This month let’s take a look at our old friend distortion and his little brother overdrive. The ‘50s saw the beginning of an ongoing attempt to make amps louder
The transition to a digital world comes closer to being completed each day, and in the meantime a new paradox has arisen. While we have the ability to record
Stevie Ray Vaughan, Eric Johnson, Eddie Van Halen, Zakk Wylde, Steve Morse … how do they get that sound? Chances are the subjects of that question are using a composite signal.
