class a b

A supremely versatile two-channel pedal platform.

Players who like pedals will love Fender’s new Hot Rod DeVille ML 212, a 60-watt, 6L6-powered 2x12 combo designed in collaboration with session ace Michael Landau. Design changes to satisfy Landau’s predilections make this a very different DeVille—and a fantastic platform for effects.

Hot Rod DeVille ML is part of Fender’s “Inspired By” series, a product family based on real-world modifications to Fender gear by pro players. Landau, a tone colorist, used a stock DeVille for years as a canvas for his pedals. But to Landau, master volume controls sound “artificial.” He’s also no fan of channel switching, contending that an EQ setting for one channel doesn’t always work for a second channel using the same tone circuit. So instead of switching between two channels, the ML 212 enables switching between two volume settings on a single channel.

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Julien Baker on the Pedal That “Saved My Butt!” & Heroes Yvette Young & Jann Wasner | The Big 5

Plus, hear why her butterscotch Tele is still her go-to guitar.

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Photo 1

All photos courtesy SINGLECOIL (www.singlecoil.com)

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

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