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LSL Instruments 52.5 Aged T-Bone Guitars

PG's Chris Burgess is On Location in Nashville, TN, for Summer NAMM '09 where he visits the LSL Instruments booth. In this segment, we get introduced to some old-school, t-style guitars. T-style picker Matt Rae walks us through some tones that the LSL T-bones can produce. They feautre swamp ash bodies, "C" profile maple necks, LSL custom-wound pickups and all the metal parts, hardware and fretboards are manually aged to create a near authentic played, not beaten appearance.



PG's Chris Burgess is On Location in Nashville, TN, for Summer NAMM '09 where he visits the LSL Instruments booth. In this segment, we get introduced to some old-school, t-style guitars. T-style picker Matt Rae walks us through some tones that the LSL T-bones can produce. They feautre swamp ash bodies, "C" profile maple necks, LSL custom-wound pickups and all the metal parts, hardware and fretboards are manually aged to create a near authentic played, not beaten appearance.
The Return of Johnny Cash—John Carter Cash Interview
The Return of Johnny Cash—John Carter Cash Interview on Johnny’s New Songwriter Album

The Man in Black returns with the unreleased Songwriter album. John Carter Cash tells us the story.

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Amazon Prime Day is here (July 16-17). Whether you're a veteran player or just picking up your first guitar, these are some bargains you don't want to miss. Check out more deals here! https://amzn.to/3LskPRV

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A technicolor swirl of distortion, drive, boost, and ferocious fuzz.

Summons a wealth of engaging, and often unique, boost, drive, distortion, and fuzz tones that deviate from common templates. Interactive controls.

Finding just-right tones, while rewarding, might demand patience from less assured and experienced drive-pedal users. Tone control could be more nuanced.

$199

Danelectro Nichols 1966
danelectro.com

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The Danelectro Nichols 1966, in spite of its simplicity, feels and sounds like a stompbox people will use in about a million different ways. Its creator, Steve Ridinger, who built the first version as an industrious Angeleno teen in 1966, modestly calls the China-made Nichols 1966 a cross between a fuzz and a distortion. And, at many settings, it is most certainly that.

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