celestion

Cedric Burnside's new Fender Tone Master Twin Reverb has the same controls and features as a classic non-master-volume Twin, but, with its solid-state circuitry and light speakers, half the weight.

In a one-man battle for louder, a Fender Tone Master Twin and Ampeg Portaflex duplex rig triumphs.

I admit it. I was once part of the Arms Race. When I was in my '90s alt-rock band, Vision Thing, I bought a Marshall half-stack. Then the other guitarist got Fender's 100-watt The Twin, which he cranked. And the bassist got a Trace Elliot AH500X. And it was on. Volume and gear escalated until we were damn loud, and it was a constant battle to hear and be heard. Eventually I kinda won, but it was a pyrrhic victory. I was doomed to lug around two 4x12s: one with a 50-watt Marshall Super Lead and the other with a 100-watt Mesa/Boogie Dual Rectifier Trem-O-Verb. Yes, it sounded fantastic, but … damn! My back!

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Guitar store staff have better things to do than clean your instrument, so a well-loved but unsoiled 6-string like this is going to command a higher trade-in value than one that comes in covered in years of residue.

Believe it or not, you can boost the value of your instrument by making everyone's life a little easier … and cleaner!

There's an overwhelming amount of activity in the guitar market these days, and the sheer amount of demand has left some manufacturers struggling to keep up. But rather than wait around for stores to re-stock, more and more customers are shopping for used and vintage guitars. You might wonder, where do all those used guitars come from?

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How jangle, glam, punk, shoegaze, and more blended to create a worldwide phenomenon. Just don’t forget your tambourine.

Intermediate

Beginner

  • Learn genre-defining elements of Britpop guitar.
  • Use the various elements to create your own Britpop songs.
  • Discover how “borrowing” from the best can enrich your own playing.
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When considering the many bands that fall under the term “Britpop”–Oasis, Blur, Suede, Elastica, Radiohead’s early work, and more–it’s clear that the genre is more an attitude than a specific musical style. Still, there are a few guitar techniques and approaches that abound in the genre, many of which have been “borrowed” (the British music press’ friendly way of saying “appropriated”) from earlier British bands of the 1960s, ’70s, and ’80s.

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