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A sample page from the author’s analog log.

Seasonal changes are tough on your acoustic. Here’s how you can take better care of your prized instrument.

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This wonky Zim-Gar was one of many guitars sold by importer Gar-Zim Musical Instruments, operated by Larry Zimmerman and his wife.

The 1960s were strange days indeed for import guitars, like this cleaver-friendly Zim-Gar electric.

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- YouTube

Dive into the ART Tube MP/C with PG contributor Tom Butwin. Experience how this classic tube-driven preamp and compressor can add warmth and clarity to your sound. From studio recordings to re-amping and live stage applications, this time-tested design packs a ton of features for an affordable price.

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Guitarist Scott Metzger and his Lollar P-90-loaded Creston T-style onstage with LaMP, next to organist Ray Paczkowski.

Photo by Andrew Blackstein

The guitarist, who splits his time between the groove-driven jam band supergroup and Joe Russo’s Almost Dead, energizes the Tele vernacular on One of Us.

“Night after night playing next toDean Ween was really my foundation for learning what it means to be a lead guitarist, and how to do a gig, and the pacing of a gig, and a lot of things that I still consider really, really important lessons,” says guitarist Scott Metzger. He’s thinking back to his formative years in the small town of New Hope, Pennsylvania, about 40 miles north of Philadelphia and across the river from his hometown of Lambertville, New Jersey. It was there, on the intimate, low-ceilinged stage at eclectic musical outpost John & Peter’s, that the guitarist cut his teeth next to the Ween co-founder—real name Mickey Melchiondo—as a member of Chris Harford’s Band of Changes, which Metzger joined at just 17 years old.

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