On Location, Chicago, IL - Part II

The second half of PG''s stop in Chicago

Chicago, IL (May 8, 2008) -- Here''s our second installment of Premier Guitar “On Location” in Chicago, IL. In Part I, we locked down some serious tuning knowledge with the folks at Peterson Tuners, met a cool repair/custom build guy and checked out how Washburn electric guitars and custom acoustics are made. This week we dig a little deeper into the tail end of the Washburn building process, show you how Parker electrics are made and show you the paint shop for both brands. We also introduce you to David Eden of Eden Electronics and take you to a high-end guitar store that is the sole reason some musicians trek to Chicago.

Make''n Music - We''re going to guess that you''ve never seen this many high-end guitars and amps in one place before. Seriously.

The Making of a Parker Electric - So you think Parkers look and feel high-tech? Wait ''til you see how they make ''em.

Parker Guitars, Washburn Guitars - The Paint Shop - See where it all happens and meet the man in charge.

Final Assembly and Set-up - Parker Guitars and Washburn Guitars - See the final assembly for a custom guitar going to the band Kataklysm and check out some brand spakin'' new guitars that just finished the set-up process (including a Parker Four Seasons)

Eden Bass Amps - David Eden walks you through his lineup of high-end bass amps and discusses Eden cabinet construction.

Check back to PG.com for more On Location stops; to get the news first, sign up for our weekly updates.
Rig Rundown: Adam Shoenfeld

Whether in the studio or on his solo gigs, the Nashville session-guitar star holds a lotta cards, with guitars and amps for everything he’s dealt.

Adam Shoenfeld has helped shape the tone of modern country guitar. How? Well, the Nashville-based session star, producer, and frontman has played on hundreds of albums and 45 No. 1 country hits, starting with Jason Aldean’s “Hicktown,” since 2005. Plus, he’s found time for several bands of his own as well as the first studio album under his own name, All the Birds Sing, which drops January 28.

Read More Show less

Diatonic sequences are powerful tools. Here’s how to use them wisely.



• Understand how to map out the neck in seven positions.
• Learn to combine legato and picking to create long phrases.
• Develop a smooth attack—even at high speeds.

{u'media': u'[rebelmouse-document-pdf 13574 site_id=20368559 original_filename="7Shred-Jan22.pdf"]', u'file_original_url': u'https://roar-assets-auto.rbl.ms/documents/13574/7Shred-Jan22.pdf', u'type': u'pdf', u'id': 13574, u'media_html': u'7Shred-Jan22.pdf'}
Knowing how to function in different keys is crucial to improvising in any context. One path to fretboard mastery is learning how to move through positions across the neck. Even something as simple as a three-note-per-string major scale can offer loads of options when it’s time to step up and rip. I’m going to outline seven technical sequences, each one focusing on a position of a diatonic major scale. This should provide a fun workout for the fingers and hopefully inspire a few licks of your own.
Read More Show less