chord progressions

Simon Saz: Gabriel Marin and some of the tools he uses to play Muğam, the classical music from Azerbaijan.

Photo by Dena Gold

Fretless guitar virtuoso Gabriel Marin of instrumental rock trio Consider the Source joins editors and reader Dan Lynch to talk about them changes.

A: Lately, I find myself writing melodies over the 1–b3–b7–B6 [Editor’ Note: Am7-Cmaj7-G7-Fmaj7] progression in a minor mode with all diatonic seventh chords. The voice leading within the chords is super smooth and I can write melodies of a few different moods over the same chords.

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