be available for ticketholders not camping. For details on all accommodation options, please visitwww.bonnaroo.com/accommodations.
Complete Lineup
THURSDAY, JUNE 12
Luke Combs
Dom Dolla
Sammy Virji
Marcus King
Green Velvet
2hollis
Insane Clown Posse
Joey Valence & Brae
Daniel Donato's Cosmic Country
Wilderado
Max Styler
Azzecca
The Lemon Twigs
Wisp
Sofia Isella
Kitchen Dwellers
Dogs In A Pile
Die Spitz
Hey, Nothing
The Droptines
FRIDAY, JUNE 13
Tyler, the Creator
John Summit
Glass Animals
Tipper
Goose
The Red Clay Strays
Rainbow Kitten Surprise
Megadeth
Wallows
Foster the People
Slightly Stoopid
Flipturn
Of the Trees
JPEGMAFIA
Marina
Tape B
MJ Lenderman
BossMan Dlow
INZO
Levity
Mannequin Pussy
Leon Thomas
Cults
Aly & AJ
Matt Champion
Detox Unit
Rachel Chinouriri
Eater
Ginger Root
Bebe Stockwell
Effin
SATURDAY, JUNE 14
Olivia Rodrigo
Avril Lavigne
Justice
Nelly
GloRilla
Mt. Joy
RL Grime
Beabadoobee
Tyla
Jessie Murph
Modest Mouse
Gorgon City
Flatland Cavalry
Hot Mulligan
Action Bronson
Crankdat
Dope Lemon
Gigi Perez
Wave to Earth
Claptone
Jade Cicada
What So Not
DaĆ°i Freyr
Ziggy Alberts
ROSSY
Destroy Boys
The Stews
Thee Sinseers & The Altons
AHEE
SUNDAY, JUNE 15
Hozier
Vampire Weekend
Queens of the Stone Age
LSZEE
Remi Wolf
Raye
Royel Otis
Dispatch
Role Model
Barry Can't Swim
Treaty Oak Revival
Big Gigantic
Jack's Mannequin
ATLiens
Bilmuri
Saint Motel
James Arthur
Alex Warren
Zingara
Natasha Bedingfield
Alexandra Kay
Goldie Boutilier
Grace Bowers & The Hodge Podge
GorillaT
YDG
SPECIAL PERFORMANCES
King Gizzard & the Lizard Wizard Roo Residency: 3 Sets, 3 Days (Friday, Saturday and Sunday)
Remi Wolfās Insanely Fire 1970ās Pool Party Superjam (Saturday)
The fast-rising Okies use solid-state amp heads, baritone guitars, and a bit of Peavey magic to bring their nightmare-rock to life.
Oklahoma City sludge rockers Chat Pile have had a busy few years. Their 2022 LP, Godās Country, broke them internationally, and their critically acclaimed 2024 follow-up, Cool World, solidified them as one of the most exciting heavy bands of the moment. We spoke with bassist Stin and guitarist Luther Manhole about the record for our November 2024 issue.
Now, we bring you the bandās first official Rig Rundown, filmed ahead of their show at The End in Nashville last fall. Tune in to see how Stin and Luther conjure the bandās brutal soundstorms on the road.
Brought to you by DāAddario.
Bari Blast
Manholeās main machine is this baritone 6-string, an Ernie Ball Music Man BFR Axis Super Sport, finished in āstarry night.ā Luther took a tip from tourmate and Agriculture guitarist Richard Chowenhill and slapped some tape over his neck pickup near the first string to prevent it from catching on the edge of the humbucker. Itās tuned to drop A, with Ernie Ball Mammoth Slinky strings.
Quite the Quilter
Back at home, Luther and Stin lean on big vintage amps, but on the road, Luther brings out this Quilter Tone Block 202, which is plugged into an Ampeg VT-40 combo amp thatās been gutted to run just as a 4x10 cabinet. Luther digs the icier, cutting tone from the 10ā³ speakers.
Luther Manhole's Board
Manholeās board is minimalist: All he needs is a TC Electronic PolyTune, a Suhr Riot for dirt, an Electro-Harmonix Memory Boy (which is set for a wobbly chorus effect), and a TC Electronic Hall of Fame for reverbāpedals heās used for over a decade. An Acoustic PBIS08 supplies the quartet with power.
Peavey Power
Around 2007, Stin went on a hunt around Oklahoma music shops for a Peavey T-40. He finally found oneāin a total āWayneās World momentāāthat belonged to a country singer who had passed away. Since the bandās formation, this āhot and clangyā white T-40 has been Stinās tool for crafting Chat Pileās elephantine, bottom-heavy sound. He uses the 5-string Ernie Ball Slinky Cobalts (.060ā.125), omitting the .040 string, and plucks with orange Ernie Ball Everlast .73 mm picks for strong, percussive attack.
Building Blocks
Stinās signal runs to this Quilter Bass Block 802, which blasts through a Trace Elliot 4x10 redline cab with hornsāthe cab thatās been used on every Chat Pile recording to date.
Stin's Board
Stin probably thinks Manholeās board is excessive. He packs just his Boss TU-3 and a Tronographic Rusty Box, each with their own individual power supply plugged into a power bar thatās fixed to the board.