Misfits' Doyle Wolfgang Von Frankenstein Launches Von Frankenstein Monster Gear

Misfits guitarist Doyle Wolfgang Von Frankenstein unveils a new line of strings, collaborating with Josh Vittek of Sheptone.

Von Frankenstein Nickel Plated Electric Guitar Strings are vacuum sealed individually in anti-corrosion bags with gauges clearly labeled for easy identification, an especially helpful feature for working guitarists. In addition to the traditional gauge sets, the Von Frankenstein line will include three sets of actual signature sets that Doyle uses personally. His Abominator set is made up of gauges .010/.013/.017/.028/.038/.060 and used almost exclusively with his band, Doyle. The Decapitaters (.010/.013/.018/.030/.042.065) and the Monsters (.010/.013/.017/.028/.038/.052) are used for performances with the Misfits.

Doyle Wolfgang Von Frankenstein emerged from the fiery pits of New Jersey, the birthplace of the Misfits and a blood-soaked form of music called horror punk. In recent years, Doyle has made his own distinct mark on the genre with the inception of his self-monikered band. Doyle’s debut album, Abominator, was released by his own label, Monsterman Records in 2013 and followed by Doyle II: As We Die in 2017.

Each set includes a different free vinyl sticker, encouraging fans of Doyle and Misfits to collect them all. MSRP $13.99. For a closer look and to learn more about Von Frankenstein Monster Gear, visit www.vonfrankensteinmonstergear.com.

A compact pedal format preamp designed to offer classic, natural bass tone with increased tonal control and extended headroom.

Read MoreShow less

In their corner, from left to right: Wilco’s Pat Sansone (guitars, keys, and more), drummer Glenn Kotche, Jeff Tweedy, bassist John Stirratt, guitarist Nels Cline, and keyboardist Mikael Jorgensen.

Photo by Annabel Merhen

How Jeff Tweedy, Nels Cline, and Pat Sansone parlayed a songwriting hot streak, collective arrangements, live ensemble recording, and twangy tradition into the band’s new “American music album about America.”

Every artist who’s enjoyed some level of fame has had to deal with the parasocial effect—where audiences feel an overly intimate connection to an artist just from listening to their music. It can lead some listeners to believe they even have a personal relationship with the artist. I asked Jeff Tweedy what it feels like to be on the receiving end of that.

Read MoreShow less

Luthier Maegen Wells recalls the moment she fell in love with the archtop and how it changed her world.

The archtop guitar is one of the greatest loves of my life, and over time it’s become clear that our tale is perhaps an unlikely one. I showed up late to the archtop party, and it took a while to realize our pairing was atypical. I had no idea that I had fallen head-over-heels in love with everything about what’s commonly perceived as a “jazz guitar.” No clue whatsoever. And, to be honest, I kind of miss those days. But one can only hear the question, “Why do you want to build jazz guitars if you don’t play jazz?” so many times before starting to wonder what the hell everyone’s talking about.

Read MoreShow less