The new evolution of the Spark combines surprisingly great sounds, an intuitive app, and a rock-bottom price to transcend mere practice amp status.
Since debuting in 2019, Positive Grid’s Spark amps are among the best-selling practice amps on the market. But calling the Spark a practice amp sells it short. It can also function as a USB audio interface, and the free Spark app opens up a vast world of modeled amps, effects, and practice tools that’s extra impressive when you consider the sub-$300 price.
Positive Grid Spark 2, $299, positivegrid.com
Pros: Surprising high-quality sounds. Easy-to-use app interface. Amazing value.
Cons: App sometimes makes it tricky to multitask on your smartphone.
Tones: 4.5
Ease of Use: 4.5
Build: 4.5
Value: 5
PREMIER GEAR AWARD
Horsepower for Less
The Spark 2 offers 33 amp models and 43 effects. You can use three pre-amp effects and three post-amp effects for each preset. These sounds are powered by a new DSP amp-modeling processor that's twice as powerful as its predecessor and Positive Grid’s Sonic IQ audio chip. The original Spark delivered 40 watts, but the Spark 2 ups the output to 50 watts. It uses angled full FRFR (full range flat response) speakers, which most modeling aficionados prefer as a clean, neutral slate for varied sounds and models.
With the 11 knobs on the top panel, Spark 2 is easy to use in the same ways you would use a traditional amp. However, tapping into the Spark app changes the experience significantly and is a must if you want to extract the most utility from the unit. Convenience is king, after all, and the app makes selecting and creating tones and accessing all the practice tools exceptionally easy.
Light a Fire From Your Phone
On the app, preset tones are grouped by genre, with names like “British accent” in the rock category and “dancing in the room” in the pop section, to name a couple. When you choose a tone, a complete amp and effects chain shows up on your smartphone, and you can adjust all of the parameters you see on screen or via the physical knobs on the Spark 2. You can also save as many as eight of your own presets, rather than four on the previous model.
Most presets are pretty accurate representations. I especially liked the “Blues Ark” preset (from the blues tones category), which, after the addition of a touch more gain, sounded really creamy and clear. Bass tones were rich and even had much of the dynamic touch of a real amp, cleaning up nicely and opening up room for fingerpicking detail when I attenuated the guitar volume. Presets are just the beginning, though. For more tone options you can click the ToneCloud icon in the top right corner of the onscreen signal chain and access over 50,000 ToneCloud-community-generated tones that are available to download for free. Additionally, the new Spark AI feature lets you type prompts in the app, which generates sound recipe suggestions based your input. That should keep you busy for a while!
A Powerful Practice Partner
The music icon of the app opens up the page where the majority of the practice materials live. There are several play-along sections here, with playlists of YouTube links categorized into specific sections, like “Paul Gilbert’s Positive Grid Playlist” or “Dorian Backing Tracks,” and genre-based options like rock, blues, pop, and lo-fi hip-hop, among many others.
When you play a music video on the app, chord diagrams from the song are generated by the app and scroll by in real time. This came in handy when I was teaching a student some Taylor Swift songs, and we could readily play along without having to look up the song’s chord chart.
Another fun feature is the Smart Jam technology, which enables you to play whatever you want and the Spark 2 creates a rhythm track based on what you’ve played. I put the Smart Jam to the test in several different styles. First, I played a simple G–D–C–D progression strummed in a pop style, and the Smart Jam gave me an appropriate rhythm track for accompaniment. I later created a new track where I played two measures of A-minor pentatonic licks followed by two measures of C-minor pentatonic licks, and the Smart Jam presented a matching track with A minor and C minor roots, respectively, in the bass part. When I tried more esoteric chords and harmonically ambiguous lines, the results could be a little more “interesting,” but sometimes they pushed me in compositional directions I hadn’t foreseen.
Killer Looper
Of all the new features Positive Grid has added to the Spark 2, one of the most practical is the excellent onboard looper. There are two looper modes on the Spark 2: simple looper, which just plays back what you record, as a conventional looper does, and groove looper, which lets you add in a drum beat from Spark 2’s massive library of in-app drum loops.
Generally loopers are footswitch based, which can be tricky to use in terms of accurately timing the loop’s beginning and end. The Spark 2 offers an almost foolproof solution to this problem. Rather than stepping on a pedal to engage and disengage the loop, you first choose the tempo, loop length (up to 16 bars), and time feel, and then the Spark 2 gives you a count-in and metronome to record against.
The Verdict
Although it’s marketed as a practice amp, the Spark 2 could easily work in performance. It’s loud enough to handle gigs at smaller café venues without additional sound reinforcement. At about 12 pounds, it’s very portable, and if you’re playing bigger stages, the stereo line outs in the back could be used to send your signal to the house PA. If you want to play in the wilds, an optional rechargeable lithium-ion battery gives you around 12 hours of playing time at 50 percent volume, making it ideal for busking.
Inevitably, many people will probably use the Spark 2 as a practice tool, and in that regard, it’s very hard to beat. The sounds are inspiring and everything on the Spark 2’s app is very intuitively laid out so you can get going in seconds. I used the Spark 2 a lot since it arrived and, quite honestly, think my playing has noticeably improved in that time.
- Positive Grid Spark MINI | NAMM 2022 ›
- Positive Grid Unveils the Spark Pearl ›
- Positive Grid Introduces the Spark x You ›
- Positive Grid Spark 2 Demo | First Look ›
- The Muse and the Guitarists That Spark It ›
- Positive Grid and Steve Vai Join Forces to Unleash Spark MINI Vai ›
- Positive Grid Announces the Spark CAB ›
- Positive Grid Announces Spark EDGE ›
- Evolution of the Practice Amp ›
Reverend Jetstream 390 Solidbody Electric Guitar - Midnight Black
Jetstream 390 Midnight BlackReverend Contender 290 Solidbody Electric Guitar - Midnight Black
Contender 290, Midnight BlackPearl Jam announces U.S. tour dates for April and May 2025 in support of their album Dark Matter.
In continued support of their 3x GRAMMY-nominated album Dark Matter, Pearl Jam will be touring select U.S. cities in April and May 2025.
Pearl Jam’s live dates will start in Hollywood, FL on April 24 and 26 and wrap with performances in Pittsburgh, PA on May 16 and 18. Full tour dates are listed below.
Support acts for these dates will be announced in the coming weeks.
Tickets for these concerts will be available two ways:
- A Ten Club members-only presale for all dates begins today. Only paid Ten Club members active as of 11:59 PM PT on December 4, 2024 are eligible to participate in this presale. More info at pearljam.com.
- Public tickets will be available through an Artist Presale hosted by Ticketmaster. Fans can sign up for presale access for up to five concert dates now through Tuesday, December 10 at 10 AM PT. The presale starts Friday, December 13 at 10 AM local time.
earl Jam strives to protect access to fairly priced tickets by providing the majority of tickets to Ten Club members, making tickets non-transferable as permitted, and selling approximately 10% of tickets through PJ Premium to offset increased costs. Pearl Jam continues to use all-in pricing and the ticket price shown includes service fees. Any applicable taxes will be added at checkout.
For fans unable to use their purchased tickets, Pearl Jam and Ticketmaster will offer a Fan-to-Fan Face Value Ticket Exchange for every city, starting at a later date. To sell tickets through this exchange, you must have a valid bank account or debit card in the United States. Tickets listed above face value on secondary marketplaces will be canceled. To help protect the Exchange, Pearl Jam has also chosen to make tickets for this tour mobile only and restricted from transfer. For more information about the policy issues in ticketing, visit fairticketing.com.
For more information, please visit pearljam.com.
The legendary German hard-rock guitarist deconstructs his expressive playing approach and recounts critical moments from his historic career.
This episode has three main ingredients: Shifty, Schenker, and shredding. What more do you need?
Chris Shiflett sits down with Michael Schenker, the German rock-guitar icon who helped launch his older brother Rudolf Schenker’s now-legendary band, Scorpions. Schenker was just 11 when he played his first gig with the band, and recorded on their debut LP, Lonesome Crow, when he was 16. He’s been playing a Gibson Flying V since those early days, so its only natural that both he and Shifty bust out the Vs for this occasion.
While gigging with Scorpions in Germany, Schenker met and was poached by British rockers UFO, with whom he recorded five studio records and one live release. (Schenker’s new record, released on September 20, celebrates this pivotal era with reworkings of the material from these albums with a cavalcade of high-profile guests like Axl Rose, Slash, Dee Snider, Adrian Vandenberg, and more.) On 1978’s Obsession, his last studio full-length with the band, Schenker cut the solo on “Only You Can Rock Me,” which Shifty thinks carries some of the greatest rock guitar tone of all time. Schenker details his approach to his other solos, but note-for-note recall isn’t always in the cards—he plays from a place of deep expression, which he says makes it difficult to replicate his leads.
Tune in to learn how the Flying V impacted Schenker’s vibrato, the German parallel to Page, Beck, and Clapton, and the twists and turns of his career from Scorpions, UFO, and MSG to brushes with the Rolling Stones.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Snark releases its most compact model ever: the Crazy Little Thing rechargeable clip-on headstock tuner.
Offering precise tuning accuracy and a super bright display screen, the Crazy Little Thing is approximately the size of your guitar pick – easy to use, unobtrusive and utterly dependable.
Housed in a sturdy shell, the Crazy Little Thing can be rotated for easy viewing from any angle, and its amazingly bright display makes it perfect for the sunniest outdoor stages or the darkest indoor studios. You can clip it to the front of your headstock or on the back of your headstock for extra-discreet usage – and you can easily adjust the display to accommodate your preference.
As the newest addition to Snark’s innovative line of headstock tuners, the Crazy Little Thing is rechargeable (no batteries!) and comes with a USB-C cable/adapter for easy charging. Its display screen includes a battery gauge, so you can easily tell when it’s time to recharge.
The Crazy Little Thing’s highly responsive tuning sensor works great with a broad range of instruments, including electric and acoustic guitar, bass, ukulele, mandolin and more. It also offers adjustable pitch calibration: its default reference pitch is A440, but also offers pitch calibration at 432Hz and 442 Hz.
Snark’s Crazy Little Thing rechargeable headstock tuner carries a street price of $21.99. For more information visit snarktuners.com.