The former-Misfits guitarist runs us through his punk-rock minimalist setup and details how he builds his own guitars.

While on tour with Glenn Danzig in Nashville, Tennessee, Misfits guitarist Doyle Wolfgang von Frankenstein met with Premier Guitar’s John Bohlinger to detail his rig.

Doyle’s main guitars are his own design—he drew the shape on a textbook jacket way back in high school—and he machines the parts himself in his father’s shop. They feature a graphite neck-through design with detachable wings, a single Seymour Duncan Invader pickup, and a Floyd Rose Original bridge that Doyle modified to function as a stop-tail bridge. Why? He says it has fewer sharp edges to cut himself on while thrashing about onstage.

“I like bottom,” says Doyle, “I don’t like midrange … I want to feel it.” Which explains why he swears by Ampeg SVT Classic tube bass heads driving Celestion-loaded 4x12 cabinets of—you guessed it—his own design.

Given the raw, unbridled power of the guitar parts in classic Misfits tunes, as well as the down-tuned metal of Doyle’s eponymous side project, it’s no surprise that his pedalboard is barebones: An MXR DC Brick powers a Boss NS-2 Noise Suppressor, a HardWire SC-2 Valve Distortion, and a custom A/B box that switches between two Line 6 Relay G50 wireless transmitters.


"I don’t like any type of art that has to be explained."

Photo by Scott Friedlander

The profoundly prolific guitarist leads his band of tricksters through a surrealist sonic exploration of deep, esoteric rhythms and intricate interplay on Thisness.

On his new album Thisness, Miles Okazaki is credited as playing guitar, voice, and robots. If you imagine that the reference to robots is some sort of artsy kitsch—like trapping a Roomba Robot Vacuum into a tight space to sample its struggles as it percussively barrels into the four walls—you’re very far off the mark. Okazaki—who has an elite academic pedigree with degrees from Harvard, Manhattan School of Music, and Julliard, and currently holds a faculty position at Princeton University (after leaving a post at the University of Michigan, to which he commuted weekly from his home in Brooklyn for eight years)—wasn’t kidding.

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See a sampling of picks used by famous guitarists over the years.

Marty Stuart

Submit your own artist pick collections to for inclusion in a future gallery.

How does a legacy artist stay on top of his game? The pianist, hit singer-songwriter, producer, and composer talks about the importance of musical growth and positive affirmation; his love for angular melodicism; playing jazz, pop, classical, bluegrass, jam, and soundtrack music; and collaborating with his favorite guitarists, including Pat Metheny and Jerry Garcia.

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