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Mick Taylor Goes Digital?

Mick Taylor, cohost of That Pedal Show, joins Zach on this episode, where they cover a whole lot of ground talking pedals, mental health, and more. The two discuss what it's like to have Mick's level of influence on the industry and how to overcome various forms of stage fright, before dipping a rig where some "shots" are fired.


Mick Taylor Goes Digital? | Dipped in Tone Podcast

Thanks to Sweetwater for sponsoring this episode.

Head to sweetwater.com/dippedintone to enter to win one of 2 rigs hand-picked by Rhett and Zach! Giveaway ends May 21, 2023

The author dials in one of his 20-watt Sonzera amps, with an extension cabinet.

Photo courtesy of PRS

Knowing how guitar amplifiers were developed and have evolved is important to understanding why they sound the way they do when you’re plugged in.

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Joshua Kim

Sublime, fronted by Jakob Nowell, son of late Sublime singer Bradley Nowell, are in the studio writing and recording new songs for an upcoming full-length album. This marks their first new album since 1996.

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- YouTube

A pair of Fender amps and a custom-built Baranik helped the Boston band’s guitarist come back from a broken arm.

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Price unveiled her new band and her new signature model at a recent performance at the Gibson Garage in Nashville.

Photo courtesy of Gibson

The Grammy-nominated alt-country and Americana singer, songwriter, and bandleader tells the story behind the creation of her new guitar and talks about the role acoustic Gibson workhorses have played in her musical history—and why she loves red-tailed hawks.

The Gibson J-45 is a classic 6-string workhorse and a favorite accomplice of singer-songwriters from Bob Dylan to Jorma Kaukonen to James Taylor to Gillian Welch to Lucinda Williams to Bruce Springsteen to Noel Gallagher. Last week, alt-country and Americana artist Margo Price permanently emblazoned her name on that roster with the unveiling of her signature-model J-45. With an alluring heritage cherry sunburst finish and a red-tail-hawk-motif double pickguard, the instrument might look more like a show pony, but under the hard-touring and hard-playing Price’s hands, it is 100-percent working animal.

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