Distortion like you''ve never heard before
Are you looking for that traditional distortion pedal with classic rock tone? If so, the new Source Audio Multiwave Distortion pedal is NOT for you. Yep, you read it correctly. The folks at Source Audio are taking a fresh new approach to distortion and inventing some unique sounds. They’re not looking to emulate or duplicate any distortion pedals of the past — the end result is a pedal that produces a variety of tones that, chances are, you’ve never heard before. They are certainly tones that I’ve never heard before. |
The Multiwave Distortion pedal is part of Source Audio’s new line of Soundblox pedals. It features the SA601 56-bit Digital Signal Processor with 24-bit A/D D/A converters that provide excellent sound quality. There are controls for Sustain, Drive, Output and Effect Selection, and this pedal can also be used with Source Audio’s innovative Hot Hand motion sensor controller (which I will get to shortly). The box itself is sleek, sporting a modern design and a cool turquoise finish. With a 4”x7” footprint, the pedal is a little larger than the average stompbox. It also features an active analog bypass, which is fully routed around the DSP and guarantees no signal loss.
Their secret recipe in this distortion pedal incorporates algorithm types that are very different from the standard set. There are 21 varieties of distortion in this pedal, offering diverse and unusual sounds. The Soundblox Multiwave distortion involves a technique that divides the guitar signal input into multiple frequency bands, distorts the bands separately, and then recombines the signal. The result is a distorted guitar tone with an incredible amount of clarity between the notes.
I was eager to try out this Multiwave technique. The traditional rock sound is typically achieved by playing fifths with a distorted tone. I have always tried to incorporate more complex chords into rock guitar playing, but often get frustrated, since these chords are usually reduced to mush when using distortion. The Multiwave Distortion definitely solves that problem. I pulled off a complex G7b13+9 chord through distortion with unbelievable clarity. Not a traditional rock chord by any means, but that’s the point — a pedal like this allows you to carve out your unique sound.
The Effect knob lets you choose effects within Multi Band and Single Band distortion setting banks, which are then divided between Normal, Foldback and Octave. The settings in the Normal section are similar to standard distortion, especially in the Single Band, while distortion in the Multi Band allows the best clarity of individual notes. Foldback is another algorithm that creates distortion differently than traditional distortion pedals. Standard distortion signals clip and hit a wall, which squares off the tips of the sound waves; this creates the character of the standard distortion sound. A foldback curve has waves that are pulsing, and the output increases and decreases. This process creates a fresh, different kind of distortion that is its own beast – it is white noisy, yet musical, with both squishy and edgy overtones that range from laser-like to phat wall-of-sound, depending on how your string attack. It also provides a lot of control over the sound which, like the Multi band settings, results in exceptional clarity.
The Foldback and Octave selections offer a variety of unique unique varietites of distortion, and I had fun playing and experimenting with these sounds. Everything from heavily saturated fuzz to synth-like sounds can be achieved. In the Octave section, second order harmonics are created, with notes added an octave higher. Backing off a little on the Drive and Sustain also produced a really funky wah effect that I loved. It definitely wasn''t what you would expect from a standard distortion pedal.
If all that wasn’t enough, you can have additional fun with this pedal by plugging in a Hot Hand motion sensor. Source Audio introduced the Hot Hand motion control device originally with their Wah Filters and Phaser/Flanger, which were the first effects that could be controlled by hand and body movement. The sensor itself is a ring that you wear on your picking hand (or any other part of your body!) and the movement actually works as an expression pedal. For the Multiwave distortion pedal, the Hot Hand controls the amount of Drive in the effect.
The Hot Hand sensor is sold separately, and comes in either a wired or wireless version. I have a wireless sensor that needs to be charged before use. It takes about an hour and the ring will operate for about 8 hours on a full charge. Only two additional components for the distortion pedal are needed for Hot Hand control: the sensor ring and a small RF receiver module that plugs into the pedal. After plugging the receiver into the pedal, powering up the sensor and placing it on the ring finger of my picking hand, I got the hang of the technique in no time. I had tons of fun experimenting with it. For example, after strumming a chord, I did a quick up and down motion as if I were tapping on the guitar. The sensor controlled the amount of gain and produced a really cool tremolo effect. The Drive knob on the pedal determines the maximum amount of gain you can get. I loved having the freedom to precisely control the speed of a vibrato-type effect in real time while playing, that’s something you can’t do with a standard tremolo.
I continued to play around with different combinations of effect settings and motion sensor techniques, and the various sound possibilities were seemingly endless and unlike anything else. There were so many different sounds pouring out of this unit that I concluded there was only one drawback to using it: other players will think you’re using multiple effects and you’ll want to brag that all of these sounds are coming out of one box!
Source Audio has a fresh, unique approach to effects and looks to the future instead of recreating the past. I was impressed enough with the Multiwave Distortion as a stand-alone effect unit but was pleasantly floored and inspired creatively by the possibilities that are involved when you combine this pedal with the Hot Hand sensor.
* Note: The above clips were recorded with a Fender VG Stratocaster into the Source Audio Multiwave Distortion pedal into an Avalon Vt-737sp preamp through a Digidesign Digi 002 interface. It was recorded into Pro Tools on a Mac G5.
Buy if...
you want fresh new distortion never heard before
Skip if...
you don''t have an experimental bone in your body
Rating...
MSRP $159.99 - Source Audio - sourceaudio.net |
Stompboxtober continues! Enter below for your chance to WIN today's featured pedal from LR Baggs: The Align Series Reverb! Come back each day during the month of October for more chances to win!
LR Baggs Align Reverb Acoustic Reverb Pedal
The Align Series Reverb was built from the ground up to complement the natural body dynamics and warmth of acoustic instruments that we love so much. The circuit seamlessly integrates the wet and dry signals with the effect in side chain so that it never overwhelms the original signal. We shaped the reverb with analog EQ to reflect the natural voice inherent in acoustic instruments. Additionally, the tone control adds versatility by sweeping from warm and muted to open and present. The result is an organic reverb that maintains the audiophile purity of the original signal with the controls set in any position.
A classic-voiced, 3-knob fuzz with power and tweakability that surpass its seemingly simple construction.
A classic-voiced, well-built fuzz whose sounds, power, and tweakability distinguish it from many other 3-knob dirt boxes.
None, although it’s a tad pricey.
$249
SoloDallas Orbiter
solodallas.com
You’ve probably seen me complain about the overpopulation of 3-knob fuzz/OD pedals in these pages—and then promptly write a rave review of some new triple-knobber. Well, I’m doing it again. SoloDallas’ Orbiter, inspired by the classic circuit of the 1966 Dallas Arbiter Fuzz Face, stings and sings like a germanium Muhammad Ali. Mine’s already moved to my pedalboard full-time, because it delivers over-the-top fuzz, and allows my core tones to emerge.
But it also generates smooth, light distortion that sustains beautifully when you use an easy touch, punches through a live mix with its impressive gain, and generates dirt voices from smooth to sputtering, via the bias dial. All of which means you can take gnarly fuzz forays without creating the aural mudslides less-well-engineered Fuzz Face spinoffs can produce.
“Fuzzy forays are gnarly as desired without sacrificing tonal character or creating the aural mudslides less wisely engineered Fuzz Face spinoffs can produce.”
The basics: The 4 3/4" x 2 1/2" x 1 1/2" blue-sparkle, steel enclosure is coolly retro, abetted by the image of a UFO abduction on the front—an allusion to the flying saucer shape of the original device. Inside, a mini-pot dials in ideal impedance response for your pickups. I played through single-coils, humbuckers, Firebird humbuckers, and gold-foils and found the factory setting excellent for all of them. There’s also a bias knob that increases voltage to the two germanium transistors when turned clockwise, yielding more clarity and smooth sustain as you go. Counterclockwise, the equally outstanding sputtering sounds come into play. For a 3-knob fuzz box it’s a tad costly, but for some players it might be the last stop in the search for holy grail Fuzz Face-style sounds.
MayFly’s Le Habanero Boost and Fuzz pedal, designed with input from Trevor May and Lucas Haneman, offers a wide range of tonal options from clean to scream. Responsive to player touch and guitar volume, stack the Boost and Fuzz for endless sustain and harmonics. Perfect for exploring your inner David Gilmour.
MayFly’s Trevor May and LH Express’ Lucas Haneman have been cooking upsomething real good. Le Habanero is a dual boost and fuzz pedal specifically designed to be very responsive tothe player’s picking hand and the guitar’s volume control. With Lucas’ input, the pedal was specifically tweakedto give a ton of tonal options, from clean to scream, by just using your fingers. It heats up your tone with a tastyboost, scorching lead tones with the fuzz, tantalizing tastes of extreme heat when boost and fuzz are combined.
The boost side is designed to ride the edge between clean and grit. Keep the drive below 12 o’clock for cleanboost but with active treble and bass controls, or push the gain for clear/clean sustain with great note definition.
The fuzz side is tuned to match the tonality of the boost side and offers a load of sustain and harmonics. The fuzz features a unique two-pole filter circuit and deep switch to help match it with single coils or humbuckers.
Stacking the Boost and Fuzz gives you even more. Want to explore your inner David Gilmour? Switch both onand turn up the volume! Want to switch to Little Wing? Turn the volume back down.
- Combination Boost and Fuzz pedal, designed to work well together.
- Very responsive to guitar volume and player’s touch.
- Use Boost and Fuzz independently, or stack them.
- Boost features Treble, Bass, Volume, and Drive controls.
- Fuzz features a two pole Tone filter, Deep switch, Fuzz and Volume controls.
- Stack them to create endless sustain and plenty of harmonics.
- Wide form factor for better footswitch control live.
- Full bypass using relays, with Mayfly’s Failsafe circuitry.
- Suggested Pairing: add a dash of Le Habanaro to spice up a MayFly Sunrise guitar amp simulator!
MAP price: $185
For more information, please visit mayflyaudio.com.
Introducing: the Mayfly Le Habanero!! - YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.Darkglass introduces the Luminal Booster Ultra for bass guitar, combining the Harmonic Booster with adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and 7 custom Impulse Responses. With versatile controls, including a +/- 20dB BOOST and CHARACTER selection, this pedal offers precision and unmatched tonal control for bass players.
Darkglass introduces the Luminal Booster Ultra for bass guitar. The Luminal Booster Ultra combines the rich tone of Darkglass’ Harmonic Booster with the unmatched control of an adjustable frequency range parallel compression, 6-band EQ, gain reduction meter, and the choice to load seven custom Impulse Responses via USB.
The layout of the pedal is straight forward. Across the top, from left to right, is an adjustable lowpass FILTER knob for the compressed signal, a COMP knob to adjust the amount of compression applied, a BLEND knob to blend between the clean and compressed signal, and LEVEL knob to adjust the level of the compressor after the blend control. Added controls include a +/- 20dB BOOST, a CHARACTER control to allow selection between seven Impulse Responses, a MID GAIN +/- 20dB, and MID FREQUENCY from 250Hz to 2.5kHz.
The 6-band EQ uses faders for precision control. The bass Low shelf is +/- 13dB at 80Hz, the mid bands are +/- 13dB at 250Hz, 500Hz, 1.5kHz, and 3kHz. The treble is a high shelf of +/- 13dB at 5 kHz. The EQ is flanked by a MASTER fader of +/- 12dB to set the overall volume of the unit.
Input and outputs provide a player with maximum versatility. Traditional ¼” input and outputs are complimented by and 3.5mm AUX IN for practicing with backing tracks via a smartphone or laptop, a stereo headphone out, a balanced XLR direct out, USB C to connect to PC/Mac to utilizing the desktop version of the Darkglass Suite of available Impulses Responses or custom / third party impulses, and a 9V DC adapter input. A ground lift and Cab Sim round out the feature of the unit.
"This marks our entry into new sonic territories, in our search to connect with jazz and clean-tone bass players on a deeper level,” says Marcos Barilatti, Managing Director of Darkglass Electronics. “With the Luminal Booster Ultra, we've created the ultimate tool for bass players across all genres, delivering precision, versatility, and unmatched tonal control.”
Street Price is $499
For more information, please visit darkglass.com.