boss

“If you get caught up too much in divine intervention, you’ll wander around forever waiting for some melody that no one’s ever heard before.”

Photo by Riaz Gomez

Johnny Marr’s latest LP spans influences from New Order to the Staple Singers while staying rooted in his clockwork timing and copious talents as arranger and melodicist.

When the great Ronnie Spector of the Ronettes passed away earlier this year, I thought a lot about Johnny Marr. Marr was moved deeply by the girl groups of the ’60s—their positivity, energy, and the convergence of ecstasy and melancholy in the music. He was even fired up by the audaciousness of their style: The impressive beehive hairdo worn by Spector’s bandmate Estelle Bennett famously inspired the jet-black pile Marr wore at the height of Smiths fame.

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Rig Rundown: Hannah Wicklund

The blues-rocker’s ursine tone comes courtesy of Tom Anderson, Orange, a handful of pedals, and pure personal grit. Plus—why she’s started playing in 432 Hz tuning.

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Two new pedals by Boss based on the legendary Roland RE-201 Space Echo from the '70s and '80s.

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