dearmond pickups

A mix of futuristic concepts and DeArmond single-coil pickups, the Musicraft Messenger’s neck was tuned to resonate at 440 Hz.

All photos courtesy ofthe SS Vintage Shop on Reverb.com

The idiosyncratic, Summer of Love-era Musicraft Messenger had a short-lived run and some unusual appointments, but still has some appreciators out there.

Funky, mysterious, and rare as hen’s teeth, the Musicraft Messenger is a far-out vintage guitar that emerged in the Summer of Love and, like so many heady ideas at the time, didn’t last too much longer.

The brainchild of Bert Casey and Arnold Curtis, Musicraft was a short-lived endeavor, beginning in San Francisco in 1967 and ending soon thereafter in Astoria, Oregon. Plans to expand their manufacturing in the new locale seemed to have fizzled out almost as soon as they started.

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The Chthonic Fuzz is designed to offer sludgy, tight-grain fuzz tones and is impactful with guitars outfitted with any types of pickups, though specifically designed for “brighter” single-coil, P90, DeArmond, or gold-foil equipped instruments.

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Few might invest in an old Kay as deeply as our columnist, but, in his case, it paid off.

When I was in my early days of researching guitar history, I embraced all sorts of guitars from all over the place, from kitchen countertop guitars to cheap rusty resonator jobs. I really had no focus whatsoever. Every topic, as it related to guitars, was rather fascinating. Eventually, though, I moved towards crazy electrics and away from folksy acoustics. I wanted loud, interesting, and rare, and in my eyes acoustic guitars were all sort of the same. I know, I know … they aren’t the same at all. But in the 1960s, acoustic guitars were copies of copies, and they just never really held my interest. For this month, when I was tasked to write about an acoustic guitar, the choice was easy since I only own one.

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