John tests out Steve Ridinger's reimagination of the fuzzy drive pedal that began his stompbox-building journey in 1966.
Danelectro has introduced the newest pedal in its iconic product line: the Nichols 1966, a strikingly dynamic fuzz/distortion/overdrive based on a unique circuit designed by Danelectro’s Steve Ridinger as a teenager in the 1960s. At its core, the Nichols 1966 offers a broad range of fuzz and overdrive tones, with a highly touch-sensitive response that provides extra versatility for players who vary their right-hand pick attack and the volume knob settings on their guitar.
The Nichols 1966 also includes a two-position toggle switch for added EQ flexibility: you can select the pedal’s original 1960s Stock voicing or opt for a more modern Mid Cuttone profile for extra articulation on highs and lows.
Learn more here.
The company's most iconic dreadnoughts lives again in American-built form—it’s both balanced and a cannon.
Since the 1950’s the Guild name has been synonymous with premium acoustic guitars that embody a rich heritage of USA-made craftsmanship. As the brand celebrates its 70th anniversary in 2023, Guild has released revamped versions of its classic D-40, D-50, and F-40 models in its all-new Standard Series.
The new Standard Series joins Guild’s USA product line just under its flagship 55 and Traditional models. The series offers players a blend of vintage appointments and modern aesthetic. Tailor-made for musicians seeking a contemporary guitar that exudes sophistication while embracing a tasteful simplicity distinct from the company’s premium lineup. Featuring dot neck inlays and unbound headstocks, the series also introduces Guild’s innovative Vintage Gloss finish - an ultra-thin nitrocellulose application with both satin and gloss qualities that highlight the natural beauty of the tonewoods. With an even and smooth texture, the Vintage Gloss is hand-sprayed and gives each guitar a worn-in vintage feel, all the while maintaining a strikingly contemporary and polished look.
The Standard Series not only reintroduces Guild’s legendary D-50, an iconic Spruce and Rosewood dreadnought that once stood as a cornerstone in the company's offerings until its production transitioned to California in 2014 but also resurrects it as the D-50 Standard. This revival fills a crucial Rosewood niche just beneath Guild's flagship D-55.
All Standard Series models feature an East Indian Rosewood bridge and fingerboard, premium 20:1 open-gear tuners, and hand-cut bone nut and saddle. Timeless appointments include a 60s style rosette, tortoiseshell pickguard, white ABS binding, and Guild’s peak logo inlaid on the headstock. All models are hand made in California and include a hand-signed, numbered certificate of authenticity, and ship with a Guild archtop wood case with a built-in Humicase® humidification system.
A sweet drive section and rowdy repeat tones make this resurrected delay much more than a rockabilly machine.
A cool source of many rich short-delay-time tones. Great drive section. Fantastic price.
None.
$81
Electro-Harmonix Slap-Back
ehx.com
In a complex world, thinking less, particularly where music creation is concerned, is a joy. The Electro-Harmonix Slap-Back delay is a particularly delightful way to pursue that bliss. The new, smaller Slap-Back is a new take on an EHX pedal that went largely unnoticed in its original late-’70s incarnation. It’s easy to understand why the first iteration didn’t set the world on fire. Great bucket-brigade analog delays were everywhere at the time—not least EHX’s own superb Memory Man. And each offered more expansive echo textures. Yet, as this reissue demonstrates, the Slap-Back is capable of much more than greasy rockabilly tones.
For starters, the Slap-Back features a very cool drive section, quite like the one that makes the Memory Man so extraordinary. It’s a lovely source of low-gain drive that doesn’t add too much coloration. But with 20 dB of available boost, it can significantly enliven an otherwise thin amplifier tone. The drive is made more useful for the delay blend knob, which enables you to remove the echo entirely and use the Slap-Back as a preamp (Echoplex devotees take note). As for the delay itself, it’s beautiful stuff. Instead of a continuously variable delay-time knob, there are three presets. The shortest delay time, 45 ms, is a bit longer than Beatles-style ADT, but delivers much of the same super-fast, mirror-image animation. And 65 ms lends cool, mysterious menace to lead tones—particularly when fuzz and an ample dose of the Slap-Back’s gain enters the mix. The 100 ms setting, meanwhile, will delight any Sun Studios tone chaser.