
The new evolution of the Spark combines surprisingly great sounds, an intuitive app, and a rock-bottom price to transcend mere practice amp status.
Since debuting in 2019, Positive Grid’s Spark amps are among the best-selling practice amps on the market. But calling the Spark a practice amp sells it short. It can also function as a USB audio interface, and the free Spark app opens up a vast world of modeled amps, effects, and practice tools that’s extra impressive when you consider the sub-$300 price.
Positive Grid Spark 2, $299, positivegrid.com
Pros: Surprising high-quality sounds. Easy-to-use app interface. Amazing value.
Cons: App sometimes makes it tricky to multitask on your smartphone.
Tones: 4.5
Ease of Use: 4.5
Build: 4.5
Value: 5
PREMIER GEAR AWARD
Horsepower for Less
The Spark 2 offers 33 amp models and 43 effects. You can use three pre-amp effects and three post-amp effects for each preset. These sounds are powered by a new DSP amp-modeling processor that's twice as powerful as its predecessor and Positive Grid’s Sonic IQ audio chip. The original Spark delivered 40 watts, but the Spark 2 ups the output to 50 watts. It uses angled full FRFR (full range flat response) speakers, which most modeling aficionados prefer as a clean, neutral slate for varied sounds and models.
With the 11 knobs on the top panel, Spark 2 is easy to use in the same ways you would use a traditional amp. However, tapping into the Spark app changes the experience significantly and is a must if you want to extract the most utility from the unit. Convenience is king, after all, and the app makes selecting and creating tones and accessing all the practice tools exceptionally easy.
Light a Fire From Your Phone
On the app, preset tones are grouped by genre, with names like “British accent” in the rock category and “dancing in the room” in the pop section, to name a couple. When you choose a tone, a complete amp and effects chain shows up on your smartphone, and you can adjust all of the parameters you see on screen or via the physical knobs on the Spark 2. You can also save as many as eight of your own presets, rather than four on the previous model.
Most presets are pretty accurate representations. I especially liked the “Blues Ark” preset (from the blues tones category), which, after the addition of a touch more gain, sounded really creamy and clear. Bass tones were rich and even had much of the dynamic touch of a real amp, cleaning up nicely and opening up room for fingerpicking detail when I attenuated the guitar volume. Presets are just the beginning, though. For more tone options you can click the ToneCloud icon in the top right corner of the onscreen signal chain and access over 50,000 ToneCloud-community-generated tones that are available to download for free. Additionally, the new Spark AI feature lets you type prompts in the app, which generates sound recipe suggestions based your input. That should keep you busy for a while!
A Powerful Practice Partner
The music icon of the app opens up the page where the majority of the practice materials live. There are several play-along sections here, with playlists of YouTube links categorized into specific sections, like “Paul Gilbert’s Positive Grid Playlist” or “Dorian Backing Tracks,” and genre-based options like rock, blues, pop, and lo-fi hip-hop, among many others.
When you play a music video on the app, chord diagrams from the song are generated by the app and scroll by in real time. This came in handy when I was teaching a student some Taylor Swift songs, and we could readily play along without having to look up the song’s chord chart.
Another fun feature is the Smart Jam technology, which enables you to play whatever you want and the Spark 2 creates a rhythm track based on what you’ve played. I put the Smart Jam to the test in several different styles. First, I played a simple G–D–C–D progression strummed in a pop style, and the Smart Jam gave me an appropriate rhythm track for accompaniment. I later created a new track where I played two measures of A-minor pentatonic licks followed by two measures of C-minor pentatonic licks, and the Smart Jam presented a matching track with A minor and C minor roots, respectively, in the bass part. When I tried more esoteric chords and harmonically ambiguous lines, the results could be a little more “interesting,” but sometimes they pushed me in compositional directions I hadn’t foreseen.
Killer Looper
Of all the new features Positive Grid has added to the Spark 2, one of the most practical is the excellent onboard looper. There are two looper modes on the Spark 2: simple looper, which just plays back what you record, as a conventional looper does, and groove looper, which lets you add in a drum beat from Spark 2’s massive library of in-app drum loops.
Generally loopers are footswitch based, which can be tricky to use in terms of accurately timing the loop’s beginning and end. The Spark 2 offers an almost foolproof solution to this problem. Rather than stepping on a pedal to engage and disengage the loop, you first choose the tempo, loop length (up to 16 bars), and time feel, and then the Spark 2 gives you a count-in and metronome to record against.
The Verdict
Although it’s marketed as a practice amp, the Spark 2 could easily work in performance. It’s loud enough to handle gigs at smaller café venues without additional sound reinforcement. At about 12 pounds, it’s very portable, and if you’re playing bigger stages, the stereo line outs in the back could be used to send your signal to the house PA. If you want to play in the wilds, an optional rechargeable lithium-ion battery gives you around 12 hours of playing time at 50 percent volume, making it ideal for busking.
Inevitably, many people will probably use the Spark 2 as a practice tool, and in that regard, it’s very hard to beat. The sounds are inspiring and everything on the Spark 2’s app is very intuitively laid out so you can get going in seconds. I used the Spark 2 a lot since it arrived and, quite honestly, think my playing has noticeably improved in that time.
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MayFly Le Habanero Review
Great versatility in combined EQ controls. Tasty low-gain boost voice. Muscular Fuzz Face-like fuzz voice.
Can be noisy without a lot of treble attenuation. Boost and fuzz order can only be reversed with the internal DIP switch.
$171
May Fly Le Habanero
A fuzz/boost combo that’s as hot as the name suggests, but which offers plenty of smoky, subdued gain shades, too.
Generally speaking, I avoid combo effects. If I fall out of love with one thing, I don’t want to have to ditch another that’s working fine. But recent fixations with spatial economy find me rethinking that relationship. MayFly’s Le Habanero (yes, the Franco/Spanish article/noun mash-up is deliberate) consolidates boost and fuzz in a single pedal. That’s far from an original concept. But the characteristics of both effects make it a particularly effective one here, and the relative flexibility and utility of each gives this combination a lot more potential staying power for the fickle.
“Le Habanero’s fuzz circuit has a deep switch that adds a little extra desert-rock woof.”
The fuzz section has a familiar Fuzz Face-like tone profile—a little bit boomy and very present in that buzzy mid-’60s, midrangey kind of way. But Le Habanero’s fuzz circuit has a deep switch that adds a little extra desert-rock woof (especially with humbuckers) and an effective filter switch that enhances the fuzz’s flexibility—especially when used with the boost. The boost is a fairly low-gain affair. Even at maximum settings, it really seems to excite desirable high-mid harmonics more than it churns out dirt. That’s a good thing, particularly when you introduce hotter settings from the boost’s treble and bass controls, which extend the boost’s voice from thick and smoky to lacerating. Together, the boost and fuzz can be pushed to screaming extremes. But the interactivity between the tone and filter controls means you can cook up many nuanced fuzz shades spanning Jimi scorch and Sabbath chug with tons of cool overtone and feedback colors.
IK Multimedia is pleased to announce the release of new premium content for all TONEX users, available today through the IK Product Manager.
The latest TONEX Factory Content v2 expands the creative arsenal with a brand-new collection of Tone Models captured at the highest quality and presets optimized for live performance. TONEX Tone Models are unique captures of rigs dialed into a specific sweet spot. TONEX presets are used for performance and recording, combining Tone Models with added TONEX FX, EQ, and compression.
Who Gets What:
TONEX Pedal
- 150 crafted presets matched to 150 Premium Tone Models
- A/B/C layout for instant access to clean, drive, and lead tones
- 30 Banks: Amp & cab presets from classic cleans to crushing high-gain
- 5 Banks: FX-driven presets featuring the 8 new TONEX FX
- 5 Banks: Amp-only presets for integrating external IRs, VIR™, or amps
- 5 Banks: Stompbox presets of new overdrive/distortion pedals
- 5 Banks: Bass amp & pedal presets to cover and bass style
TONEX Mac/PC
- 106 new Premium Tone Models + 9 refined classics for TONEX MAX
- 20 new Premium Tone Models for TONEX and TONEX SE
TONEX ONE
- A selection of 20 expertly crafted presets from the list above
- Easy to explore and customize with the new TONEX Editor
Gig-ready Tones
For the TONEX Pedal, the first 30 banks deliver an expansive range of amp & cab tones, covering everything from dynamic cleans to brutal high-gain distortion. Each bank features legendary amplifiers paired with cabs such as a Marshall 1960, ENGL E412V, EVH 412ST and MESA Boogie 4x12 4FB, ensuring a diverse tonal palette. For some extremely high-gain tones, these amps have been boosted with classic pedals like the Ibanez TS9, MXR Timmy, ProCo RAT, and more, pushing them into new sonic territories.
Combined with New FX
The following 5 banks of 15 presets explore the depth of TONEX's latest effects. There's everything from the rich tremolo on a tweed amp to the surf tones of the new Spring 4 reverb. Users can also enjoy warm tape slapback with dotted 8th delays or push boundaries with LCR delay configurations for immersive, stereo-spanning echoes. Further, presets include iconic flanger sweeps, dynamic modulation, expansive chorus, stereo panning, and ambient reverbs to create cinematic soundscapes.
Versatile Control
The TONEX Pedal's A, B, and C footswitches make navigating these presets easy. Slot A delivers clean, smooth tones, Slot B adds crunch and drive, and Slot C pushes into high-gain or lead territory. Five dedicated amp-only banks provide a rich foundation of tones for players looking to integrate external IRs or run directly into a power amp. These amp-only captures span clean, drive, and high-gain categories, offering flexibility to sculpt the sound further with IRs or a real cab.
Must-have Stompboxes
TONEX Pedals are ideal for adding classic effects to any pedalboard. The next 5 banks focus on stompbox captures, showcasing 15 legendary overdrive, distortion, and fuzz pedals. This collection includes iconic models based on the Fulltone Full-Drive 2, Marshall DriveMaster, Maxon OD808, Klon Centaur, ProCo RAT, and more.
For Bass Players, Too
The last 5 banks are reserved for bass players, including a selection of amp & cab Tone Models alongside a few iconic pedals. Specifically, there are Tone Models based on the Ampeg SVT-2 PRO, Gallien-Krueger 800RB, and Aguilar DB750, alongside essential bass pedals based on the Tech21 SansAmp, Darkglass B7K and EHX Big Muff. Whether it's warm vintage thump, modern punch, or extreme grit, these presets ensure that bassists have the depth, clarity and power they need for any playing style.For more information and instructions on how to get the new Factory
Content v2 for TONEX, please visit:
www.ikmultimedia.com/products/tonex
Darkglass Electronics unveils ANAGRAM, a flagship bass platform designed to redefine tone, flexibility, and performance. The pedal’s extraordinarily deep feature set includes multiple effects and modeling, an on-board looper and tuner.
Best of all, ANAGRAM brings together these creative tools in a streamlined, rugged format that’s designed for ease of use. Onstage and in the studio, bassists can quickly access and fine-tune their sound via the ANAGRAM interface:
- 7-inch high-brightness touchscreen for clear and intuitive control.
- Three footswitches for live performance control.
- Six high-resolution endless rotary knobs for precise parameter adjustments.
- Flexible input and output configuration.
With ultra-low latency, extensive customization, and seamless integration into the Darkglass ecosystem, it supports both studio precision and stage performance. Combining 15 years of innovation with cutting-edge processing power, ANAGRAM offers a purpose-built solution for bassists seeking unparalleled sound-shaping capabilities.
Anagram
Powered by a state-of-the-art hexacore processor and 32-bit/48kHz audio processing,ANAGRAM delivers ultra-low latency, pristine clarity, and studio-grade sound. Its intuitive blocks-based architecture lets players create signal chains in series (12 blocks) or parallel (24blocks) using a high-resolution touch display. ANAGRAM features three control modes—Preset,Scene, and Stomp—for instant switching, parameter adjustments, and traditional pedalboard-style operation. With a curated collection of distinct preamps, 50+ customizable effects, a looper, tuner, and user-generated IR support, ANAGRAM delivers unmatched creative flexibility.Seamless integration with the Darkglass Suite allows for expanded control and functionality. Additionally, Neural Amp Modeler (NAM) integration provides access to thousands
of high-quality amp and effect models, expanding tonal possibilities from analog warmth to futuristic textures.
"Anagram represents the culmination of years of research and development," says Marcos Barilatti, Managing Director of Darkglass Electronics. "We set out to create a product that not only pushes the boundaries of bass tone but also inspires musicians to explore new sonic territories."
Housed in a rugged anodized aluminum chassis, ANAGRAM is road-ready, compact, and powered via 9V or USB-C (PD). With flagship features at a compelling price, ANAGRAM represents the new standard for bassists seeking a modern platform for their performance.
Street $1199.99 USD
Alongside Nicolas Jaar’s electronics, Harrington creates epic sagas of sound with a team of fine-tuned pedalboards.
Guitarist Dave Harrington concedes that while there are a few mile markers in the music that he and musician Nicolas Jaar create as Darkside, improvisation has been the rule from day one. The experimental electronic trio’s latest record, Nothing, which released in February on Matador, was the first to feature new percussionist Tlacael Esparza.
Taking the record on tour this year, Darkside stopped in at Nashville’s Brooklyn Bowl, where Harrington broke down his complex signal chains for PG’s Chris Kies.
Brought to you by D’Addario.
Express Yourself
Harrington bought this mid-2000s Gibson SG at 30th Street Guitars in New York, a shop he used to visit as a kid. The headstock had already been broken and repaired, and Harrington switched the neck pickup to a Seymour Duncan model used by Derek Trucks. Harrington runs it with D’Addario NYXL .010s, which he prefers for their stretch and stability.
The standout feature is a round knob installed by his tech behind the bridge, which operates like an expression pedal for the Line 6 DL4. Harrington has extras on hand in case one breaks.
Triple Threat
Harrington’s backline setup in Nashville included two Fender Twin Reverbs and one Fender Hot Rod DeVille. He likes the reissue Fender amps for their reliability and clean headroom. Each amp handles an individual signal, including loops that Harrington creates and plays over; with each amp handling just one signal rather than one handling all loops and live playing, there’s less loss of definition and competition for frequency space.
Dave Harrington’s Pedalboards
Harrington says he never gives up on a pedal, which could explain why he’s got so many. You’re going to have to tune in to the full Rundown to get the proper scoop on how Harrington conducts his three-section orchestra of stomps, but at his feet, he runs a board with a Chase Bliss Habit, Mu-Tron Micro-Tron IV, Eventide PitchFactor, Eventide H90, Hologram Microcosm, Hologram Chroma Console, Walrus Monument, Chase Bliss Thermae, Chase Bliss Brothers AM, JHS NOTAKLÖN, two HexeFX reVOLVERs, and an Amped Innovations JJJ Special Harmonics Extender. A Strymon Ojai provides power.
At hip-level sits a board with a ZVEX Mastotron, Electro-Harmonix Cathedral, EHX Pitch Fork, Xotic EP Booster, two EHX 45000 multi-track looping recorders, Walrus Slöer, Expedition Electronics 60 Second Deluxe, and another Hologram Microcosm. A Live Wire Solutions ABY Box and MXR DC Brick are among the utility tools on deck.
Under that board rest Harrington’s beloved Line 6 DL4—his desert-island, must-have pedal—along with a controller for the EHX 45000, Boss FV-50H volume pedal, Dunlop expression pedal, Boss RT-20, a Radial ProD2, and another MXR DC Brick.