We all know dead strings can compromise our tone, but so can fret wear.
While it might be easy for players to see, feel, and hear their guitar strings wearing out, it’s less obvious to see worn frets, despite their sharing equal responsibility for each note. Fret and string interaction is fundamental to the function of a guitar, but many players give little thought to the influence frets have on the way our guitars work, and how we play them.
Though the earliest frets were little more than pieces of string tied around a neck and slid into position by the player, guitar frets have been made from metal for centuries. For much of this time, a fret was a simple, straight-sided length of metal hammered into a groove sawn into the fretboard. This method worked well—particularly with relatively large-diameter gut strings—because the player’s fingertip was largely on top of the string and didn’t contact the abrupt, straight-sided fret much.
As smaller-diameter steel strings became increasingly common, the player’s fingertips contacted the sides of the fret more than before, creating a distinctly bumpy, ridged feeling on the neck. In response, wire makers created what we think of as a modern T-style fret, characterized by its larger semi-circular top section held in place by a slender straight portion, and, often, small teeth embossed in the sides to bite into the wood fretboard. This style of fret makes for a smoother playing feel and is easier to install at a uniform height. That’s thanks to the built-in stop that bumps into the fretboard’s surface when fully seated.
Regardless of the fret’s exact cross-section, the most critical aspect is that the top of each fret is exactly the same level as those in front and behind it. If not, the vibrating string is likely to contact the unwanted high spot and create a buzz or incorrect note. The frets don’t necessarily require identical height between the fretboard surface and the top of each fret—only that the tops of all frets fall in an even plane with each other. In fact, this is a typical scenario for a guitar.
The issue is that when two metal things rub together, they wear. Mostly, the harder metal will wear away the softer metal. Guitar strings and their differing alloys and construction styles have a wide variety of hardness, as do fret wires. Frets are bound to wear unevenly as we play, progressing to the point where an often-played note is measurably lower in elevation than a less-worn fret, preventing the string from playing accurately. The remedy is to grind the tops of all the frets into a uniform lower plane with respect to the intended radius of the fretboard, and then reshape the sides of each fret to a semicircular cross section to restore accurate pitch and consistent playability to every note. Since frets in the lower and middle portions of the fretboard are typically subjected to more wear than the highest notes, each successive fret-leveling operation tends to result in slightly shorter frets near the nut, and slightly taller ones at the dusty end of the fretboard.
After establishing a uniform plane across the tops of the frets, a second consideration is the overall height of the fret. The distance between the depressed string and the fretboard surface significantly changes the feel and playing style of a guitar neck. Put simply, smaller frets will tend to offer more accurate pitch for each note, while larger, taller frets can offer more expressive notes.
When a string is pressed to the fret, our fingertips subtly bend the string sharp as we push toward the fretboard surface. And as our fingertips contact the wood fretboard, the extra finger pressure is distributed, preventing the player from raising the pitch any further. This bending effect is minimized with small frets since they somewhat limit the player from pressing too much and raising notes higher than the intended pitch. In contrast, tall frets can exaggerate a deviation from the intended pitch, but they also allow for a myriad of expressive effects. This is because the player’s fingertips have a high degree of control to bend down toward the fretboard or sideways to alter the nuance of each note.
Regardless of the style or metal alloy, frets will wear over time. They can be leveled a number of times, but once they’re too low to play comfortably, it’s time to replace them to restore playability and expression to your guitar.
The kit can be used on electric, acoustic, classical guitars, bass guitars, as well as mandolins, banjos, ukuleles, and more.
Battle Creek, MI (September 27, 2018) -- GHS Strings is proud to announce an exciting new addition to their line of string cleaning products, the Fingerboard Care Kit.
Guitar maintenance is just as critical to an instrument's sound and playability as a new set of strings. Clean, smooth frets allow for optimal contact of the strings to your instrument, improving the sustain and tone. The GHS Fingerboard Care Kit makes it easy to maintain your instrument's frets and fingerboard. Ideal for all instruments with natural, non-glossy, darker fingerboards, the Fingerboard Care Kit can be used on electric, acoustic, classical guitars, bass guitars, as well as mandolins, banjos, ukuleles and more.
The GHS Fingerboard Care Kit is shipping now, with a MSRP of $10.99. Please contact your local dealer or distributor to order yours today.
For more information:
GHS Strings
Show your fretboard some love, and it will love you right back. Check out this sampling of conditioners.
You change your strings regularly. Awesome! But how much effort are you putting into cleaning and conditioning your fretboard when changing said strings? Your fretboard is where much of the magic happens, so you should be doing whatever you can to prevent unwanted natural occurrences like cracks and loosening frets. You want to keep your fretboard looking nice too, right? This month, we’ve rounded up a sampling of the available products that will help your fretboard play and look its best.
Lem-Oil
Containing no waxes or synthetics, Lem-Oil is specially formulated for fretboards and other oil-finished wood surfaces. It cleans, polishes, protects against drying, and also tones down surface scratches and blemishes.
Fretboard Conditioner
Made with orange oil, this conditioner is formulated to clean and condition without residue on the frets or damage to porous woods. Regular use is intended to prevent warping.
F-ONE Oil
This lemon-oil free conditioner is a complex mixture of ultra-refined tree and seed oils. Never sticky or tacky, the formula penetrates and conditions the wood to dry fast and give a long-lasting new look.
Fret Board Juice
This fretboard conditioner is a safe cleaner and moisturizer, free of any solvents that can loosen frets and inlays over time. Unlike many others, Fret Board Juice contains no lemon or citric oil—only highly refined, ultra-pure mineral oil.
Planet Waves Hydrate Fingerboard Conditioner
This non-buildup treatment formula removes dirt and grime, cleans and conditions dark natural-wood fretboards, and restores natural moisture to fretboards to prevent drying, cracking, and other damage.
Fretboard 65 Ultimate Lemon Oil
This formula will remove grime and quickly help bring a fretboard to its original luster. Once dirt is removed, Fretboard 65 aids in keeping it away by providing an invisible barrier against stains and moisture.
Wonder Wipes Fretboard Conditioner
These individually wrapped wipes quickly nourish a neck with their unique blend of orange, jojoba, and linseed oils that eliminate dirt and grime from a fretboard in one simple swipe. (Package of six.)
Ax Wax
This organic cleaning/polishing/moisturizing formula is safe for the entire instrument as it contains no wax, abrasives, silicones, synthetics, or acids. As a raw-wood conditioner, it helps protect fretboards and bridges in climates from dry to humid.
Fingerboard Conditioner
This conditioner is formulated to restore the natural beauty of porus-wood fretboards. The orange oil lifts sweat and grime from both the frets and fretboard, while the mineral oil protects against drying, warping, and cracking.
Guitar Honey
This unique blend of conditioning oils for rosewood, ebony, and other exotic woods will cleanse and enhance a fretboard’s natural character, giving it a silky feel and glowing sheen while protecting against moisture, sweat, alcohol, and grime.