from the lab

We’re starting with our favorite amp as the basis for our tone, then we’re using a second amp to blend in with the first, creating our composite signal.

It’s been a month – have you acquired that second amp? Picking up from my last article, in the most basic setup, we’re starting with our favorite amp as the basis for our tone. Then we’re using a second amp to blend in with the first to create our composite signal. For the sake of simplicity and building our knowledge one step at a time, we’ll limit this article to talking about using only two amps.

Achieving independent control of each amp is the next step in the two-amp setup. After the signal split, we could put a volume pedal inline to one or both of the amps. We can now blend the amps for different flavors beyond just two straight amps. Also, odds are that at least one of the amps has channel switching. That adds a whole additional layer of possibilities just from two amps, a volume pedal or two, and an A-B-Y box.

What about effects? The wet/dry setup is very effective. We can use the second amp to color and tone-shape the primary amp. Rather than muddy up that great amp we spent all of that money on, we can color and affect the second amp, leaving the first amp’s tone and punch untouched. The primary amp will come roaring through surrounded by, but not masked by, the tone and effects of the second amp. Adding a multi-fx unit with MIDI or channel switching controls in the effects loop of one or both of the amps gives us even more sonic combinations and control than any single amp could ever achieve. In addition to simply adding effects, many of the current effects units on the market today have a CC (Continuous Controller) input that would expand your tonal capabilities even further.


So many of us get locked in the mind set of getting that one "great" amp that''s going to do it all for us, when in fact, sometimes it takes a team effort.

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Julien Baker on the Pedal That “Saved My Butt!” & Heroes Yvette Young & Jann Wasner | The Big 5

Plus, hear why her butterscotch Tele is still her go-to guitar.

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Photo 1

All photos courtesy SINGLECOIL (www.singlecoil.com)

We're getting close to the end of our journey. We've aged most of the metal parts on our project guitar, so now let's take care of the output jack, knobs, back plate, and pickguard.

Hello and welcome back to Mod Garage. This month, we'll continue with the aging process of our Harley Benton DC-Junior project guitar (which is a copy of a 1958 Les Paul Junior Double Cut), taking a closer look at the pickguard while aging the rest of the hardware discussed in the last part of this series ["DIY Relic'ing: Harley Benton DC-Junior Electronics"]. If you need a refresher on our aging process for hardware, refer back to "DIY Relic'ing: Break the Shine" for guidance. You can see the parts we'll be discussing today in their "finished" form, aka relic'd, in Photo 1.

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