As soon as Sheryl Crow had completed her latest album, Detours, due to hit the stores and download sites February 5, 2008, we immediately began preparation for promoting the
As soon as Sheryl Crow had completed her latest album, Detours, due to hit the stores and download sites February 5, 2008, we immediately began preparation for promoting the major release, spreading our time between press, TV, radio and live internet performances. In early December 2007 we set out for two weeks of all of the above, so thought I’d share a bit of our calendar with you.
Friday, November 30 -
I flew from my home in Atlanta, Georgia to New York City.
Saturday, December 1 - Tuesday, December 4, 12:00-9:00 p.m.
Full band rehearsals begin at S.I.R. Studios in Manhattan. Our main focus is to prepare Sheryl’s new song, “Shine Over Babylon” for a December 6 performance on the special CNN Heroes. We also practice our “acoustic” set for live radio and internet performances. The latter is a scaled down band of Sheryl, Tim Smith and me on guitars, and our drummer Jeremy Stacey.
Wednesday, December 4, 6:15 a.m.
Lobby call, arrrghh! Sheryl, Tim, Jeremy and I hop into a van bound for Philadelphia to perform for NPR’s Fresh Air and World Café. Both hosts will interview Sheryl and feature a handful of songs live. Quite a bumpy ride between NYC and Philly – , fix the roads!
Our augmented crew travels separately, arriving earlier to set up our gear. Acoustic guitars are sometimes mic’ed, but usually run direct along with bass and electric guitars. Jeremy uses a scaled down kit – a floor tom for a kick and brushes on a tambourine with a head for a makeshift snare. We all sing back-ups behind Sheryl.
2:30 p.m. –
We head back to NYC for an evening rehearsal at S.I.R. as final preparation for the CNN special. We work in two back-up singers, Stephanie Alexander and Lisa Fischer, who will be joining us for the show’s performance. This evening we’re using a rented backline since our gear had to be packed and trucked to the West coast for the TV show we will be taping in L.A. the following weekend.
After rehearsal, Sheryl takes the entire band and crew out for a celebratory dinner at a cool restaurant around the corner from S.I.R., something she does quite graciously and quite often, and it’s always a blast.
We’re back at the hotel by midnight. Remember, our day started at 6:15 a.m.
Wednesday, December 5, 3:00 p.m.
Rehearsal and camera blocking for CNN Heroes. The event is being held at the LeFrak Theater at the American Museum of Natural History in New York City. We walk in the stage door to witness the controlled chaos inherent in making a two-hour live broadcast happen. Multi-million dollar audio and visual equipment trucks line the streets around the museum. There is a staff and crew of hundreds and a temporary production office taking up half of an entire floor.
Dressing rooms are cordoned off by hanging curtains. Workers are passing at a fast clip in all directions and celebrities are being ushered to their dressing rooms, the “green room” where they’re held for impending performances, or onstage to finally perform. These events are typically characterized by a lot of “hurry up and wait.” We spend much of the time hearing, “You’ll be on in five minutes,” only to have the crew come get us two hours later!
Once on stage, we run through “Shine Over Babylon” a few times while lighting and sound is adjusted. The show’s director sits out front taking notes for camera queues and the camera men are directed accordingly. Our monitor engineer runs between us all asking what we need in our wedges or in-ear monitors. We answer, “More drums.” “More of Tim’s guitar!” “More vocal!” It’s always, “More!” We must be deaf.
Thursday, December 6 2:30 p.m. –
Depart the hotel for CNN show.
3:00-6:00 p.m. –
Dress rehearsal– it goes well from our point of view
9:00 p.m. –
It’s time; the show is on the air! Live TV is always an adrenaline rush for everyone. 36 minutes into the broadcast, they call us to take the stage. The crew rolls out our backline on moving pallets. My amps and pedalboard are completely pre-wired and placed into position. The entire band has to be set and ready to go within a twominute “scene change” commercial break. We take our places. The director gives us the countdown, “10, 9, 8, 7, 6, 5, 4, 3 – on air!” Now our hearts are pumping into our necks. CNN’s Anderson Cooper introduces us, “Please welcome Sheryl Crow.” The director points to Jeremy who yells the count and we launch into “Shine Over Babylon.”
To see the performance you can dial it up on YouTube – search for “Sheryl Crow CNN Shine Over Babylon.”
To be continued...
Peter Stroud
is co-founder of 65amps
www.sherylcrow.com
65amps.com
Learn how Adrian Belew's BEAT Tour came together to include Tony Levin, Danny Carey, and Steve Vai—plus King Crimson, Bowie, Zappa, Talking Heads, and more.
The BEAT Tour, featuring a superband of Adrian Belew, Tony Levin, Steve Vai, and Tool’s Danny Carey, begins on September 12 in San Jose, California, and continues into December, playing repertoire from King Crimson’s highly influential ’80s albums Discipline, Beat, and Three of a Perfect Pear. PG’s editorial director Ted Drozdowski sat down with Adrian in his home studio to talk about how these four great players came together, Adrian’s decades in Crimson, and Robert Fripp, Bowie, Zappa, Talking Heads, and more. Also, stay tuned for our exclusive Rig Rundown, coming soon!
Featuring dual-engine processing, dynamic room modeling, and classic mic/speaker pairings, this pedal delivers complete album-ready tones for rock and metal players.
Built on powerful dual‑engine processing and world‑class UAD modeling, ANTI 1992 High Gain Amp gives guitarists the unmistakable sound of an original "block letter" Peavey 5150 amplifier* – the notorious 120‑watt tube amp monster that fueled more than three decades of modern metal music, from Thrash and Death Metal, to Grunge, Black Metal, and more.
"With UAFX Dream, Ruby, Woodrow, and Lion amp emulators, we recreated four of the most famous guitar amps ever made," says UA Sr. Product Manager Tore Mogensen. "Now with ANTI, we're giving rock and metal players an authentic emulation of this punishing high gain amp – with the exact mic/speaker pairings and boost/noise gate effects that were responsible for some of the most groundbreaking modern metal tones ever captured."
Key Features:
- A complete emulation of the early '90s 120‑watt tone monster that defined new genres of modern metal
- Powerful UAFX dual-engine delivers the most authentic emulation of the amp ever placed in a stompbox
- Complete album‑ready sounds with built‑in noise gate, TS‑style overdrive, and TC‑style preamp boost
- Groundbreaking Dynamic Room Modeling derived from UA's award-winning OX Amp Top Box
- Six classic mic/speaker pairings used on decades of iconic metal and hard rock records
- Professional presets designed by the guitarists of Tetrarch, Jeff Loomis, and The Black Dahlia Murder
- UAFX mobile app lets you access hidden amp tweaks and mods, choose overdrive/boost, tweak noise gate, recall and archive your presets, download artist presets, and more
- Timeless UA design and craftsmanship, built to last decades
For more information, please visit uaudio.com.
- YouTube
The legendary Queen guitarist shared an update on his social media that he noted as a "little health hiccup." "The good news is I can play guitar,” he said.
Brian May revealed that he was rushed to a hospital after suffering a minor stroke and temporarily losing control of his left arm. In a message to his fans, May addresses the events of the past week:
“They called it a minor stroke, and all of a sudden out of the blue, I didn’t have any control of this arm. It was a little scary, I have to say. I had the most fantastic care and attention from the hospital where I went, blue lights flashing, the lot, it was very exciting. I might post a video if you like.”
“I didn’t wanna say anything at the time because I didn’t want anything surrounding it, I really don’t want sympathy. Please don’t do that, because it’ll clutter up my inbox, and I hate that. The good news is I’m OK.”
Introducing the new Seymour Duncan Billy Gibbons signature offerings: The Hades Gates Humbucker set for a mid-forward punch with extra heat, and the Red Devil for Tele, capturing his hot Texas tone.
Billy Gibbons Red Devil for Tele
When Seymour Duncan first introduced the Signature Billy Gibbons Red Devil set, his fiery sound was captured in Strat-sized humbucker pickups. Now, that hot Texas tone is available as a drop-in replacement bridge pickup for any Telecaster wielding guitarist.
Approved by Reverend Willie G himself, the Red Devil for Tele is built with an Alnico 5magnet, 4 conductor cable, and a hot wind that drives amps and pedals harder than a traditional vintage humbucker. Whether you’re looking for cutting leads, tight pinch harmonics, or thick rhythm tones, it’s all at your fingertips with the Red Devil for Tele.
Billy Gibbons Hades Gates Pickup Set
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.From scorching lead guitar to his own line of hot sauces, Billy Gibbons has never been afraid of a little extra heat. The Pearly Gates pickup set from his coveted 1959 Les Paul has been a favorite among P.A.F. purists for decades. For the Reverend, some guitars in his collection benefitted from additional output to deliver his signature sound.
This demand for a hotter wind forged The Hades Gates humbucker set – a fiery take on the mid-forward, punchy sound Billy is known for. Alnico 2 magnets and this added output drive your amp into some hot, blue, and righteous territory.
Hades Gates Humbuckers are hand-built in Santa Barbara, California with 4-conductor cables and short mounting legs.
For more information, please visit seymourduncan.com.