A collection that includes six and twelve-strings, baritones and basses, lap steels and left-handed options for hollow bodies.
Gretsch announces today that its Electromatic Collection of electric guitars, basses, baritones and lap-steels is refreshed and refined with modern features for today’s players. The Electromatic’s Classic Hollow Bodies are available today, while the Collection’s Jet and Lap Steel models will launch March 30.
Electromatic Classic Hollow Bodies
These big, bold electric guitars bring the brand’s prized snap and roar to life. Whether you’re looking for the punch of a six-string or a shimmer of the twelve-string, the FT-5E Filter’Tron pickups will bring the vintage thunder over the booming deep tones that only a hollow-body can deliver. All models feature a stunning refined laminated maple body reinforced by trestle block bracing. A classic “C” shaped maple neck with laurel fingerboard gives the guitar a classic feel in the hand, and the Graph Tech NuBone nut and Adjusto-Matic bridge makes for impressive sustain. The Master Volume with treble bleed circuit keeps tone bright at high volumes. The Electromatic Classic Hollow Bodies are available in single or double-cutaways, with either a Bigsby B60 Vibrato or G-cutout Tailpiece. These Classic Hollow bodies are available in a variety of colors specific to each model, such as Orange Stain, Azure Metallic Airline Silver and Snowcrest White.
Electromatic Jet BT
These models are perfect instruments for those looking for a next-step into the classic tone Gretsch is famed for. Their chambered mahogany body with a maple top produces a rich, present mid-range with the perfect combination of attack and resonance. A pair of Black Top Broad’Tron Pickups deliver the tone you’d desire from a Jet: capable of aggressive overdrive with the definition needed for pristine clean tone. The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides global control over your pickup and tone settings. The Jet BT Single-Cut comes in a left-handed configuration finished in Jade Metallic and in a right-handed configuration finished in Jade Metallic, Bristol Fog or Midnight Sapphire.
Electromatic Jet Baritone
These guitars bring a tone all their own to the Electromatic series. If you’re looking for deep lows, thick mids and a vivid high end, the Jet Baritone delivers. Thanks to the excellent balance of its solid mahogany body, the mini-humbuckers drive subsonic tones while keeping each note beautifully distinct. Measuring in at 29.75”, the extended scale neck allows B to B tuning — use it to add color and texture in the studio or to double a lead onstage for a fiery live sound. The Electromatic Jet Baritone is available with a fixed v-stoptail tailpiece finished in Bristol Fog or Imperial Stain or with a Bigsby tailpiece available in Midnight Sapphire.
Electromatic Junior Jet Bass II Short-Scale
These bass guitars sport all the classic Gretsch appointments delivering massive, room-filling subsonic tones that boom out from the solid basswood body and versatile pickups. The Junior Jet Bass has a smooth and balanced tonality that’s easily delivered through the comfortable, easy-to-play short-scale maple neck (30.3”) with laurel fingerboard. Low-end color, smoothness and comfort make this a bass guitar worthy of the Electromatic name. Available in Imperial Stain, Bristol Fog and Shell pink.
Electromatic Lap Steel
The Lap Steels produce one of the most unmistakable sounds out there: the rich electric Hawaiian guitar. Featuring a solid mahogany body and an intense tonal response that new and veteran players alike will appreciate. The single-coil pickup provides excellent note clarity, which sealed die-cast tuners keep locked-in. Available in the brand-new colors: Broadway Jade, Tahiti Red and Vintage White.
Introducing the New Gretsch Electromatic Classic Hollow Body Models
For more information, visit www.gretschguitars.com.
Last August, metalcore giants Poison the Well gave the world a gift: They announced they were working on their first studio album in 15 years. They unleashed the first taste, single “Trembling Level,” back in January, and set off on a spring North American tour during which they played their debut record, The Opposite of December… A Season of Separation, in full every night.
PG’s Perry Bean caught up with guitarists Ryan Primack and Vadim Taver, and bassist Noah Harmon, ahead of the band’s show at Nashville’s Brooklyn Bowl for this new Rig Rundown.
Brought to you by D’Addario.Not-So-Quiet As a Mouse
Primack started his playing career on Telecasters, then switched to Les Pauls, but when his prized LPs were stolen, he jumped back to Teles, and now owns nine of them.
His No. 1 is this white one (left). Seymour Duncan made him a JB Model pickup in a single-coil size for the bridge position, while the neck is a Seymour Duncan Quarter Pound Staggered. He ripped out all the electronics, added a Gibson-style toggle switch, flipped the control plate orientation thanks to an obsession with Danny Gatton, and included just one steel knob to control tone. Primack also installed string trees with foam to control extra noise.
This one has Ernie Ball Papa Het’s Hardwired strings, .011–.050.
Here, Kitty, Kitty
Primack runs both a PRS Archon and a Bad Cat Lynx at the same time, covering both 6L6 and EL34 territories. The Lynx goes into a Friedman 4x12 cab that’s been rebadged in honor of its nickname, “Donkey,” while the Archon, which is like a “refined 5150,” runs through an Orange 4x12.
Ryan Primack’s Pedalboard
Primack’s board sports a Saturnworks True Bypass Multi Looper, plus two Saturnworks boost pedals. The rest includes a Boss TU-3w, DOD Bifet Boost 410, Caroline Electronics Hawaiian Pizza, Fortin ZUUL +, MXR Phase 100, JHS Series 3 Tremolo, Boss DM-2w, DOD Rubberneck, MXR Carbon Copy Deluxe, Walrus Slo, and SolidGoldFX Surf Rider III.
Taver’s Teles
Vadim Taver’s go-to is this cherryburst Fender Telecaster, which he scored in the early 2000s and has been upgraded to Seymour Duncan pickups on Primack’s recommendation. His white Balaguer T-style has been treated to the same upgrade. The Balaguer is tuned to drop C, and the Fender stays in D standard. Both have D’Addario strings, with a slightly heavier gauge on the Balaguer.
Dual-Channel Chugger
Taver loves his 2-channel Orange Rockerverb 100s, one of which lives in a case made right in Nashville.
Vadim Taver’s Pedalboard
Taver’s board includes an MXR Joshua, MXR Carbon Copy Deluxe, Empress Tremolo, Walrus ARP-87, Old Blood Noise Endeavors Reflector, MXR Phase 90, Boss CE-2w, and Sonic Research Turbo Tuner ST-200, all powered by a Voodoo Lab Pedal Power 2 Plus.
Big Duff
Harmon’s favorite these days is this Fender Duff McKagan Deluxe Precision Bass, which he’s outfitted with a Leo Quan Badass bridge. His backup is a Mexico-made Fender Classic Series ’70s Jazz Bass. This one also sports Primack-picked pickups.
Rental Rockers
Harmon rented this Orange AD200B MK III head, which runs through a 1x15 cab on top and a 4x10 on the bottom.
Noah Harmon’s Pedalboard
Harmon’s board carries a Boss TU-2, Boss ODB-3, MXR Dyna Comp, Darkglass Electronics Vintage Ultra, and a Voodoo Lab Pedal Power 2 Plus. His signal from the Vintage Ultra runs right to the front-of-house, and Harmon estimates that that signal accounts for about half of what people hear on any given night.
