The focus of this article is for those of you who are looking for help in choosing schools to further your guitar education.
The focus of this article is for those of you who are looking for help in choosing schools to further your guitar education. Teaching is one of the biggest joys for me in my career as guitarist. I teach private lessons and do Master Classes and clinics at music stores and in some of the world’s finest music colleges/schools. In this article, I will highlight only schools I am personally familiar with by offering Master Classes on location.
Below I will consider each style of music and suggest some excellent schools to explore for your further education. If you love guitar and you’re looking to expand your level of knowledge, every one of the schools I will talk about in this article is incredible. There are many awesome schools out there.
If your focus is rock music, here are some schools to check out, as they teach rock music and more. In my experience, three excellent choices include GIT at MI (The Guitar Institute of Technology - the Musician’s Institute in Hollywood, CA), AIM (The Atlanta Institute of Music), and Berklee School of Music in Boston. Another excellent choice in schools is LAMA (Los Angeles Music Academy). All of these schools have world-class rock guitar instructors – LAMA happens to be run by one of the world’s top rock guitarists, Frank Gambale. I know I really enjoy teaching at all of these schools.
Now, if you are a jazz player, two of the world’s greatest and most recognized programs are the Berklee School of Music in Boston, MA and North Texas University in Denton, TX. Fred Hamilton is the chair of the Jazz Guitar Studies program, and the 1 o’ Clock jazz ensemble is widely considered one of the best jazz ensembles in the U.S.
If you’ve ever been interested in covering bluegrass and commercial country music, South Plains College in Levelland, TX is incredible! This is one of the top schools for bluegrass and country guitar. Some of the world’s finest pickers have “cut their teeth” at South Plains. Many fine musicians have come from South Plain’s program, including singer/guitarist Heath Wright and Keith Gattis, who has recently been playing with Dwight Yokam. Country instrumentalist Stuart Duncan is also a notable standout of this program, and is currently one of the most in-demand session musicians in Nashville.
If you’ve ever been interested in covering bluegrass and commercial country music, South Plains College in Levelland, TX is incredible! This is one of the top schools for bluegrass and country guitar. |
Country guitar and blues guitar are two styles that are taught well in many schools. Four outstanding schools for you to explore these styles would be South Plains College in Levelland, TX, GIT at MI, Utah State University and Belmont University in Nashville. Belmont does offer the country player the advantage of location, because students have the opportunity to hone their craft in Honky Tonk Boot Camp on Lower Broadway in Nashville.
If you choose Nashville and you are interested in also studying the music business, you should know that Belmont University in Nashville and Middle Tennessee State University in nearby Murfreesboro, TN offer two of the most recognized Music Business programs in the country.
I really recommend hopping online and checking out these schools and others for yourself. First, take a look at what genre of music you are interested in. Then, find the school that will best fit your needs. Remember to make sure the location is right for you. Think about the size program that fits best for you. Also, check your budget. Financial assistance is often available, but it still may not cover all of your expenses. Then it all comes down to one question: do you love guitar enough to become this serious about it? I sincerely wish all guitarists could have the chance to experience such great guitar schools!
I would like to thank everyone at all of these schools for giving me the opportunity to become a little part of their educational curriculum. I love you all very much and I hope to see you at a Master Class real soon. God bless and keep pickin’.
Johnny Hiland
Johnny Hiland
Guitar Player Extrodinare
www.johnnyhiland.com
Tailored for Yngwie Malmsteen's signature sound, the MXR Yngwie Malmsteen Overdrive is designd to offer simple controls for maximum impact.
Working closely alongside Yngwie, the MXR design team created a circuit that delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for his light-speed arpeggios, expressive vibrato, and big, bold riffs. The control setup is simple, with just Level and Gain knobs.
"Want to sound like Yngwie? Crank both knobs to the max."
“This pedal is the culmination of 45+ years developing a sound that’s perfect in every possible way,” Yngwie says. “I present to you: the MXR Yngwie Malmsteen Overdrive. Prepare to be amazed.”
MXR Yngwie Malmsteen Overdrive highlights:
- Perfectly tailored for Yngwie Malmsteen's signature sound and style
- Simple control setup tuned for maximum impact
- Boost every nuance with superior clarity, expressive dynamics, and rich harmonics
- Dig into light-speed arpeggios, expressive vibrato, and big, bold riffs
The MXR Yngwie Malmsteen Overdrive is available now at $129.99 street/$185.70 MSRP from your favorite retailer.
For more information, please visit jimdunlop.com.
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The Memphis-born avant-funk bassist keeps it simple on the road with a signature 5-string, a tried-and-true stack, and just four stomps.
MonoNeon, aka Dywane Thomas Jr., came up learning the bass from his father in Memphis, Tennessee, but for some reason, he decided to flip his dad’s 4-string bass around and play it with the string order inverted—E string closest to the ground and the G on top. That’s how MonoNeon still plays today, coming up through a rich, inspiring gauntlet of family and community traditions. “I guess my whole style came from just being around my grandma at an early age,” says Thomas.His path has led him to collaborate with dozens of artists, including Nas, Ne-Yo, Mac Miller, and even Prince, and MonoNeon’s solo output is dizzying—trying to count up his solo releases isn’t an easy feat. Premier Guitar’s Chris Kies caught up with the bassist before his show at Nashville’s Exit/In, where he got the scoop on his signature 5-string, Ampeg rig, and simple stomp layout, as well as some choice stories about influences, his brain-melting playing style, and how Prince changed his rig.
Brought to you by D’Addario.
Orange You Glad to See Me?
This Fender MonoNeon Jazz Bass V was created after a rep messaged Thomas on Instagram to set up the signature model, over which Thomas had complete creative control. Naturally, the bass is finished in neon yellow urethane with a neon orange headstock and pickguard, and the roasted maple neck has a 10"–14" compound radius. It’s loaded with custom-wound Fireball 5-string Bass humbuckers and an active, 18V preamp complete with 3-band EQ controls. Thomas’ own has been spruced up with some custom tape jobs, too. All of MonoNeon's connections are handled by Sorry Cables.
Fade to Black
MonoNeon’s Ampeg SVT stack isn’t a choice of passion. “That’s what they had for me, so I just plugged in,” he says. “That’s what I have on my rider. As long as it has good headroom and the cones don’t break up, I’m cool.”
Box Art
MonoNeon’s bass isn’t the only piece of kit treated to custom color jobs. Almost all of his stomps have been zhuzhed up with his eye-popping palette.
Thomas had used a pitch-shifting DigiTech Whammy for a while, but after working with Paisley Park royalty, the pedal became a bigger part of his playing. “When I started playing with Prince, he put the Whammy on my pedalboard,” Thomas explains. “After he passed, I realized how special that moment was.”
Alongside the Whammy, MonoNeon runs a Fairfield Circuitry Randy’s Revenge (for any time he wants to “feel weird”), a literal Fart Pedal (in case the ring mod isn’t weird enough, we guess), and a JAM Pedals Red Muck covers fuzz and dirt needs. A CIOKS SOL powers the whole affair.
Shop MonoNeon's Rig
Fender MonoNeon Jazz Bass V
Ampeg SVT
DigiTech Whammy
CIOKS SOL
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”