athens greece

Aping old-school digital echo yields a sweet spot between BBD and ones-and-zeroes delays.

Distinct, dirty, and colorful echoes. Very cool BBD-like overtones. Rangy tone and modulation controls.

No expression control.

$209

Crazy Tube Circuits TI:ME
crazytubecircuits.com

4.5
4.5
4.5
4

Even in the earliest days of the analog/digital delay schism, there was never a right or wrong answer about which was best. Each has their virtues and musical place. And both delay categories are far too broad to encompass anything close to a definitive sound. An analog Echoplex sounds pretty different from a bucket brigade Deluxe Memory Man. And a shimmeringly pristine Eventide DDL definitely sounds nothing like the smoky MXR Model 113 that helped kick off the digital delay era.

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Sam Fender shares a moment with his saxophonist and childhood friend, Johnny "Blue Hat" Davis, at London's O2 Brixton Academy in September 2021.

Photo by Linda Brindley

The British songwriter traversed the bleak thoroughfares of his past while writing his autobiographical sophomore album, Seventeen Going Under—a tale of growing up down-and-out, set to an epic chorus of Jazzmasters and soaring sax.

British songwriter Sam Fender hails from North Shields, England, an industrial coastal port town near the North Sea, about eight miles northeast of Newcastle upon Tyne. Fender grew up in this small village, which he calls "a drinking town with a fishing problem." He lived there with his mother on a council estate, a type of British public housing. This is the mise-en-scène for Sam Fender's coming-of-age autobiographical new album, Seventeen Going Under. On the album's cover, a photograph shows Sam sitting on a brick stoop.

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A signature fuzz for Boris's guitar sorceress is a unique twist on the Big Muff formula.

Easy to navigate. Unique fuzz tones. Range-y knobs reward tweaking.

Trebly settings can be harsh.

$149

EarthQuaker Devices Hizumitas
earthquakerdevices.com

4
4.5
4.5
4

Boris know a thing or two about fuzz. As volume dealers by trade, they've spent nearly three decades dousing audiences in waves of distorted decibels. So, when the folks at EarthQuaker Devices decided to honor Boris guitarist Wata, they looked to her favorite vintage fuzz, the Elk BM Sustainar.

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